SDCC: Marvel's "Doctor Strange" Combats "Death and Pain" in New Trailer
Comic Books, Film
Legal | Rico J. Vendetti of Rochester, New York, was sentenced to 20 years in prison Wednesday for planning a 10 home-invasion robbery that led to the death of 78-year-old comic book collector Homer Marciniak. According to prosecutors, Vendetti had been running eBay scams for years, selling merchandise shoplifted by others, and planned to do the same with Marciniak’s $30,000 collection of comics, which dated back to the 1930s. During the home invasion, the robbers hit Marciniak, threatened him and tied him up; he died shortly afterward. Vendetti pleaded guilty to a federal racketeering charge. Co-defendant Donald Griffin, who admitted hitting Marciniak, was also sentenced to 20 years in prison this week. [Buffalo News]
Retailing | The New York Times pays a visit to a comics store that’s unusually hard to find: Joseph Koch’s Comic Book Warehouse, which is tucked away in an industrial area in Sunset Park, Brooklyn. There’s no sign on the door to the second-floor shop, but at the moment Koch is doing the majority of business online, selling comics in bulk to overseas retailers: “If you go to a comic book store in Iceland,” he said, “they’ll probably know who I am.” In New York, not so much, but he has plans to make the store more amenable to walk-in customers. [The New York Times]
Awards | Journalist and author Ta-Nehisi Coates, who’ll write Marvel’s new Black Panther series, has won the National Book Award for nonfiction for his acclaimed memoir Between the World and Me; he was awarded a prestigious MacArthur “genius grant” in September. Noelle Stevenson’s Nimona was shortlisted for the National Book Award for young people’s literature, making the 23-year-old cartoonist the youngest finalist ever. However, Neal Shusterman won in that category for his novel Challenger Deep. [The New York Times]
Publishing | Filip Sablik, BOOM! Studios’ president of publishing and marketing, describes the company’s announced cutback in the number of titles as a contrarian move: “All of the major mainstream comic publishers are pushing out more titles. Since February’s ComicsPro meeting, it’s something we’ve consistently heard from the front lines of the industry. So we decided to swim upstream a bit by trimming back our line and really focus, doubling down on our marketing and our positioning for each title, believing that a sniper-like approach would yield better profitability.” [ICv2]
Drawn & Quarterly has announced the October release of Killing and Dying, the newest collection of Adrian Tomine’s long-running Optic Nerve series. This year marks the 20th anniversary of the cartoonist’s acclaimed comic.
“D+Q first published Adrian Tomine’s comics in 1995 and in the ensuing two decades it’s been a real privilege to see how he has continued to evolve as an artist, a writer, and overall as a cartoonist,” publisher Chris Oliveros said in a statement. “Killing and Dying just might be my favorite book by Adrian. We’ve come to expect from him an eloquent visual sensibility and insightful, complex storytelling, but there’s something else going on here: these stories are darkly funny, and they’re tinged with a very particular acerbic wit that we haven’t seen all too often before this.”
In an interview with The New Yorker, Tomine reflects on the evolution of Optic Nerve — he began self-publishing the comic at age 16 — and why he’s stuck with the “pamphlet” format.
Passings | Retailer, creator, superhero fan and occasional crime-fighter Geoffrey Patterson Sr. died Sunday at age 72. The owner of Geoffrey’s Comic Shop in Gardena, California, Patterson created the character Captain Greedy, who appeared on local access TV and in the shop, as well as in comics. “Patterson was well-known for his eccentric love of super heroes,” writes Jordan England-Nelson. “His home in Torrance is decorated inside and out with super-hero statues, wooden cutouts and other comic book memorabilia. The home would get hundreds of visitors on Halloween, when Patterson would hand out comic books with candy and let people check out his superhero-themed graveyard.” And Patterson chased down purse snatchers and other wrongdoers on several different occasions, at least once while wearing his Captain Greedy costume. [The Daily Breeze]
Every month there are hundreds of new comics and graphic novels released, and dozens if not scores of them are noteworthy for one reason or another. Sadly, no matter how much time one spends reading comics, there are only so many hours in a day, and blog posts in a month. Here then are shorter reviews of every new graphic novel or somehow interesting or important new comic I read in July that I didn’t get a chance to cover.
Flowers of Evil, Vol. 6 (Vertical): Each successive volume of Shuzo Oshimi’s increasingly psycho psychodrama has upped the ante considerably, ending with a cliffhanger that positions our protagonist Takao on the precipice of some new, life-altering, no-turning-back-now crisis. This one’s no different, but now that the series in its sixth volume, the stakes don’t seem like they can get any higher.
Takao and the two young women in his life — troubled troublemaker Nakamura and his one-time crush and former model student Saeki — are all growing more and more psychologically unbalanced. Saeki seems to grow even more fixated on Takao the more he spurns her and becomes more fixated on Nakamura, ultimately even showing one of the “Something’s maybe not quite right with this lady” signs from Single White Female.
This volume opens with a police investigation of the events of the last volume, continues with Takao and Saeki both going a little nuts as they suffer withdrawal from the people they’re respectively obsessed with, features Takao’s parents trying to take a hard line and get him back under control, has Nakamura committing, threatening and asking for violence done with a baseball bat and climaxes with Takao and Nakamura about to engage in a violent public act that, if not actually terrorism, has gotta be getting pretty close to it.
Those dispirited by the end of the Brooklyn Comics and Graphics Festival now have another show to look forward to: Comic Arts Brooklyn, presented by Desert Island Books (which is owned by Brooklyn Comics and Graphics Festival co-founder Gabe Fowler).
Set for Nov. 9 at Mt. Caramel Church and the Knitting Factory in Williamsburg, Brooklyn, the inaugural event will feature such guests as Paul Auster, Michael DeForge, Lisa Hanawalt, David Mazzucchelli, Art Spiegelman and Adrian Tomine. Programming is being directed by cartoonist and editor Paul Karasik.
According to the press release, “CAB is a curated exhibition of some of the best local and international artists and publishers working in comics, graphic illustration and fine art: from the cutting-edge underground to the established, respected artists in the field.”
Read the announcement below:
Hello and welcome to another edition of What Are You Reading?, where each week we talk about comics and other stuff we’ve been checking out lately. Today we welcome special guest Joshua Williamson, writer of Masks and Mobsters, Captain Midnight (which has been running in Dark Horse Presents), Uncharted, Voodoo and much more.
To see what Joshua and the Robot 6 crew have been reading, click below …
Awards | Although the website for the 40th Angoulême International Comics Festival is down, several outlets managed to pick up on the official selections for the 2013 festival, to be held Jan. 31-Feb. 3. Contenders for book of the year include Big Questions by Anders Nilsen, Daytripper by Gabriel Ba and Fabio Moon, Fables by Bill Willingham, Matthew Sturges and others, The Hive by Charles Burns, The Nao of Brown by Glyn Dillon, Paying For It by Chester Brown, and The Walking Dead Vol. 16 by Robert Kirkman and Charlie Adlard. Fatale Vol. 1 by Ed Brubaker and Sean Phillips, and The Green River Killer by Jeff Jensen and Jonathan Case were among those named in the crime comic category. [BoDoi]
Publishing | Bluewater Productions Publisher Darren G. Davis isn’t afraid to talk about real numbers: Bluewater’s income is about $2 million a year, and the most popular titles sell 5,000 to 10,000 copies apiece, although others never make it out of the triple digits. And while he admits he doesn’t have a thick skin, Davis says he has gotten used to criticism: “I’ve learned that I’m not my company. When they attack my company, they are not attacking me personally.” [The Columbian]
It’s not every month that we get to discuss a new issue of Ethan Rilly‘s Pope Hats, but here we are. This month, AdHouse is releasing Pope Hats 3 and giving readers a chance to enjoy the latest in the unique lives of law clerk Frances Scarland and her pal Vickie (among many other distinctively engaging characters).
In an interview with Robot 6, the Toronto-born/Montreal-based storyteller talks about his view on creating covers, the impact of winning a 2008 Xeric Grant, and his inclusion of the late, great Spalding Gray in his latest issue. As much as I enjoyed reading Issue 3, as a longtime fan of Gray’s writing, I was apoplectic when I found Rilly had worked him into a strip in the latest Pope Hats installment.
Tim O’Shea: First off, a little historical perspective. Last year the Xeric Grants came to an end for comics. You won a Xeric Grant back in 2008. How instrumental was the grant to getting Pope Hats off the ground?
Ethan Rilly: It seems like 10 years ago … Of course it was a great help. It covered printing and shipping costs for the first issue. I can’t say at that point I knew exactly what I wanted to do with the series as a whole, but the seeds were there, and the grant definitely helped get the ball rolling. It’s rare as a cartoonist to receive any financial support for this type of personal work, so I was fortunate. I sometimes do freelance illustration and I get a taste of things going in the other direction—bending your creative energies toward a pre-established need. Doing your own weird exploratory thing is always best.
One of the more interesting, art-focused and idiosyncratic comic conventions around, the Brooklyn Comics and Graphics Festival, will take place this weekend.
The bulk of festival will be held from noon to 7 p.m. Saturday at Our Lady of Mount Carmel Church, located in the Williamsburg section of Brooklyn, N.Y. The show has expanded considerably, however, to include a number of other events, including gallery shows and a film festival.
“Where I was in Brooklyn, I don’t think I would have even known that there was a major storm happening,” says Adrian Tomine, the artist of next week’s cover, “Undeterred.” He continues,
Legal | South African President Jacob Zuma has formally withdrawn his defamation lawsuit against cartoonist Jonathan Shapiro (who goes by the pen name Zapiro) and will pay a portion of his court costs as well. Zuma dropped part of the case last week, a claim of 4 million rand for “impairment of dignity.” A spokesman for Zuma said the president had more important things on his mind and didn’t want to set a precedent that “may have the effect of limiting the public exercise of free speech.” [The Citizen]
Passings | The Catalan artist Jose Luis Ferrer, who signed himself simply “Ferrer,” died Monday of a brain tumor. Ferrer’s work appeared in 2000AD, Starlord and other British comics, but he was an international artist with work published in Germany, France, Sweden and the United States as well. [Down the Tubes]
Hello and welcome to What Are You Reading?, where every week we talk about the comics, books and other stuff topping our reading list. Our special guest today is Rafer Roberts, creator of Plastic Farm–“The strange, terrifying, and hilarious story of Chester Carter’s messianic journey through madness and self-loathing.” Roberts is currently raising money for the second volume on Kickstarter.
To see what he’s been reading, along with the Robot 6 crew, click below …