Why The Russos Are The Best Thing to Happen to the MCU Since Joss Whedon
This month marks the re-release of Kevin Huizenga‘s Gloriana (originally self-published in 2001, then first collected by Drawn & Quarterly in 2004). The writer/artist recently accepted my invite for an email interview about the new 96-page hardback edition, which includes four stories (The Groceries, The Sunset, The Moon Rose and Basketball). I was particularly pleased to talk to Huizenga about Basketball, given how he notes in the interview working on that story proved “surprisingly emotional for me at the time”. My thanks to Huizenga for taking my questions (and correcting me when I was misinformed with some aspects of my queries).
Tim O’Shea: Back in 2004 Tom Spurgeon interviewed you. At that time you were increasingly using computers with your work, also you discussed with Tom experimenting with the size of your original art (trying to work on larger pages). How large are the pages now that you work with and have you incorporated computers more into your work?
Kevin Huizenga: Readers of your website will be fascinated to hear that I draw at about 150%. As far as computers, doesn’t everyone use them for everything now? I fix and edit in Photoshop and have done so for many years now. I’m pretty sure everyone else does too, but I don’t use tablets or anything like that—it’s still pen and paper. I’ve been using the same scanner since 2000! An Epson. Now that I’ve said that I’m sure it will break tomorrow.