AdHouse Books Archives - Robot 6 @ Comic Book Resources

Talking Comics with Tim | Jesse Jacobs on ‘Safari Honeymoon’

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It is fair to say a newlywed couple experiences a honeymoon like no other, on myriad life-changing levels, in writer/artist Jesse Jacobs‘ new Koyama Press book Safari Honeymoon — and jungle madness is only the beginning of what transpires. Jacobs’ art belies any description that accurately conveys the complexity and intoxicating absurdity of his work.

In this interview, I gain insight into his creative approach, among other areas of interest.

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HeroesCon ’14 | More day 1 photos

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As I noted in the intro to the first round of HeroesCon 2014 Day 1 photos, I tried to cover a lot of ground in taking photographs. It turns out I got around to so many people on the first day that I needed to split the photos into two posts. Now on with part II!

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‘I can’t ever just leave it alone!’: Chatting with Noah Van Sciver

AD.YouthIsWasted.cvr_Layout 1“Is Noah Van Sciver the finest cartoonist of his generation?”

That’s the question I posed a few months ago on this very blog. Anyone who’s been following his work, whether via his one-man, self-published anthology Blammo, various minicomics like The Death of Elijah Lovejoy or his critically acclaimed graphic novel about Abraham Lincoln The Hypo would likely be asking something similar. While there is plenty of competition among Van Sciver’s peers for the “finest cartoonist” title, over the past few years he’s consistently made a case for wearing that crown by methodically building a body of work that was engaging, funny, featured sharply detailed characters and encompassed a variety of genres.

Now AdHouse has published Youth Is Wasted, a collection of short stories taken from Blammo, and various other anthologies. It’s a good introduction to Van Sciver’s world for newcomers, as well as a reminder to Hypo readers that he’s not some one-hit wonder.

In honor of the book’s release, I recently chatted with Van Sciver about the new book, as well as his new mini from Oily Comics, The Lizard Laughed.

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AdHouse Books holds warehouse sale

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Dark Horse Digital isn’t the only one having a sale right now. To make room for “a fair amount of inventory coming to the warehouse this season,” AdHouse Books is holding a sale of their own.

If you haven’t checked out Duncan the Wonder Dog, Driven by Lemons, Pope Hats or any of the other comics and graphic novels they have on sale from Jim Rugg, Farel Dalrymple, Stuart Immonen and Joey Weiser, among others, head on over there and grab them while they’re cheap.

The sale runs through May 25.

Katie Skelly on ‘Operation Margarine’

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April 2014 marks two years since the release of Katie Skelly‘s Nurse Nurse. In one of those great coincidences, this is also the month that sees the release of Skelly’s new book, Operation Margarine.

Her narrative focus has shifted from Nurse Nurse‘s futuristic sci-fi vibe to the motorcycle road trip (and accompanying drama as well as conflict, plus a few nuns) of Operation Margarine. It was a delightful surprise to learn her new work’s connection to Roland Barthes’ Mythologies.

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Noah Van Sciver’s ‘Youth Is Wasted’ does indeed arrive in June

Youth is WastedBefore that fancy Street Angel hardcover arrives, AdHouse will release Noah Van Sciver‘s Youth Is Wasted in June — which unfortunately was left out of the current issue of Previews.

As Publisher Chris Pitzer says on the AdHouse blog, “we are still printing it on time and we need to get copies sold.”

Youth Is Wasted collects several of Noah Van Sciver’s most outstanding short stories from his critically acclaimed, award nominated comic book series Blammo as well as various anthology submissions,” the publisher’s site states. “Noah’s previous work was Ignatz nominated and featured in Best American Comics 2011.”

Retailers can still order the book from Diamond, though, using Diamond Order Code: FEB14 8208. The 112-page collection retails for $14.95.

AdHouse to release hardcover of Jim Rugg’s ‘Street Angel’

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AdHouse will collect Jim Rugg and Brian Maruca ‘s classic Street Angel into a fancy 176-page hardcover. According to The Comics Reporter, the collection will resemble AdHouse’s Afrodisiac volume (which was, indeed, pretty fancy). It also looks like the publisher is releasing a slipcase version so you can house your copies of Afrodisiac and Street Angel in one place.

If you’ve never experienced Street Angel, originally released by SLG Publishing, here’s the description from AdHouse’s site:

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Katie Skelly’s ‘Operation Margarine’ collection due in April

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AdHouse announced last summer their plans to publish a collection of Operation Margarine, Katie Skelly’s follow-up to the delightful Nurse Nurse, one of my favorites from 2012. And now it’s got a release date — April 2014.

Like Nurse Nurse, Operation Margarine began life as a series of self-published comics. Here’s a synopsis from the publisher’s site: “Trouble tuff girl Bon-Bon and rich girl runaway Margarine make a motorcycle escape from the mean streets of the city to the desolate roads of the desert, holding their own against the elements, biker gangs, and each other.”

Check out a preview of the book below.

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Gregory Benton talks art, universal narratives and ‘B+F’

AD_BplusF_press_Page_01New York-based cartoonist Gregory Benton has had a whirlwind of a year, with his self-published graphic novel B+F winning the 2013 MoCCA Award of Excellence and getting picked up for a joint French/English publication.

However, the ideas for what became B+F were created in the middle of Benton losing almost everything. The characters of B+F (“B” is the yellow dog and “F” is the woman) were first dreamed up by him in the aftermath of a massive storm in 2011 that flooded his studio, washing away years of his most precious art. That very real conflict of man versus nature lit a fire in Benton, leading him to doodle those two characters.

Fast-forward to today and Benton is back on top, with AdHouse Books and Éditions çà et là partnering to publish the mostly worldless graphic novel with its scheduled premiere in a matter of days.

B+F follows the titular dog and human as they trek across an otherworldly landscape of mountains, monsters, and fiery fauna. B and F face many obstacles, and find unique ways to overcome them — even sometimes involving dying and being reborn.

ROBOT 6 spoke with Benton about the unique path B+F took to creation, and how he won MoCCA’s Award of Excellence but was too busy printing the book to attend the awards ceremony.

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Six by 6 | Six comics I got at CAB that you should buy too

From "The Mysterious Underground Men by Osamu Tezuka

From “The Mysterious Underground Men by Osamu Tezuka

Last weekend I went to Comic Arts Brooklyn. I bought a lot of comics. Here are six that I think are really good, and I think you should try to find as well.

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The ‘Supermag’ story: An interview with Jim Rugg

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Jim Rugg is an interesting and fun guy to talk to. The Pittsburgh-based cartoonists, whose resume includes such diverse genre work as Street Angel, Adventure Time and the Plain Jane series for DC’s late Minx imprint, is someone who has clearly studied comics -– and certain comic artists specifically -– very closely, and has a genuine fascination and curiosity for what makes the medium work and what doesn’t. If you want to talk comics, he’s the guy to corner at the bar after the convention (be polite and introduce yourself first though, please).

Rugg has a new comic out, a magazine-formatted, one-man anthology of sorts from AdHouse titled Supermag, which features a number of short stories done over the past few years as well some illustrations and other new material. It’s a pretty nifty package.

I chatted with Rugg over email about Supermag, his frequent collaborations with writer Brian Maruca and the podcast he hosts over at Boing Boing, Tell Me Something I Don’t Know. I look forward to the opportunity when I get to talk to him about comics some more.

How did the idea for Supermag come about and how did the initial concept change (if at all) as you started to put it together? 

Supermag began as an early- to mid-90s period comic. My plan was to create an Afrodisiac comic using the processes, materials, storytelling vernacular, and style of that era – a comparison would be something like 1963. As we worked on that idea, I struggled to make all the elements work the way I wanted. As I continued to work on it, it morphed into a magazine/comic/art project.

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Talking Comics with Tim | Pope Hats’ Ethan Rilly

Pope Hats 3

It’s not every month that we get to discuss a new issue of Ethan Rilly‘s Pope Hats, but here we are. This month, AdHouse is releasing Pope Hats 3 and giving readers a chance to enjoy the latest in the unique lives of law clerk Frances Scarland and her pal Vickie (among many other distinctively engaging characters).

In an interview with Robot 6, the Toronto-born/Montreal-based storyteller talks about his view on creating covers, the impact of winning a 2008 Xeric Grant, and his inclusion of the late, great Spalding Gray in his latest issue. As much as I enjoyed reading Issue 3, as a longtime fan of Gray’s writing, I was apoplectic when I found Rilly had worked him into a strip in the latest Pope Hats installment.

Tim O’Shea: First off, a little historical perspective. Last year the Xeric Grants came to an end for comics. You won a Xeric Grant back in 2008. How instrumental was the grant to getting Pope Hats off the ground?

Ethan Rilly: It seems like 10 years ago … Of course it was a great help. It covered printing and shipping costs for the first issue. I can’t say at that point I knew exactly what I wanted to do with the series as a whole, but the seeds were there, and the grant definitely helped get the ball rolling. It’s rare as a cartoonist to receive any financial support for this type of personal work, so I was fortunate. I sometimes do freelance illustration and I get a taste of things going in the other direction—bending your creative energies toward a pre-established need. Doing your own weird exploratory thing is always best.

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Food or Comics? | Duck or Doctor Who

Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.

Check out Diamond’s release list or ComicList, and tell us what you’re getting in our comments field.

Doctor Who #1

Chris Arrant

If I had $15, I’d catch up on Joe Keatinge and Andre Szymanowicz’ Hell Yeah with the first trade, Vol. 1: Last Days On Earth (Image, $9.99). I admit to dropping off after the second issue, but it’s always something I wanted to get back to; and reading Keatinge’s interviews on the more recent issues has pushed me over the top. If nothing else, $9.99 for five issues is a good deal. After that I’d get Avengers Vs. X-Men #12 (Marvel, $4.99). Of all the group-written issues, Jason Aaron’s seems to have been the most organized and engaging, so I’m glad they opted to have him do the finale. Seeing Adam Kubert on this is surprising, as his previous issues of Avengers Vs. X-Men felt rushed – but previews of this issue show him more measured and confident, like his Astonishing Spider-Man and Wolverine work, also with Aaron.

If I had $30, I’d double back and gleefully grab Thomas Herpich’s White Clay (AdHouse, $4.95). When I first heard about this the onus of Adventure Time was heavy given the cartoonist works on that show, but after seeing the previews and hearing Chris Pitzer talk about this book I’m in for it. I’d also get the debut issue of Andy Diggle’s Doctor Who #1 (IDW, $3.99) with artist Mark Buckingham. Bucky’s a real treat here, and I’m interested to see what he does with Diggle’s words – and what exactly Diggle does. I’m okay if it’s not Lenny Zero – but that would be nice too. Finally, I’d get Uncanny X-Force #32 (Marvel, $3.99). At one time this was my favorite book coming from the Big Two, but it seems to have grown long in the tooth; I’m not confident enough to say Rick and crew are doing something wrong, as maybe it’s just me. But the first 18 issues had a special kind of magic, and that doesn’t seem to remain here in these issues. But still, I’m in ’til the end.

If I could splurge, I’d get The Nao of Brown (SelfMadeHero, $24.95) by Glyn Dillon. I admit I already received an advance review copy of this book, but if I didn’t I’d surely have it on pre-order. A read a review where they compared to this to Gene Yang’s American Born Chinese, but I think that’s a mere surface examination. After reading this (and flipping through it a dozen times since), this is just a pure coming-of-age story that reminds me more of Hope Larson or a very chatty Adrian Tomine. Very great, very great.

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My SPX 2012 photo diary

Another Small Press Expo has come and gone, and I have the empty wallet to prove it. My official SPX report appears at Comic Book Resources. You can also hear me blathering on about the show with Joe McCulloch and Matt Seneca over here. Short recap: It was a great show, arguably the best SPX I’ve been to in a long while.

Despite my self-induced reputation as a horrible photographer, I opted to take photos at the show anyway.

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Food or Comics? | Gyoza or Godzilla

Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.

Check out Diamond’s release list or ComicList, and tell us what you’re getting in our comments field.

Conan the Barbarian #7

Chris Arrant

If I had $15, it’d be an eclectic bunch featuring Jesus clones, retired spec-ops workers, environmentalists and Batman. First up would be Punk Rock Jesus #2 (DC/Vertigo, $2.99), following Sean Murphy’s big-time foray into writing and drawing. Murphy’s delivering the art of his career, and while the story might not be as great as the art, it still has a synchronicity to the art that few other mainstream books have these days. After that I’d get Dancer #4 (Image, $3.50); Nathan Edmondson seemingly made his name on writing the spy thriller Who Is Jake Ellis?, and this one takes a very different view of the spy game – like a Luc Besson movie, perhaps – and Nic Klein is fast climbing up my list of favorite artists. After that I’d get Massive #3 (Dark Horse, $3.50), with what is disheartedly looking to be the final issue of artist Kristian Donaldson. No word on the reason for the departure, but with a great a story he and Brian Wood have developed I hope future artists can live up to the all-too-brief legacy he developed. Delving into superhero waters, the next book I’d get is Batman #12 (DC, $3.99), which has become DC’s consistently best book out of New 52 era. Finally, I’d get Anti #1 (12 Guage, $1). Cool cover, interesting concept, and only a buck. Can’t beat that.

If I had $30, I’d jump and get Creator-Owned Heroes #3 (Image, $3.99); man, when Phil Noto is “on” he’s “ON!” After that I’d get Conan te Barbarian #7 (Dark Horse, $3.50). I’ve been buying and reading this in singles, but last weekend I had the chance to re-read them all in one sitting and I’m legitimately blown away. The creators have developed something that is arguably better than what Kurt Busiek and Cary Nord started in 2003 and shoulder-to-shoulder with the great stories out of the ’70s. This new issue looks to be right up my alley, as Conan takes his pirate queen Belit back to his frigid homeland in search of a man masquerading as Conan. Hmm, $7 left. Any other Food or Comic-ers want to grab some grub?

If I could splurge, I’d excuse myself from the table dining with my fellow FoCers and get Eyes of the Cat HC (Humanoids, $34.95). I feel remiss in never owning this, so finally getting my hands on the first collaboration between Moebius and Alexandro Jodorowsky seems like a long time coming. I’m told its more an illustrated storybook than comic book, but I’m content with full page Moebius work wherever I can get it.

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