Abrams ComicArts Archives - Robot 6 @ Comic Book Resources
Auctions | An original 1939 drawing of Tintin created by Herge for the cover of the weekly magazine Le Petit Vingtième sold Sunday for $673,468 at an auction of French and Belgian comics art held simultaneously in Paris and Brussels. The auction featured 101 works, of which 86 were purchased for a total of $2.4 million. [Agence France-Presse]
Auctions | A copy of The Hulk #181, featuring the first appearance of Wolverine, fetched $8,000 at an auction held Saturday at Back to the Past comics store in Redford, Michigan. [My Fox Detroit]
Retailing | System of a Down drummer John Dolmayan, who shuttered his online store Torpedo Comics in 2010 after about three years in business, is looking to open a brick-and-mortar shop. A brief story notes that while Las Vegas store Comic Oasis, owner Derrick Taylor is partnering with Dolmayan to open Torpedo Comics in January at 8775 Lindell Road, Building H, Suite 150. [Vegas Inc.]
[Editor’s note: Each Sunday, Robot 6 contributors discuss the best in comics from the last seven days — from news and announcements to a great comic that came out to something cool creators or fans have done.]
Jack Kirby’s work from the early 1960s on is so indelible and influential that the enormous amount of work he did with Joe Simon in the years prior often seems to take a back seat to his more recent work. As a result, it often appears as though several chapters in our appreciation of one Kirby’s work and career are missing.
Thankfully, effort has been made lately to rectify that perception. Publishers like Titan Books and Fantagraphics have made an attempt to get some of these pre-code comics under readers’ noses.
Now Abrams has jumped into the ring with The Art of the Simon and Kirby Studio, a lavish, oversize compendium of stories and art (scanned from the original pages) offered in stores in time for the holiday rush.
By the way, the emphasis in that title should firmly be on the word studio. For while Simon and Kirby’s art is well-represented here, editor Mark Evanier takes considerable care in highlighting stories by other artists who worked for the studio, most notably one Bill Draut, a clean-lined Milton Caniff-styled cartoonist whose work I was heretofore unaware of (other featured artists include Angelo Torres, George Tuska and Mort Meskin).
Abrams has announced it will publish a graphic novel adaptation of Ghetto Klown, John Leguizamo’s award-winning one-man Broadway show, under its Abrams ComicArts imprint next year. Leguizamo is working with artist Christa Cassano on the project.
Recently airing as an HBO comedy special, Ghetto Klown takes audiences from the actor/comedian’s memories of his adolescence in Queens, New York, to his involvement in ’80s avant-garde theater to his motion-picture career, introducing some of the colorful characters he encountered along the way.
Science and comics have proved a popular combination lately, as more and more cartoonists here and abroad attempt to tackle real-life topics that don’t involve their love lives (not that there’s anything wrong with that). The latest entry in this category will come in April when Abrams releases Climate Changed: A Personal Journey through the Science by French author Philippe Squarzoni.
The book, which will be 480 pages and cost $24.95, will examine what exactly global warming and its effects are while asking whether we have the ability to stave off the dire predictions that some make. Nonfiction is no stranger to Squarzoni, who has previously completed books about Central American politics and author Richard Brautigan, and this promises to be a highly detailed, heavily researched book.
After the jump you can read Abrams’ official press release:
Conventions | More than 50,000 fans are expected this weekend at Montreal Comiccon, where comics guests include Adam Kubert, Andy Belanger, Becky Cloonan, Bob Layton, Chris Claremont, Dale Eaglesham, Dan Parent, David Finch, Karl Kerschl, Mike Grell and Rags Morales. Last year’s event drew 32,000, but organizers believe the inclusion of celebrity guests will attract significantly more attendees. [Montreal Gazette]
Creators | Artist, writer, and former carnival fire-eater Jim Steranko talks about his career in comics ahead of Nashville Comic Expo, where he will appear this weekend. He talks about learning to read — from comics — when he was a year and a half old, his many adventures outside of comics, and why he chose Nick Fury, Agent of S.H.I.E.L.D. when Stan Lee asked him which Marvel comic he would like to work on: “I could have nailed Spider-Man or Thor or the Fantastic Four, but that meant following Kirby. I might be crazy, but I wasn’t stupid. I pointed to Strange Tales and said I’d tackle the S.H.I.E.L.D. series, which was a Marvel embarrassment — the word ‘wretched’ comes to mind. I didn’t mention it to Stan, but I figured that on this strip, there was nowhere to go but up!” [Nashville Scene]
Publishing | Calvin Reid talks to publisher Josh Frankel, who is relaunching his Zip Comics (the publisher of Harvey Pekar’s Cleveland) as Z2 Comics. The first books under the new name will be reprints of a sort: Paul Pope’s Escapo, which he originally self-published in black and white, and Dean Haspiel’s Fear My Dear, which first appeared as a webcomic at Act-I-Vate. Escapo will be colored and Fear My Dear will be re-colored. The company will publish strictly graphic novels, no periodicals, and they will be distributed by Diamond Comic Distributors. [Publishers Weekly]
Passings | Toledo, Ohio, cartoonist Pete Hoffmann, whose comic strip Jeff Cobb was syndicated nationwide, died last week at the age of 94. Hoffman was also a ghost artist for Steve Roper and illustrated the panel cartoon Why We Say, which explained the meaning behind common sayings. He “got ambitious” and decided to strike out with his own strip, and the result was Jeff Cobb, a serial about an investigative reporter, which ran from 1954 to 1975. In this 2004 interview, he talks about his work and shows off his first published drawing, which appeared in the Toledo Times when he was four years old. [Toledo Blade]
Comics critics like myself like to talk about living in the “golden age of reprints,” and indeed, it is exciting (and somewhat astonishing) to see classic stories and strips that often were only glimpsed in anthologies or discussed in glowing terms in historical chronicles (Skippy, King Aroo) finally be made available. Works long regarded by fans as stellar – Little Lulu, Captain Easy – now have the ability to reach an audience beyond the handful of collectors that had the time and resources, or simply the obsessive-compulsive capabilities, to track down the musty old newspapers and crumbling funny books.
And yet. And yet the success of these collection projects has often encouraged publishers to seek out work that might not be worthy of such lavish format and attention. Do we really, for instance, need a complete run of Hagar the Horrible or Wizard of Id in hardcover? Do these humorous but rather mediocre and ephemeral strips really deserve that sort of focus?
More to the point, does Bazooka Joe?
Legal | A federal judge this week made final his Oct. 17 decision that the heirs of Superman co-creator Joe Shuster surrendered the ability to reclaim their 50-percent interest in the property in a 1992 agreement with DC Comics, triggering an almost-immediate appeal to the 9th Circuit by Shuster estate lawyer Marc Toberoff. Jeff Trexler delves into the legal strategy behind the attorney’s motion for final judgment. [The Hollywood Reporter]
Legal | Todd McFarlane has settled his lawsuit against former employee Al Simmons, who earlier this year released a book in which he claimed to be the inspiration for Spawn. McFarlane had accused Simmons of violating the terms of his employment pact and breaching his duty of loyalty. Settlement terms weren’t disclosed. [The Hollywood Reporter]
Continuing our look into what comics and graphic novels lie in wait for us in the year 2013, I thought I’d take a look at Abrams catalog, which also includes books from British publisher SelfMade Hero, which Abrams distributes in the U.S. Here’s what I discovered:
What hath Larry Gonick wrought?
OK, the author of such acclaimed books as the Cartoon History of the Universe and the Cartoon Guide to Genetics isn’t the only person responsible for the glut of nonfiction graphic novels that litter bookstore shelves every year — folks like Scott McCloud and Joe Sacco share some responsibility as well. Still, when considering the plethora of comics about the Constitution, or philosophy or science or history that have come out in the past decade, it’s hard not to see how Gonick’s success has resulted in more and more .
Gonick’s influence is certainly all over Economix, a detailed look at how the economy — specifically, the U.S. economy — operates. Writer Michael Goodwin unabashedly pays homage to Gonick in the acknowledgments and indeed, the book mimics Gonick’s rhythms and format to a tee: Namely, present a fact in the text and then underline or undercut it with a visual joke.
The book is more history lesson than economy textbook, spanning from the medieval era to modern day while pausing every so often to delve into a particular author’s theories, such as those of Adam Smith or John Maynard Keynes.
The main thrust of the book is on American economics, though, and Goodwin doesn’t have any problems letting readers know where he stands. A confirmed Keynesian, he views most conservative, laissez-faire policies as detrimental to the economy and out of touch with reality, to put it mildly. To his credit, he is methodical in his reasoning and fact-checking, and his viewpoint certainly aligns with my own, but I find it hard in this abrasive, partisan age to imagine any reader with the slightest conservative leanings to be willing to regard Goodwin’s thesis with anything less than disdain.
Thursday may have started a bit slow in the news department, but it sure ended with a huge bang. Here’s a roundup of announcements that hit today from Comic-Con International in San Diego:
• Neil Gaiman announced via video that he will write a new Sandman miniseries that will detail what happened to Morpheus to allow him to be so easily captured in The Sandman #1. J.H. Williams III will provide the art. “It was a story that we discussed telling for Sandman‘s 20th anniversary,” Gaiman said, “but the time got away from us. And now, with Sandman‘s 25th anniversary year coming up, I’m delighted, and nervous, that that story is finally going to be told.” The series will be published by Vertigo sometime next year.
• Legendary will also publish the Majestic Files by J. Michael Straczynski, which will feature art by Geoff Shaw and Matt Banning.
• Terry Moore will write a Strangers in Paradise prose novel to coincide with the comic’s 20th anniversary next year. He also plans to do an all-ages comic after Rachel Rising finishes in 30-40 issues.
It’s time once again for our monthly trip through Previews looking for cool, new comics. As usual, we’re focusing on graphic novels, collected volumes and first issues so that we don’t have to come up with a new way to say, “Batwoman is still awesome!” every month. And we’ll continue letting Tom and Carla do the heavy lifting in regards to DC and Marvel’s solicitations.
One cool change this month and for the foreseeable future: I’m joined by Graeme McMillan who’ll also be pointing out his favorites.
Finally, please feel free to play along in the comments. Tell us what we missed that you’re looking forward to or – if you’re a comics creator – mention your own stuff.
The Art of Daniel Clowes: Modern Cartoonist – I admit, I tend to run hot and cold on Clowes’ output, but I’m a sucker for coffee-table career retrospectives, so the idea of taking 224 pages to look back at his career to date (with, of course, the traditional little-seen artwork and commentary) seems like a must-look at the very least. [Graeme]
Rachel Rising, Volume 1: The Shadow of Death – Terry Moore’s latest series gets its first collection and I love the premise of a woman’s waking up in a shallow grave with no memory of how she got there and needing to figure out who tried to kill to her. [Michael]
U.S. art and illustrated book publisher Abrams announced Wednesday it plans to buy London-based graphic novel publisher SelfMadeHero. Financial terms weren’t disclosed for the deal, which is expected to be finalized in the next several weeks.
Founded by Emma Hayley, SelfMadeHero launched in 2007 with its much-publicized Manga Shakespeare line, which reinterprets the Bard’s plays, and Eye Classics, which adapts classic works like A Tale of Two Cities and The Picture of Dorian Gray. The publisher expanded in 2009, adding original fiction, Sherlock Holmes adaptations, and biographies (beginning with the well-reviewed Johnny Cash: I See a Darkness, published in the U.S. by Abrams ComicArts).
Hayley will remain as managing director, but distribution in the U.K. and export markets will be handled by Abrams & Chronicle Books. In spring 2012 SelfMadeHero will launch a North American graphic novel list that includes Chico & Rita by Fernando Trueba and Javier Mariscal, Kiki de Montparnasse by Catel & Bocquet, The Lovecraft Anthology: Volume I edited by Dan Lockwood, But I Really Wanted to Be an Anthropologist by Margaux Motin, and Best of Enemies: A History of U.S. and Middle East Relations by David B. and Jean-Pierre Filiu.
“Having long admired SelfMadeHero’s publishing program and Emma Hayley’s eye and taste for original and exciting graphic novels and material for both adults and children, I’m thrilled to have the opportunity to work with her and her team to bring the books to even larger audiences,” Abrams President and CEO Michael Jacobs said in a statement. “We at Abrams have been looking to expand our reach in the still growing markets for comics and graphics and think that with SelfMadeHero we have found a perfect complement to our existing Abrams ComicArts publishing program.”
Abrams’ comics line includes Diary of a Wimpy Kid, The Art of Jaime Hernandez, Nat Turner, Mom’s Cancer and Whatever Happened to the World of Tomorrow?