Vaughan & Chiang's "Paper Girls" Builds a Familiar Yet Disconcerting World
Book Expo America is the annual trade show where publishers promote their upcoming books to retailers and librarians. BEA is all about books, but comics and graphic novels are a growing presence. Diamond had a dedicated area, as it has in previous years, several comics publishers had their own booths, and several of the big publishers featured graphic novels alongside their other titles, most notably Hachette, which gave quite a bit of space to Yen Press.
I spent Friday at the show looking at which books the publishers were drawing the most attention to. Here’s a very subjective account of what I saw.
Kid stuff! Children’s and YA graphic novels have been hot for a couple of years, and the news that Raina Telgemeier’s Sisters is getting a 200,000 copy initial print run got a lot of buzz. Of course, the BEA crowd has been on board with her work for a while, and they lined up in droves for her book signing. The same was true of Jeff Kinney, who was signing copies of The Wimpy Kid School Planner at the Abrams booth; the crowd just kept on coming. And the staff at the BOOM! Studios table were hustling as attendees grabbed copies of their Adventure Time and Bravest Warrior collections as well as their third original Peanuts graphic novel, Peanuts: The Beagle Has Landed, which takes Snoopy to the moon.
Editor, comics collector and designer Craig Yoe has an ideal subject for his latest coffee table-ready anthology: Lewis Carroll’s Alice and the myriad ways in which she has appeared in comics, almost since the medium existed. What makes the subject so perfect for such a book is that it’s so broad that it’s impossible to even attempt to be comprehensive, or even all that representative.
As Mark Burstein, the president of the Lewis Carroll Society of North America, notes in his introduction to Alice in Comicland, appearances by characters from Carroll’s Alice books, references and allusions to the works, and the instances of direct and palpable influence by them in comics are simply innumerable. In 2003, he and some colleagues put together a book titled Pictures and Conversations: Lewis Carroll in the Comics: An Annotated International Bibliography, and they tracked some 500 comic books in which Alice characters appear. That was a decade ago.
Now, Alice in Comicland is only about 170 pages long. You could fill a collection five times as big with Batman comics in which he fights villains derived from the Alice books. You could fill books bigger still collecting all of the horror or action or sexually exploitative material derived from Carroll’s Alice stories. The almost-astronomical breadth of the subject matter thus gives Yoe and company a pretty valuable pass from any critics. Why isn’t this here, or why is that there instead of that other thing? Such second-guessing is natural to a reader, and I found myself wondering why there’s a Superman comic rather than a Batman comic, for example, or why there’s no mention of, say, Tommy Kovacs and Sonny Liew’s Wonderland or Roger Langridge’s Snarked or any weird Zenescope books or manga or that Hatter M comic or whatever. But the answer’s obvious, isn’t it? It can even come in the form of a (bander)snatch of dialogue from Alice’s Adventures in Wonderland: No room! No room!