Creators | Anime legend Hayao Miyazaki, who announced his retirement just two months ago, is reportedly drawing a samurai manga set during the Warring States Period. Asked on the Japanese television show Sekai-ichi Uketai Jugyō over the weekend how the 72-year-old filmmaker will spend his retirement, Studio Ghibli producer Toshio Suzuki replied, “I think he will serialize a manga. From the beginning, he likes drawing about his favorite things. That’s his stress relief.” He also confirmed the manga’s setting before cutting off the line of questioning with, “He’ll get angry if I talk too much. Let’s stop talking about this.” Miyazaki has illustrated several manga over the past four decades, most notably the seven-volume Nausicaä of the Valley of the Wind. [Anime News Network]
Libraries | Mitch Stacy takes a look at the new Billy Ireland Cartoon Library and Museum at Ohio State University, which is scheduled to open this weekend with a gala celebration. [ABC News]
Alison Bechdel, who’s acclaimed now for her graphic memoirs Fun Home and Are You My Mother?, was previously best known for Dykes to Watch Out For, her long-running comic strip that chronicled the lives of a group of lesbian friends (it’s also where the frequently referenced “Bechdel test” originated, although she didn’t coin the term). In 2008, after more than two decades, she placed the strip on an indefinite hiatus to work on her second memoir; however, the cartoonist soon suggested other factors — a shrinking number of gay and alternative weeklies, a changing political climate — contributed to her decision.
But just how indefinite was that hiatus? Asked by Comic Book Resources in 2009 about a possible return to the comic, Bechdel said, “I don’t mean to be coy. I just doubt that it’s going to be really viable. I was able to eke out a living from it for a long time, but I just don’t know if that’s going to continue to be possible. For various reasons, I had to take a break from it. I’m not saying I won’t go back to it, I just think it’s doubtful.”
Now, more than four years later, she’s reconsidering that stance.
Calling Alison Bechdel’s Fun Home “pornographic,” a conservative Christian group in South Carolina is criticizing the College of Charleston’s selection of the acclaimed graphic novel as recommended reading for incoming freshmen. The school, however, is standing by its choice.
The Eisner Award-winning 2006 memoir, which details Bechdel’s childhood with her closeted gay father, his apparent suicide and her own coming out as a lesbian, is part of the annual “The College Reads!” program, which provides free copies of the selected works to full-time faculty and new students. The books aren’t required reading.
However, Fun Home was labeled “A Shocking Summer Reading Assignment” by Palmetto Family, an advocacy group whose “vision is to transform the culture in South Carolina by reclaiming the values and virtues of marriage, the traditional family model and sexual purity.”
“If this book were a magazine it would be wrapped in brown paper,” Palmetto Family President Oran Smith is quoted as saying. “We reviewed every book assigned in SC this year. Many were provocative. This one is pornographic. Not a wise choice for 18-year-olds at a taxpayer-supported college.”
Hello and welcome to What Are You Reading?, our weekly look at all the comics and other stuff we’ve been reading lately. Our special guests today are Brendan Tobin and Pedro Delgado, who run the March MODOK Madness site. And with this being March, the madness is in full swing, so head over there to check out a lot of fun art featuring everyone’s favorite big-headed villain.
To see what Brendan, Pedro and the Robot 6 crew have been reading, click below.
- Alison Bechdel’s Are You My Mother?: A Comic Drama
- Leela Corman’s Unterzakhn
- Sammy Harkham’s Everything Together: Collected Stories
- Spain Rodriguez’s Cruisin’ With the Hound: The Life and Times of Fred Toote
- Chris Ware’s Building Stories
The winner will be announced April 19. This is the fourth year that graphic novels have been included, and not surprisingly, given that this is a book award, the selections generally have an artistic/literary bent.
Unlike the Eisners, the LA Times awards do not accept nominations from the field; the three judges in each category are responsible for making the selections. Unlike the Eisners and other comics awards, the LA Times doesn’t make a big deal over who the judges are; I couldn’t find a list anywhere, although past judges get a mention here and there.
Anyway, given that any set of awards nominations is really just a starting point for discussion, feel free to comment on what books should — and shouldn’t — have made the shortlist.
Publishing | DC Comics may no longer hold the rights to create new stories about The Spirit and other pulp heroes like Doc Savage and The Avenger, but it does retain the license to publish The Spirit Archives for “the foreseeable future,” according to Denis Kitchen, agent for the Will Eisner estate. Most of the hardcover collections are out of print. [The Beat]
Digital comics | Third time’s the charm for retailer Steve Bennett, as he goes through three different tablets (one was stolen, one malfunctioned) on his way to the ideal digital comics experience. [ICv2]
Creators | Tom Spurgeon kicks off his annual round of holiday interviews with a lengthy conversation with Alison Bechdel, creator of Fun Home and Are You My Mother? [The Comics Reporter]
Welcome to another edition of What Are You Reading?, where today we welcome special guest Ron Marz. Marz has written everything from Green Lantern to Witchblade, and you can currently find him working on comics like Artifacts, Prophecy, Blackburn Burrow and The Ride: Southern Gothic. He also writes the column Shelf Life for Comic Book Resources and can be found on Twitter.
To see what Ron and the Robot 6 crew have been reading, click below.
Graphic novels | A musical based on Alison Bechdel’s acclaimed 2006 graphic memoir Fun Home will open the fall season of the Public Lab series of the Public Theater in New York City. Featuring music by four-time Tony Award nominee Jeanine Tesori and book and lyrics by Tony nominee Lisa Kron, the show is scheduled to run from Oct. 17 through Nov. 4 at the Shiva Theater. [The New York Times, The Public Theater]
Creators | Gilbert Hernandez guests on the comiXologist podcast to talk about Love and Rockets and what he has been reading lately. [comiXology]
Creators | Brian Wood and Ming Doyle talk about their new comic Mara, which will debut from Image Comics in December and features a volleyball player with superpowers in a world where sports and warfare are no longer so far apart. While Wood is not really a sports fan, he is fascinated by the portrayal of athletes in popular culture: “‘This is tied into the superhero thing, recognizing parallels between the two,’ Wood says. ‘I think there’s a lot to talk about there and part of me feels I’ll need more than one comic series to do it in. We’ll see.’” [USA Today]
Retailing | DC Comics dominated bookstore graphic novel sales in August, probably because of the release of The Dark Knight Rises and a “buy two, get one free” sale on DC graphic novels at Barnes & Noble. Six of the Top 10 titles are Batman comics, with The Walking Dead, Watchmen, Avatar: The Last Airbender and Naruto each taking a slot as well. [ICv2]
Creators | Judge Dredd writer John Wagner talks about the origins of his character, the importance of U.K. publisher DC Thomson, and his dislike of digital comics. [The Daily Record]
Creators | Nick Spencer guests on Kieron Gillen’s podcast to discuss Morning Glories. [Kieron Gillen's Workblog]
Passings | Douglas Phillips, who drew many stories over the years for the rough-and-tumble British boys’ comics The Rover and The Victor, has died at the age of 85. [Blimey!]
Creators | Green Lantern writer (and DC chief creative officer) Geoff Johns is returning to his hometown, Detroit, to appear at a comics shop and the Arab American National Museum, promoting Baz, the first Arab-American Green Lantern. Johns himself is of Lebanese descent. [Detroit Free Press]
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15, I’d start things off with Hawkeye #1 (Marvel, $2.99). David Aja’s built up a great track record from his run on Iron Fist to his various one-off issues in and around the Marvel Universe, so seeing him re-team withIron Fist co-writer Matt Fraction is something special. Without creators like these I’d probably balk at a Hawkeye series, but they make this a must-buy. After that I’d get another first issue, Image’s Harvest #1 (Image, $3.50). AJ Lieberman’s quietly written a number of great stories, and this one seems pretty inventive. I might’ve waited for the trade on this, but newcomer Colin Lorimer’s art on it makes me think he’s going to be a big deal and I need to know about it. For the bronze in my $15 pile, it’s Avengers Vs. X-Men #9 (Marvel, $3.99). This week, Jason Aaron and Andy Kubert take point, re-teaming from their great but under-appreciated Astonishing Wolverine and Spider-Man series from a while back. Lastly, I’d get Daredevil #16 (Marvel, $2.99) because Waid is bringing his A-game, and the recent addition of Chris Samnee only makes it even more impressive. The previews for this issue shows guest appearances by Ant-Man, Doctor Strange and Iron Man, so it’ll be interesting to see how Waid factors them into Matt’s world.
If I had $30, I’d get Thief of Thieves #7 (Image, $2.99), which is becoming one of my favorite Image books and Nick Spencer’s finest at the moment. Having Shawn Martinbrough draw it only helps. After that, I’d get Earth 2 #4 (DC, $2.99). James Robinson is really living up to the “New 52” moniker by giving us one of the most imaginative and different takes on the DCU, and Nicola Scott is drawing up a storm here. After that, I’d tie things up with RASL #15 ($4.99). Jeff, you get my money sight unseen.
If I could splurge, I’d take a chance and order Absalom: Ghosts of London (2000 AD, $17.99) because it looks pretty great. British cops governing over an ages-old pact between the English government and hell? Hell yeah.
Retailing | Heidi MacDonald reports on the retailer lunch at Comic-Con International, where spirits were running high after an exceptionally good year, with sales up 13 percent over 2011. Retailers shared success stories, Diamond Comic Distributors offered incentives for new businesses, and MacDonald pulled out an interestingly eclectic list of titles that are spurring sales, including The Walking Dead, Saga, and Jeffrey Brown’s cat cartoons and Vader and Son. [Publishers Weekly]
Publishing | ICv2 talks to the Viz Media executives about a range of topics, including the stabilization of the manga market, new interest from comics retailers, the shift to digital, and an uptick in the popularity of shoujo (girls’) manga. [ICv2]
1.) It seems appropriate to begin a discussion of Alison Bechdel’s Are You My Mother?: A Comic Drama with an anecdote about myself, rather than something about the cartoonist, her book or its subject matter.
I used to work at a library that was in the midst of reorganizing certain sections of its adult collection along a more bookstore-like model, with books of certain genres being grouped together to be more browsable than the previous, more standard set-up, which had all the non-fiction shelved according to the Dewey Decimal System and fiction by the author’s name.
One day I and another librarian were pulling memoirs to put in the newly designated memoir section, and she mentioned something about a “Mommy Didn’t Love Me Enough” books, which I didn’t quite catch. “Oh,” she explained, “That’s what I call some of these memoirs, ‘Mommy Didn’t Love Me Enough Books.’ Once you get past the particulars, that’s what a lot of them boil down to.”
Are You My Mother? is Bechdel’s follow-up to Fun Home, her 2007 memoir about her father, and focuses on her other parent. As I was reading, I suddenly recalled that conversation from a few years ago, and wondered what my former co-worker would have made of this book, provided she would be able to read all that much of it before giving up.
I have to assume she would regard it as the nee plus ultra of “Mommy Didn’t Love Me Enough” memoirs.
Only in comics instead of prose.
Are You My Mother is one tough nut of a book. Dense, analytical, filled with allusions to classic literature and psychoanalysis, it consciously resists easy interpretation or tried and true conventions. It’s an adventurous, thoughtful and fascinating book — I have no qualms about recommending it — but it’s chilly and distancing, and I suspect it will frustrate many readers, even those who cherished author Alison Bechdel’s previous book Fun Home.
Mother is in many ways a direct sequel to Fun Home, Bechdel’s highly touted and incredibly successful (at least in comic book terms) memoir of her father. It’s not impossible to come to Mother never having read any of Bechdel’s previous work, but the book refers directly to issues raised in Fun Home, so being acquainted will undoubtedly help.