Action Comics Archives - Robot 6 @ Comic Book Resources
Horning in on Batman Day, eBay has announced it will auction a CGC-graded 9.0 copy of Action Comics #1, the finest known copy of the 1938 first appearance of Superman.
Just one other copy of Action Comics #1, the one previously owned by actor Nicolas Cage, has received a 9.0 rating from the Certified Guaranty Company, but it had “cream to off-white pages,” while this comic is considered to be in pristine edition. The Cage issue sold at auction in 2011 for a record $2.16 million; the expectation is, of course, that this copy, owned by collectibles dealer Darren Adams, will fetch a considerably higher price.
“The quality and preservation of this Action #1 is astounding,” Paul Litch, CGC’s Primary Grader, said in a statement. “The book looks and feels like it just came off the newsstand. It is supple, the colors are deep and rich and the quality of the white pages is amazing for a comic that is 76 years old.”
The eBay auction will be held Aug. 10-24, with a portion of proceeds going to the Christopher & Dana Reeve Foundation, which is dedicated to curing spinal cord injury.
You can view the comic on the CGC Comics website.
“The nice thing about coming in to write the New 52 is I don’t have to worry about what came before the New 52. That stuff is great and it can serve as inspiration, but continuity is the devil. [laughs] As a writer, having to slavishly make sense of too much continuity can kill a story. Yes, you want to stay true to the spirit of things, and continuity can absolutely be your friend in creating resonance and a sense of history and paying off certain emotional things – BUT: It was a beautiful, beautiful thing for me walking into the New 52 and being able to look at a small range of stories that had been told, and those are the things that are set in stone, and the rest of it we can make up as we go. We can build the stories that make sense for our characters in order to tell the emotional story that we’re telling.”
– Action Comics and Batman/Superman writer Greg Pak, on juggling different timelines, and different worlds, in the two DC Comics series
Conventions | Organizers anticipate as many as 70,000 people will attend MegaCon, held Friday through Sunday at the Orange County Convention Center in Orlando, Florida, up from about 60,000 last year; that could translate to $23 million impact on the local economy, according to the Orlando Business Journal. Guests include Amanda Conner, Darwyn Cooke, Chuck Dixon, Adam Kubert, Greg Land, Stan Lee, Jimmy Palmiotti, George Perez, Herb Trimpe, Mark Waid and Skottie Young. However, the names drawing the most attention may be The Walking Dead stars David Morrissey, Danai Gurira and Steve Yeun. “We are the first convention in the U.S. to have both David Morrissey and Danai Gurira at the same time,” Jason Smith, MegaCon’s director of operations, told Florida Today. “The show is definitely a fan favorite of our attendees.” [MegaCon]
Fred Guardineer’s cover for Action Comics #15 (dated August 1939), on the fifth cover appearance of the Man of Steel, depicts the superhero aiding a distressed U.S. submarine on the ocean floor. It was purchased by Richard Evans of Bedrock City Comic Company in Houston.
“Guardineer’s cover is the earliest Superman cover art in existence, and an absolute treasure of comics history,” Ed Jaster, senior vice president of Heritage Auctions, said in a statement. “A price like this shows just how much collectors covet a rarity like this.”
A prolific Golden Age writer and artist, Guardineer created Zatara, whose first appearance in Action Comics #1 was overshadowed by the debut of Jerry Siegel and Joe Shuster’s Superman.
The Feb. 20-22 auction in New York City featured more than 1,200 lots, including the second part of the Don and Maggie Thompson collection. Highlights included: a near-mint copy of Amazing Fantasy #15, which sold for $191,200; Jack Kirby and Frank Giacola’s original cover art for Tales of Suspense #84, which fetched$167,300; and R. Crumb’s original art for the three-page story “Ducks Yas Yas” from Zap Comix #0, which went for $101,575.
In the latest — and, quite possibly, final — legal blow to the estate of Joe Shuster, the Ninth Circuit Court of Appeals has denied a petition for a rehearing of its November decision that effectively brought to an end what a three-judge panel described as “the long-running saga regarding the ownership of copyrights in Superman — a story almost as old as the Man of Steel himself.”
Deadline reports that the one-page order closes the door to any more petitions for rehearing before the Ninth Circuit, leaving the Supreme Court as the only option left to attorney Marc Toberoff, who last year pledged, “My clients and I are prepared to go the distance.”
Action Comics is quickly becoming a fan favorite since the creative team of writer Greg Pak and artist Aaron Kuder boarded the series. With the release last week of Action Comics #27, it seemed like a good time to interview Kuder and get him to explain how his experience as a budding electrician had an influence on Lana Lang’s current career choice of electrical engineering.
Crime | A man in Augusta, Georgia, told police someone stole his collection of nearly 30,000 comics from a storage building at his friend’s home sometime between Nov. 13 and Dec. 30. Although the 85 boxes allegedly included signed issues, police valued the comics at just $1 each. [The Augusta Chronicle]
Publishing | ICv2 concludes its three-part interview with Marvel Publisher Dan Buckley with questions about variant covers, Marvel NOW!, and staying in New York City. [ICv2]
Publishing | Heidi MacDonald profiles new graphic novel publisher Magnetic Press, which is spearheaded by former Archaia and BOOM! Studios executives Mike Kennedy and Wes Harris. Magnetic will launch in April with a varied line that will focus strongly, but not exclusively, on translations of French comics. [Publishers Weekly]
“When you think of Superman in the 1950s, only a handful of artists come to mind – and Al Plastino’s one of them. Along with the likes of Wayne Boring and Curt Swan, Plastino brought a level of humanity to Superman that had never been seen before. This amazing, super-human being now had a smile like you or me. He brought out the human side of a modern myth. It was nuanced but game changing. We can’t thank him enough for his work at DC, and we’re thinking of all those close to him during this difficult time.”
– DC Entertainment Co-Publisher Dan DiDio, discussing the work of prolific Superman artist Al Plastino, who passed away at age 91
Prolific artist Al Plastino, who in recent weeks lobbied for the return of his original art for the 1964 story “Superman’s Mission for President Kennedy,” has passed away after a battle with prostate cancer, Mark Evanier reports. He was 91.
Born Dec. 15, 1921 in New York City, Plastino began illustrating for Youth Today magazine after he graduated from the High School of Industrial Arts. His first comics credit was on Dynamic Publications’ Dynamic Comics #2, cover-dated December 1941.
After serving in the Army during World War II, Plastino returned to freelance work and learned in 1948 that DC Comics was searching for a new Superman artist; according to his website, the publisher paid $55 a page at the time. For the next two decades, Plastino drew Action Comics, Adventure Comics, Superboy, Superman, Superman’s Girl Friend, Lois Lane and Superman’s Pal, Jimmy Olsen, and with writer Otto Binder created the Legion of Super-Heroes and Supergirl.
Digital comics | Apple rejected 59 comics this year for in-app buying, although many of them were allowed into the iBookstore. I looked at the phenomenon, and talked to Image Comics Publisher Eric Stephenson about the effect that had on Matt Fraction and Chip Zdarsky’s Sex Criminals, which is available via the comiXology website and Android app, iBooks, and Image’s own website, but can’t be bought in-app from comiXology’s iPad app. “”It absolutely hurt digital sales on Sex Criminals #2,” Stepheneson said. “This is a series that is getting fantastic word of mouth, it’s amazing work by Matt and Chip that is receiving rave reviews and selling out instantly. Not being able to offer the book to curious readers through our app or the comiXology app is a significant deterrent to reaching the widest possible audience.” [Publishers Weekly]
The York (Pennsylvania) Daily Record reports had been conservatively estimated to fetch $50,000 and $75,000, but the historical significance of the issue (cover-dated February 1964), and the timing of the auction — no coincidence, mind you — helped to drive up the price.
The cover shows the Superman greeting a line of well-wishers, including Lois Lane, Supergirl, Batman and Robin, and, somehow, Clark Kent. In the story, “The Superman Super-Spectacular,” written by Edmund Hamilton and penciled by Swan, Superman must figure out who can portray Clark on a television show honoring the Man of Steel so he can protect his secret identity. He ends up turning to President Kennedy, who dons a mask and make-up to shake Superman’s hand on air.
The issue was already so far into production when Kennedy was assassinated on Nov. 22, 1963, that it couldn’t be stopped, and Action Comics #309 was released just days later.
The anonymous seller purchased the original art in the 1970s for $75.
Although the attorney representing the heirs of Superman creators Jerry Siegel and Joe Shuster had vowed they were “prepared to go the distance” in their legal battle with DC Comics, they appear to have reached the end of the road. Of course, that’s been said a few times before.
As Deadline reports, in a 2-1 vote the Ninth Circuit on Thursday tied up the loose ends in what it describes as “the long-running saga regarding the ownership of copyrights in Superman — a story almost as old as the Man of Steel himself,” reaffirming an October 2012 ruling that the Shuster estate is prevented from reclaiming the artist’s stake in the character by a 20-year-old agreement with DC.
“We are obviously very pleased with the court’s decision,” DC’s parent company Warner Bros. said in a statement.
That lower-court decision, which was appealed in May, dealt with a 1992 deal in which the Shuster estate relinquished all claims to Superman in exchange for “more than $600,000 and other benefits,” which included paying Shuster’s debts following his death earlier that year and providing his sister Jean Peavy and brother Frank Shuster with a $25,000 annual pension. In October, U.S. District Judge Otis D. Wright found that the agreement invalidated a copyright-termination notice filed in 2003 by Shuster’s nephew Mark Peary.
Political cartoonists | Michael Cavna looks into a report by the Cartoonists Rights Network International that Syrian cartoonist Akram Raslan was executed in July. Raslan was arrested last year by Syrian security forces and, together with a group of journalists, artists and other “intellectuals,” sentenced to life imprisonment. “Somehow, along the way to prison young 28-year-old Akram Raslan (and possibly others) was peeled off, taken out and executed,” the post said. “He is reported to be in a mass grave somewhere near Damascus.” However, CRNI’s Robert Russell told Cavna they have been unable to confirm the report, which came from a “reliable source” close to Raslan’s family. [Comic Riffs]
Conventions | Heidi MacDonald and Calvin Reid file a comprehensive con report on New York Comic Con, including a conversation with ReedPOP Global Vice President Lance Fensterman and a look at the panels and booths. [Publishers Weekly Comics World]
Conventions | Next week, Salt Lake City will get its first comics convention, Salt Lake Comic Con, which has already sold a reported 23,000 tickets (the event’s website says 20,000). But founder Dan Farr expects attendance to far exceed 40,000, surpassing the 33,000 recorded for New York Comic Con’s inaugural year.[Deseret News, The Salt Lake Tribune]
Conventions | Oni Hartstein, the co-founder of Intervention, talks about why she established the Washington, DC-area convention and why its DIY aspect sets it apart. [Comic Riffs]
Comics strips | Matt Saracini looks at the impact on Australian cartoonists of a cost-cutting decision by media giant News Corp. Australia to replace individual comics pages in their largest newspapers with one national page. In the process, some more expensive locally produced strips were jettisoned in favor for cheaper syndicated ones from overseas, like Garfield and The Phantom. News Corp. owns more than a hundred daily, weekly, biweekly and triweekly newspapers. [SBS.com]
Creators | Syrian cartoonist Ali Ferzat, now living in Kuwait after troops loyal to Syrian President Bashar al-Assad attacked him and broke both his hands, talks about his decision to portray al-Assad explicitly in his cartoons, rather than sticking to more generic themes like freedom and human rights: “It was a big decision to start to draw Bashar and, yes, I was scared of what might happen, particularly when I was attacked. But I had a responsibility to do what I did. If I am not prepared to take risks I have no right to call myself an artist. If there is no mission or message to my work I might as well be a painter and decorator.” [The Guardian]