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If you thought the nearly decade-long legal battle for the rights to the Man of Steel had come to an end last month, think again: On Thursday, the attorney for the Joe Shuster estate asked the 9th Circuit Court of Appeals to overturn an October ruling that the family was prevented from reclaiming the artist’s stake in Superman by a 20-year-old agreement with DC Comics.
At issue is a 1992 deal in which the estate relinquished all claims to the property in exchange for “more than $600,000 and other benefits,” which included paying Shuster’s debts following his death earlier that year and providing his sister Jean Peavy and brother Frank Shuster with a $25,000 annual pension. On Oct. 17, U.S. District Judge Otis D. Wright found that the agreement invalidated a copyright-termination notice filed in 2003 by Shuster’s nephew Mark Peary. Less than three months later, the 9th Circuit overturned a 2008 decision granting the heirs of Jerry Siegel the writer’s 50-percent share of the copyright to the first Superman story in Action Comics #1, effectively granting DC full ownership of the character.
To see what James and the Robot 6 crew are reading, click below …
Hello and welcome to What Are You Reading? To find out what the Robot 6 crew have been reading lately, click below …
In “By the Numbers,” ROBOT 6 takes a look back at the events of the past five days … in numbers.
With Thursday’s announcement that Neil Gaiman is returning to the Marvel Universe and bringing with him Angela, the character at the center of his eight-year legal battle with Todd McFarlane, we’re left to wonder about the whereabouts of Marvelman. We also look at the surprise departures at DC Comics, and what the right price is when you name your own.
In late 2011, when DC Comics relaunched its entire superhero line with the New 52, some characters were completely overhauled while others saw no changes at all. But with the debut last month of Justice League of America’s Vibe, we saw writers Geoff Johns and Andrew Krisberg attempt to transform a D-list character — a comic-book punchline — into a new hero and a force to be reckoned with. The artist tapped to help make that happen was Pete Woods.
Beginning his career in the 1990s an intern at Wildstorm, Woods has quietly become a trusted artist in DC’s stable. He’s had extended runs on Robin and Catwoman, but his most celebrated work came when he partnered with writer Paul Cornell to give Lex Luthor a chance ot shine in Action Comics. Woods recently completed a run on Legion Lost, and split time doing brief stints on Aquaman as well as Marvel’s Avengers Assemble while preparing for his current assignment on Vibe. He’s an artist’s artist, constantly refining his style and innovating in his approach. But he’s also an editor’s artists, consistently meeting deadlines.
I reached out to Woods to talk about his current gig, and discovered he’s in the early days of switching up his style. After years of doing much of his work digitally, Woods decided to return to his roots and draw his pages the traditional way. The computer’s still there for the odd task, but this 17-year comics veteran is going for a fresher, more organic style by doing it all by hand.
With his 19-issue Action Comics saga, Grant Morrison has almost literally written a Superman story for all time. “For every time” might be more accurate, because it plays with chronology like a kid jumbling up a Rubik’s Cube. Morrison begins with tales of Superman’s earliest days, then jumps into the New 52′s present for a couple of issues (bringing in the 31st century’s Legion of Super-Heroes) before wrapping up the first arc and proceeding on to “now.” The result is a macro-level adventure that draws liberally from every era of Superman, blends those disparate elements into a fine pureé, and repositions the mix as a self-reflective epic. This is the Superman legend as alpha and omega, beginning and end, reinvention and restoration, and it’s a heck of a thing.
It’s also a pretty daunting read. I spent about three hours Tuesday night with issues 1 through 17 (and Issue 0, of course) and still didn’t catch every nuance and reference. However, the overall impression is a familiar one: Superman’s real power comes more from the idea of “Superman” than from the effects of yellow-sun rays. On its own this is rather hokey, or at least dismissable as such, and a reader casually flipping through Action Vol. 2 #18 might wonder what all the fuss was about. To be fair, a more dedicated reader might wonder that as well; but I think it’s a lot less likely.
SPOILERS FOLLOW for Action Comics #18 and its predecessors:
Awards | A last-minute reminder: Today is the deadline for Eisner Awards submissions. [Eisner Awards]
Creators | Grant Morrison looks back on his run on Action Comics, which ends today with the release of Issue 18, and touches upon Multiversity and his long-discussed Wonder Woman project: “This is some of the most fun I’ve had in a long time, because it’s a completely different type of comic book. Usually I don’t do masses of research, but for Wonder Woman, I’ve actually been working my way through the entire history of feminism. I want this to be fucking serious, you know? I want this to be really, really good, to reflect not only what women think, but what men think of women. I’m trying to do something really different from what’s been done with the character before. That one’s been amazing fun, because it’s nothing like anything I’ve ever done before.” [Entertainment Weekly]
“Everyone’s trying really hard to do the three-act structure, and write like movies, and do it by the book. You know what you can do in comics? You can do anything. So what I did was to have the impossible happen. There’s a bit in [Action Comics #18] when Superman comes to the audience and says: ‘If we do the impossible, the devil disappears.’ And you go: What? How? Why? I put it in there because nowhere else — you couldn’t get away with it in TV, you couldn’t get away with it in movies. I wanted to show that comics can actually do the impossible. Here’s a comic that would never get by a committee. This is true weirdness. I’m hoping it will be an actual experience for people. I want it to be almost psychedelic on that level. People should go check it out, because it’s Psychedelic Superman.”
Welcome to “Cheat Sheet,” ROBOT 6′s guide to the week ahead. Below you’ll find our contributors’ picks of the comics of the week — from the return of Poison Elves to Grant Morrison’s farewell to Action Comics — and the top events to watch for in the next seven days.
Despite a January appeals court decision that seemed to signal an end to the nearly decade-long battle for ownership of Superman, the family of co-creator Jerry Siegel still holds out hope for victory over DC Comics.
Overturning a 2008 ruling, the Ninth Circuit Court of Appeals found Jan. 10 that the Siegel heirs had accepted a 2001 offer from DC that permits the publisher to retain all rights to the Man of Steel (as well as Superboy and The Spectre) in exchange for $3 million in cash and contingent compensation worth tens of millions — and therefore they were barred from reclaiming a portion of the writer’s copyright to the first Superman story in Action Comics #1.
That decision came less than three months after a federal judge determined the 2003 copyright-termination notice filed by the estate of co-creator Joe Shuster was invalidated by a 20-year-old agreement with DC in which the late artist’s sister Jean Peavy relinquished all claims to Superman in exchange “more than $600,000 and other benefits,” including payment of Shuster’s debts following his death earlier that year and a $25,000 annual pension for Peavy.
Welcome to What Are You Reading?, where the Robot 6 crew shares their picks for who we think should play a young Han Solo. Of course, we unanimously chose Nathan Fillion, so instead we’ll talk about what comics we’ve been reading. Joining us today is special guest Tim Lattie, the creator of Night Stars. Tim is currently running a Kickstarter to raise funds to publish it, so head over there and check it out.
To see what Tim and the Robot 6 crew have been reading, click below.
Seeking to end nearly a decade of litigation, DC Comics has asked for summary judgment in lawsuits brought by the heirs of Jerry Siegel regarding the copyrights to Superman and Superboy.
In a motion filed Thursday in federal court, and first reported by Law360, the publisher’s attorneys assert the Jan. 10 ruling by the Ninth Circuit Court of Appeals that effectively affirmed DC’s ownership of the Man of Steel bars Siegel’s daughter Laura Siegel Larson from moving forward with any claims.
That decision overturned a 2008 ruling that permitted Siegel’s family to recapture his portion of the copyright to the first Superman story in Action Comics #1 under a provision of the 1976 Copyright Act, which seemingly cleared a path for the estate of his collaborator Joe Shuster to do the same this year. That would have given the family of ownership of many of the Man of Steel’s defining elements, including his origin, his secret identity, Lois Lane and certain aspects of his costume and powers (super-strength and super-speed), while leaving DC with such later additions as Lex Luthor, kryptonite and Jimmy Olsen — not to mention the all-important trademarks.
Publishing| Marvel Editor-in-Chief Axel Alonso talks about bringing more Latino characters — and more diversity in general — to the Marvel lineup: “People out there reading our comic books are of all sizes, creeds and colors and it’s our responsibility to make them feel included. This isn’t some PC initiative, this is capitalism. This is about supply and demand.” [Fox News Latino]
Creators | Grant Morrison discusses winding up his run on Action Comics: “Symbolically I’m not a big fan of dealing with politics in superhero comics because I think it diminishes both sides of the argument, but I do have my own take on things. I’ve got my own politics and so they do tend to find their way in. And really for me, its more symbolic, the way story winds up to tackle all those issues and looks at them through the perspective of Superman and Red Kryptonite and weirdness. So it’s gone underground. I think the early Superman was very much more aligned with the anti-establishment, anti-authoritarian current, because I think when Superman started out that he was what entered into.” [Comics Alliance]
Readers will get their first taste of the much-anticipated new Superman series by Scott Snyder and Jim Lee in DC Comics’ gold-edition offering for Free Comic Book Day.
The special issue also will reprint the first part of “Last Son,” the 2006-2008 Action Comics story arc by Geoff Johns, Superman: The Movie director Richard Donner, and Adam Kubert, described as “a great jumping-on point for fans who can’t wait to see Warner Bros. Pictures’ Man of Steel major motion picture.” The story may seem like an odd choice, given that the issue is more than six years old and was released before DC’s linewide relaunch, but it does reintroduce General Zod, the primary antagonist of Man of Steel, even if that continuity no longer exists.
The preview of the Snyder/Lee series, on the other hand, makes perfect sense, as its launch is timed to coincide with the June 14 opening of Warner Bros.’ franchise reboot. While DC has kept details of the new comic close to its vest — has Man of Steel even been confirmed as the title? — Snyder provided ROBOT 6 with a tease early this month.
“We’re going to be introducing a new villain, and we’re going to be trying to do the biggest and most epic Superman story we can!” he said. “So you’ll see the supporting cast — you’ll see Lana, and Lois, and Lex, and Jimmy and Perry. The story itself is really going to put Superman against a threat that will kind of shake him to his core psychologically and emotionally. We’re really really proud of it, and Jim is doing incredible work on it. So we can’t wait for you guys to see it!”
Free Comic Book Day 2013 is May 4.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15 (big “if” this week!), I’d take a break from the struggles of adult life and find sanctuary in the pages of high mythology thanks to Jason Aaron and Esad Ribic’s Thor: God of Thunder #4 (Marvel, $3.99). Aaron and Ribic have really build up an excellent foil for Thor in the God-Killer, and also snuck in the idea of Young Thor and Old Thor – something I’d love to see expounded upon in their own series or one-shot (hint-hint). Second up would be the startling potent promise of Star Wars #1 (Dark Horse, $2.99). I never thought I’d see Brian Wood do a Star Wars comic, but I’m so glad he is – and seemingly doing it on his own terms. Thinking of him writing Princess Leia, and the potential there specifically has been rolling around in my brain for weeks. Third, I’d get two promising artist-centric series (at least for me) in B.P.R.D.: Hell On Earth — Abyss Time #1 (Dark Horse, $3.50) and TMNT: Secret of the Foot Clan #1 (IDW, $3.99). James Harren and Mateus Santolouco, respectively, are two artists I’ve been keen on for the past year and both of these books look like potential breakouts to a bigger stage. On the TMNT side, I’ve always thought Shredder and the Foot Clan to be one of the most overlooked great villains in comics, so I’m glad to see some focus on that and some potential answers.
If I had $30, I’d continue my super(comic)market sweep with Womanthology: Space #4 (IDW, $3.99). This series has two things I love: new, young creators and a space theme. I’ve been on a space opera/sci-fi kick for a while now thanks to Saga and re-reading some Heinlein, so this anthology series comes to me most fortuitously. Next up would be Legend of Luther Strode #2 (Image, $3.50). Luther Strode is a real down-and-out kind of hero, like some sort of action-based Charlie Brown. Tradd Moore’s artwork really makes this sing, too. Finally, I’d get two Marvel books with Secret Avengers #36 (Marvel, $3.99) and Wolverine and the X-Men #23 (Marvel, $3.99). I’m gritting my teeth on the latter – not because it’s bad, but because it isn’t as good for me as the previous arcs. For Secret Avengers, I feel Rick Remender and Matteo Scalera’s run on this has been sadly overlooked in the wave of Marvel NOW books, but this mega-arc about the Descendents and now Black-Ant has been great. I’d love to see Black-Ant as a permanent part of the Marvel U.
If I could splurge, I’d throw practicality out the door and shell out big bucks for the Black Incal deluxe hardcover (Humanoids, $79.95). There’s few times I’d spend nearly 80 bucks on a comic, but this classic story by Alejandro Jodorowsky and Moebius is one of those once-in-a-blue-moon kind of things. This has been reprinted numerous times (I have an older one), but I’m re-buying the story here for the deluxe treatment this volume has with its large size.