Ellis & Masters' 007 Has All the Vices the "James Bond" Films No Longer Allow
Comic Books, Film
Written by Charles Soule; Illustrated by Allen Gladfelter
I said in the weekend’s What Are You Reading that I wasn’t sure what to make of the lucha libre genre. “I can easily embrace the sillier aspects of it,” I said, “but it’s off-putting to me that people in the stories always seem to take the luchadors so seriously. We’re asked to believe that the ridiculous masks are badges of honor that command respect. Strongman plays around with that idea and I appreciate that about it.”
Having finished the book, I’m not sure that “plays around with” is the right verb. What Strongman seems to do is acknowledge the irony of the concept, but ends up defending it. As writer Charles Soule says in the press release for the book, “The real-life luchadors were incredible, larger-than-life figures. They were basically real-world superheroes – many of them never took their masks off in public. These people were big deals. And I thought a story that played with their legend a bit, while remaining respectful could be something special.” Okay, so Soule uses “played with” too. Maybe that is what he’s doing. I’m not the best person to judge.
As an outsider to the lucha libre world, I see movie titles like Mil Máscaras vs. the Aztec Mummy and Santo vs. the Vampire Women and I think, “Awesome!” I’m not however thinking about how much I respect El Santo and Mil Máscaras. I mean, no more than I respect Indiana Jones or Batman.
More plus Robot 13 below the cut.