Axel-In-Charge: Extending "Secret Wars," Excitement for a "Totally Awesome Hulk"
Creators | Michael Cavna talks to cartoonist Richard Thompson in-depth about his Parkinson’s disease, its effect on his cartooning, and the brain surgery he had this year to combat it, and shows the cartoon Thompson drew during the surgery. The story includes an update on how Thompson has been doing since the surgery and interviews with other cartoonists, including a rare comment from Calvin and Hobbes creator Bill Watterson, about Thompson’s work and his struggle against the illness. [Comic Riffs]
Publishing | The French satirical weekly Charlie Hebdo, whose offices were firebombed in 2011 after it published cartoons mocking Mohammed, has released a comic-book biography of the Muslim prophet. Editor Stephane Charbonnier, who has lived under police protection since the magazine first published the cartoons, says the biography is a properly researched educational work edited by Muslims: “I don’t think higher Muslim minds could find anything inappropriate.” [AFP]
Legal | Iranian cartoonist Mahmoud Shokraiyeh has been sentenced to 25 lashes for a cartoon he drew that depicted Arak Member of Parliament Ahmad Lotfi Ashtiani in a soccer jersey. [The Daily Cartoonist]
Publishing | In a wide-ranging interview, Dynamite CEO Nick Barrucci talks about the comics market, the demise of Borders, digital comics and the slump in book sales: “[T]here are more and more trade paperbacks and hard covers coming out, so there’s less chance of getting as much attention as you’re used to, and reorders are down because of it. As the number of trade paperbacks and graphic novels increases, the number of SKUs increases, the number of units sold per SKU is decreasing. There are very few exceptions to this. I remember looking at the Diamond chart from a month or two ago and the bestselling trade paperback that month was 7,000 units. It might even have been a Walking Dead trade paperback, and as much as two years ago the bestselling trade paperback sold 12-15,000 units.” [ICv2]
Everyone knows the central role that Jewish writers and artists have played in the history of comics, from Siegel and Shuster to Lee and Kirby to Eisner to Spiegelman to Bendis. But what of the female members of the tribe? That’s the question at the heart of “Graphic Details: Confessional Comics by Jewish Women,” a traveling art exhibit curated by Michael Kaminer and Sarah Lightman. Following a stint in San Francisco, the show re-opens this coming Thursday, February 17, at the Koffler Gallery Off-Site at the Gladstone Hotel in Toronto. Focusing on the role that Jewish women have played in the development of the autobiographical comic — arguably the genre responsible for the medium’s new-found respectability over the past three decades — it boasts contributions from Miss Lasko-Gross (that’s her grabber of an image above) Vanessa Davis, Sarah Glidden, Miriam Katin, Aline Kominsky-Crumb, Diane Noomin, Trina Robbins, Ariel Schrag, Lauren Weinstein, and many more. I know a person named “Sean T. Collins” is dubiously qualified to use Yiddish, but I could plotz over seeing original art from that line-up.
Click here to see the Koffler Centre’s impressive suite of events revolving around the exhibit, and click here for the Graphic Details blog.