Comics critics like myself like to talk about living in the “golden age of reprints,” and indeed, it is exciting (and somewhat astonishing) to see classic stories and strips that often were only glimpsed in anthologies or discussed in glowing terms in historical chronicles (Skippy, King Aroo) finally be made available. Works long regarded by fans as stellar – Little Lulu, Captain Easy – now have the ability to reach an audience beyond the handful of collectors that had the time and resources, or simply the obsessive-compulsive capabilities, to track down the musty old newspapers and crumbling funny books.
And yet. And yet the success of these collection projects has often encouraged publishers to seek out work that might not be worthy of such lavish format and attention. Do we really, for instance, need a complete run of Hagar the Horrible or Wizard of Id in hardcover? Do these humorous but rather mediocre and ephemeral strips really deserve that sort of focus?
More to the point, does Bazooka Joe?
Legal | A federal judge this week made final his Oct. 17 decision that the heirs of Superman co-creator Joe Shuster surrendered the ability to reclaim their 50-percent interest in the property in a 1992 agreement with DC Comics, triggering an almost-immediate appeal to the 9th Circuit by Shuster estate lawyer Marc Toberoff. Jeff Trexler delves into the legal strategy behind the attorney’s motion for final judgment. [The Hollywood Reporter]
Legal | Todd McFarlane has settled his lawsuit against former employee Al Simmons, who earlier this year released a book in which he claimed to be the inspiration for Spawn. McFarlane had accused Simmons of violating the terms of his employment pact and breaching his duty of loyalty. Settlement terms weren’t disclosed. [The Hollywood Reporter]
Continuing our look into what comics and graphic novels lie in wait for us in the year 2013, I thought I’d take a look at Abrams catalog, which also includes books from British publisher SelfMade Hero, which Abrams distributes in the U.S. Here’s what I discovered:
What hath Larry Gonick wrought?
OK, the author of such acclaimed books as the Cartoon History of the Universe and the Cartoon Guide to Genetics isn’t the only person responsible for the glut of nonfiction graphic novels that litter bookstore shelves every year — folks like Scott McCloud and Joe Sacco share some responsibility as well. Still, when considering the plethora of comics about the Constitution, or philosophy or science or history that have come out in the past decade, it’s hard not to see how Gonick’s success has resulted in more and more .
Gonick’s influence is certainly all over Economix, a detailed look at how the economy — specifically, the U.S. economy — operates. Writer Michael Goodwin unabashedly pays homage to Gonick in the acknowledgments and indeed, the book mimics Gonick’s rhythms and format to a tee: Namely, present a fact in the text and then underline or undercut it with a visual joke.
The book is more history lesson than economy textbook, spanning from the medieval era to modern day while pausing every so often to delve into a particular author’s theories, such as those of Adam Smith or John Maynard Keynes.
The main thrust of the book is on American economics, though, and Goodwin doesn’t have any problems letting readers know where he stands. A confirmed Keynesian, he views most conservative, laissez-faire policies as detrimental to the economy and out of touch with reality, to put it mildly. To his credit, he is methodical in his reasoning and fact-checking, and his viewpoint certainly aligns with my own, but I find it hard in this abrasive, partisan age to imagine any reader with the slightest conservative leanings to be willing to regard Goodwin’s thesis with anything less than disdain.
Thursday may have started a bit slow in the news department, but it sure ended with a huge bang. Here’s a roundup of announcements that hit today from Comic-Con International in San Diego:
• Neil Gaiman announced via video that he will write a new Sandman miniseries that will detail what happened to Morpheus to allow him to be so easily captured in The Sandman #1. J.H. Williams III will provide the art. “It was a story that we discussed telling for Sandman‘s 20th anniversary,” Gaiman said, “but the time got away from us. And now, with Sandman‘s 25th anniversary year coming up, I’m delighted, and nervous, that that story is finally going to be told.” The series will be published by Vertigo sometime next year.
• Legendary will also publish the Majestic Files by J. Michael Straczynski, which will feature art by Geoff Shaw and Matt Banning.
• Terry Moore will write a Strangers in Paradise prose novel to coincide with the comic’s 20th anniversary next year. He also plans to do an all-ages comic after Rachel Rising finishes in 30-40 issues.
It’s time once again for our monthly trip through Previews looking for cool, new comics. As usual, we’re focusing on graphic novels, collected volumes and first issues so that we don’t have to come up with a new way to say, “Batwoman is still awesome!” every month. And we’ll continue letting Tom and Carla do the heavy lifting in regards to DC and Marvel’s solicitations.
One cool change this month and for the foreseeable future: I’m joined by Graeme McMillan who’ll also be pointing out his favorites.
Finally, please feel free to play along in the comments. Tell us what we missed that you’re looking forward to or – if you’re a comics creator – mention your own stuff.
The Art of Daniel Clowes: Modern Cartoonist – I admit, I tend to run hot and cold on Clowes’ output, but I’m a sucker for coffee-table career retrospectives, so the idea of taking 224 pages to look back at his career to date (with, of course, the traditional little-seen artwork and commentary) seems like a must-look at the very least. [Graeme]
Rachel Rising, Volume 1: The Shadow of Death – Terry Moore’s latest series gets its first collection and I love the premise of a woman’s waking up in a shallow grave with no memory of how she got there and needing to figure out who tried to kill to her. [Michael]
U.S. art and illustrated book publisher Abrams announced Wednesday it plans to buy London-based graphic novel publisher SelfMadeHero. Financial terms weren’t disclosed for the deal, which is expected to be finalized in the next several weeks.
Founded by Emma Hayley, SelfMadeHero launched in 2007 with its much-publicized Manga Shakespeare line, which reinterprets the Bard’s plays, and Eye Classics, which adapts classic works like A Tale of Two Cities and The Picture of Dorian Gray. The publisher expanded in 2009, adding original fiction, Sherlock Holmes adaptations, and biographies (beginning with the well-reviewed Johnny Cash: I See a Darkness, published in the U.S. by Abrams ComicArts).
Hayley will remain as managing director, but distribution in the U.K. and export markets will be handled by Abrams & Chronicle Books. In spring 2012 SelfMadeHero will launch a North American graphic novel list that includes Chico & Rita by Fernando Trueba and Javier Mariscal, Kiki de Montparnasse by Catel & Bocquet, The Lovecraft Anthology: Volume I edited by Dan Lockwood, But I Really Wanted to Be an Anthropologist by Margaux Motin, and Best of Enemies: A History of U.S. and Middle East Relations by David B. and Jean-Pierre Filiu.
“Having long admired SelfMadeHero’s publishing program and Emma Hayley’s eye and taste for original and exciting graphic novels and material for both adults and children, I’m thrilled to have the opportunity to work with her and her team to bring the books to even larger audiences,” Abrams President and CEO Michael Jacobs said in a statement. “We at Abrams have been looking to expand our reach in the still growing markets for comics and graphics and think that with SelfMadeHero we have found a perfect complement to our existing Abrams ComicArts publishing program.”
Abrams’ comics line includes Diary of a Wimpy Kid, The Art of Jaime Hernandez, Nat Turner, Mom’s Cancer and Whatever Happened to the World of Tomorrow?