X-POSITION: Bennett Talks "Years Of Future Past's" Teenage Mutant Savior Heroes
To help promote its UFC 181 pay-per-view event, the UFC turned to DC Comics for a comic book-style poster, created by Howard Porter and Alex Sinclair.
The result, which showcases the card’s two title fights — Robbie Lawler vs. Johny Hendricks and Anthony Pettis vs. Gilbert Melendez — was unveiled Friday during a press conference.
A lifelong fan of mixed martial arts, the former JLA and Flash artist said he was thrilled when asked by DC to illustrate the poster.
Comic-Con International has debuted Jim Lee’s cover for the 2014 souvenir book, which celebrates the 75th anniversary of Batman’s introduction in Detective Comics #27.
Colored by Alex Sinclair, the image of the Dark Knight crouching on one of Gotham City’s ubiquitous gargoyles during a thunderstorm is penciled and inked by Lee (a rarity, as his work is typically inked by Scott Williams). Details about T-shirts bearing the illustration are promised soon.
Hello everyone, Happy Memorial Day weekend to America, and welcome one and all to What Are You Reading? This week we are joined by special guests Brandon Montclare and Amy Reeder, the creative team behind Halloween Eve and the upcoming Rocket Girl. I spoke to them earlier this month about Rocket Girl, which surpassed its Kickstarter goal but you still have some time to get in on the action and rewards.
To see what Brandon, Amy and the Robot 6 crew have been reading, click below.
On the heels of its Comic-Con-exclusive Flashpoint #1 variant cover, DC Comics has announced it’s offering a similar — well, recolored — wraparound edition for attendees of FanExpo Canada, held Aug. 25-28 at the Metro Toronto Convention Centre. The cover, by Andy Kubert, Sandra Hope and Alex Sinclair, will be available for $10 at the FanExpo Canada exclusives booth. Kubert is a featured guest at the convention, which means you could even get the variant signed, if you’re so inclined.
Comic-Con International has unveiled the cover art for this year’s souvenir book, featuring the core of DC Comics’ new Justice League lineup by Jim Lee, Scott Williams and Alex Sinclair. The 192-page book will be available for free to attendees of the July 21-24 event in San Diego.
The image will also grace the Official CCI 2011 T-shirt, which will be available at the Comic-Con Boutique (Booth #2515) for prices ranging from $18.95 to $24.95, depending on size. More details about the souvenir book, T-shirt and other convention exclusives are available on the Comic-Con website.
Even at 34 pages, the first issue of Flashpoint feels like it’s missing something.
This is not exactly a surprise. The very premise of Flashpoint is that lots of things are missing, including Superman, the Justice League, and a generally-peaceful world. Mainly, the world of Flashpoint is short on hope — and so is issue #1.
To be sure, while the story itself is fairly bleak, it’s told in compelling fashion by writer Geoff Johns, penciller Andy Kubert, inker Sandra Hope, and colorist Alex Sinclair. Barry Allen wakes up in a world that would have made George Bailey jump off that bridge without a second thought, and by the end of Flashpoint #1 he has little reason to think his old life will ever return. Nevertheless, under Geoff Johns, Barry has literally become an avatar of hope, unironically intoning the Blue Lantern motto “all will be well.” Never mind the reset button implied in most alternate-reality scenarios — by itself, Johns’ history with the character all but promises Barry’s ultimate triumph. If Flashpoint lives up to that promise, and subsequent issues have as much excitement as this first issue has nihilism, it could be one of the great big-event miniseries.
That’s a big “if,” though. The first issue necessarily comes with a good bit of exposition, and Flashpoint risks its readers being lost in a myriad of apocalyptic scenarios and changed characters. Flashpoint might also become nothing more than a framework for all those tie-in miniseries and one-shots. However, Johns wisely keeps the focus on Barry and just a couple of significant allies. Maintaining that focus is the key to this miniseries, and it’ll be the measure of Flashpoint’s success.