Marvel's "Jessica Jones" Will Go "All the Way Dark," Promise Rosenberg & Loeb
Artist Cat Staggs and her partner, writer/actor Amanda Deibert, star in a pretty great new spot for Target in which they discuss their hopes for their baby, all while the nursery is magically furnished around them.
Staggs is probably best known for her Star Wars and Smallville Season 11 work, and Deibert for her television writing, but they recently collaborated on a story for DC Comics’ digital-first Sensation Comics Featuring Wonder Woman #1.
Last week saw the return of Sensation Comics to store racks, as DC Comics repurposed the long-defunct title for a new Wonder Woman anthology series, featuring stories by rotating creative teams that debut online as part of the publisher’s digital-first initiative. It’s a strategy the company previously used for similar anthologies Legends of the Dark Knight and the soon-ending Adventures of Superman.
It’s a great idea, and one well past due. Unlike Batman and the Man of Steel, Wonder Woman has long been confined to a single solo title, with fewer miniseries, specials and one-shots, and is more often subject to drastic new directions, due to a perceived notion the character needs to be “fixed.”
The current Wonder Woman series is a good example of this, with Brian Azzarello, Cliff Chiang and company reintroducing the character with an “Everything you thought you knew was wrong!” origin, accompanied by a weird and dark backstory for the Amazons, and a London setting for the heroine.
Last time I checked in with Wonder Woman, the title character was the demigod daughter of Zeus and Hippolyta and had become the goddess of war, dispatching her foes with magic swords — and when she’s really in a pinch, she takes off her power-dampening Amazon bracelets, which allows her to “power-up” into a sort of glowing Super-Wonder Woman.