Axel-In-Charge: Extending "Secret Wars," Excitement for a "Totally Awesome Hulk"
In interviews I typically stay away from the “how did you get started in comics” question, but periodically I’ll delve into a question about a book dedication, hopeful for an interesting answer. I was hopeful with good reason with this week’s interview with writer Sam Humphries about the new Dark Horse hardcover collection of Sacrifice, by Humphries and artist Dalton Rose. To learn the death of his father was the push Humphries needed to pursue writing comics was a moment that gave me pause.
In fact, the book itself — about Hector, who through an epileptic seizure departs from modern time and space, back to when the Aztec civilization was in its prime — stopped me in my tracks. Storytelling that maps a psychedelic journey in a coherent and fascinating manner is no easy feat, but Humphries and Rose have accomplished it. Dark Horse’s collection of the self-published series will be released Wednesday.
Tim O’Shea: On a most rudimentary level, let’s talk about the logo design for Sacrifice. Who designed it, [comics designer] Dylan Todd or Dalton Rose?
Sam Humphries: Dylan Todd. Sacrifice largely takes place in the past, but it’s not a stodgy period piece. I wanted the design to reflect a modern sensibility without ignoring the core of the story, which is the Aztec Empire. It was a difficult balance but Dylan killed it. He gave Sacrifice a “face” to people who had never seen the story.
Announced in August, the four-issue miniseries teamed Spencer with Demo artist Becky Cloonan for what was supposed to be a tale of a teenaged Doom as he journeyed into Hell to save the spirit of his mother.
“Really proud of the scripts and hope to get to work with @beckycloonan sooner rather than later,” Spencer wrote on Twitter.
The news follows a round of layoffs at Marvel last month that included the project’s editor Alejandro Arbona, as well as the cancellations of Alpha Flight, All-Winners Squad and Iron Man 2.0 (the latter also written by Spencer).