Alexis Frederick-Frost Archives - Robot 6 @ Comic Book Resources
James Sturm has had a rich and varied career, as the creator of critically acclaimed graphic novels such as Market Day, the writer of the Eisner Award-winning miniseries Fantastic Four: Unstable Molecules, and the head of the Center for Cartoon Studies in Vermont. A few years ago he embarked on something new: Adventures in Cartooning, a book that encourages children to draw their own comics. The book, co-created with Andrew Arnold and Alexis Frederick-Frost and published by First Second, was a big hit, as was its sequel, Adventures in Cartooning Activity Book. Now he’s back, just in time for the holidays, with Adventures in Cartooning Christmas Special, which features a grouchy Santa, high-tech elves, and a yeti. I talked to James about the new book and why he enjoys creating comics for children.
Robot 6: Before these books came along, I was more familiar with your work for adults, such as Market Day. What do you like about making comics for children, and how does it challenge you?
James Sturm: As a parent, I’m constantly trying to figure out how to communicate with my own kids in ways that are age-appropriate and engaging without being patronizing. So for starters I’m much more aware of my audience. That said, I find writing for kids more liberating than confining. There’s a goofy and silly side to my writing that comes out that doesn’t for more mature audiences.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I only had $15, I’d walk out a happy camper despite only having one book, because that book is 20th Century Boys, Vol. 22 (Viz, $12.99). While your typical American comics fan may have no idea who Naoki Urasawa is, he is in my mind undoubtedly the best cartoonist working today. Twenty-two books in and he hasn’t let up, delivering comics’ example of long-run storytelling perfection a la Sopranos. Friend is one of the most terrifying villains I’ve seen in comics in some time, and the mad assemblage of childhood pals out to stop him are some of my most treasured fictional friends.
If I had $30, I’d come back to comic stores on an American tip, starting off with Godzilla: Half Century War #2 (IDW Publishing, $3.99) by James Stokoe. I missed this when the first issue came out, but since then I’ve found it and relished its pure cartooning chaos. The first issue was an ideal debut, and I’m interested to see Stokoe take Lt. Murakami to Vietman in the ’60s for the ongoing war on Godzilla. After that I’d get the satisfying chunk, Dark Horse Presents #16 (Dark Horse, $7.99). I’ve been repeating the same praises every month, so let me try to spin it differently. This new issue, I have little idea what’s in it besides the return of Crime Doesn’t Pay; there’s a new series by Jimmy Palmiotti and Justin Gray in it I have heard nothing about, but DHP has re-built its track record of excellence and I’m fine spending $7.99 sight unseen. My final pick would be Daredevil #18 (Marvel, 2.99). Chris Samnee is quite different than the original artists on the book, but is excelling with Mark Waid in a new way — and that’s good. Instead of aping what had gone before, Samnee assuredly gives us his own style that would make any true fan of art in comics smile.
Oh ,wait, I found some money. I know, I’ll buy Memorial, Vol. 1 (IDW, $24.99). I missed this in singles, and this hardcover looks like the perfect chance to me to make up for past mistakes. These covers by Michael WM Kaluta really get my heart beating, and I’ve been wanting to read more of Chris Roberson on his own. The preview on IDW’s website gives me the impression it’s got down-to-earth personality amidst a fantasy world, and reminds me of classic supernatural fiction like A Wrinkle in Time or The Lion, the Witch and the Wardrobe.