Amazon.com Archives - Robot 6 @ Comic Book Resources

Bootleg ‘Assassination Classroom’ T-shirt triggers petition, outrage

keep calm-assassination classroom

Nearly 10,000 people have signed an online petition demanding Amazon remove a bootleg T-shirt with the slogan “Keep Calm and Kill Your Teacher,” inspired by Yūsei Matsui’s popular manga Assassination Classroom.

Debuting in 2012 in Weekly Shonen Jump, the supernatural comedy-adventure centers on a class of misfits devoted to killing their new teacher, an alien octopus with incredible powers who has just destroyed most of the moon and is threatening to do the same to Earth.

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Comics A.M. | Is Tokyopop planning a comeback?

Tokyopop

Tokyopop

Manga | Is former manga powerhouse Tokyopop coming back? Once the largest publisher of manga in North America, the company stopped publishing new manga in 2011, but didn’t go bankrupt and never really went away. Tokyopop is selling many of its “global manga” titles digitally and in print, on demand, and it ‘s planning panels at both Anime Expo in Los Angeles and Comic-Con International in San Diego. On his blog, CEO Stu Levy drops a few hints, saying he’s “rebuilding” Tokyopop. [Tokyopop]

Digital comics | Rob Salkowitz analyzes the latest news from Amazon and comiXology and suggests there’s more to the story than meets the eye. While fans may view the renewal of Marvel’s deal with comiXology as a story about a digital comics service, Salkowitz says it’s really about bringing comics to the mass market through Amazon: “Kindle isn’t Amazon’s platform for reaching comic book readers. It’s Amazon’s platform for reaching all readers. comiXology counts its revenues in millions. Amazon counts its revenues in billions. Moving these titles from a superior specialty app to an inferior mainstream app isn’t a big deal for existing fans but it’s a huge potential expansion of the market.” [ICv2]

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Comics A.M. | Singapore agency pulls grant for Sonny Liew GN

The Art of Charlie Chan Hock Chye

The Art of Charlie Chan Hock Chye

Graphic novels | The National Arts Council of Singapore has withdrawn a $8,000 publication grant for Sonny Liew’s graphic novel The Art of Charlie Chan Hock Chye, a biography of the Singaporean comics pioneer that depicts some tumultuous events in the nation’s history. “We had to withdraw the grant when the book The Art of Charlie Chan Hock Chye came out because its sensitive content, depicted in visuals and text, did not meet our funding conditions,” said Khor Kok Wah, senior director of the literary arts sector of the NAC. He did not specify what the “sensitive content” was, but the book makes satirical references to Singaporean politics and history. The publisher, Epigram, will return the $6,400 that was disbursed already and will cover the NAC’s logo on the book cover with a sticker. The book will be published next year in the United States by Pantheon. [Straits Times]

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Amazon and Hachette end bitter pricing feud

amazon-logoAmazon and Hachette Book Group announced today they’ve brought their bitter, months-long dispute to an end with a new multi-year contract that will allow the publisher to set its own ebook prices.

“This is great news for writers,” Hachette CEO Michael Pietsch said in a statement. “The new agreement will benefit Hachette authors for years to come. It gives Hachette enormous marketing capability with one of our most important bookselling partners.”

Although details of the agreement weren’t revealed, the new ebook terms will take effect early next year; however, the companies said they’ll immediately resume “normal trading.” Amazon similarly reached a new contract last month with Simon & Schuster.

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Amazon reveals best comics and graphic novels of 2014

chast-cant we talkReminding us that the holiday-shopping season is closer than we think, the editors of Amazon.com have announced their Best Books of 2014, which naturally includes comics and graphic novels.

Roz Chast’s graphic memoir Can’t We Talk About Something More Pleasant?, a National Book Award finalist and winner of the inaugural Kirkus Prize for nonfiction, we selected best in the category; the list is organized in best-selling order.

  • The Terrible and Wonderful Reasons Why I Run Long Distances, by The Oatmeal and Matthew Inman (Andrews McMeel)
  • Can’t We Talk about Something More Pleaseant?, by Roz Chast (Bloomsbury)
  • Saga Deluxe Edition, Vol. 1, by Brian K. Vaughan and Fiona Staples (Image Comics)
  • Seconds: A Graphic Novel, by Bryan Lee O’Malley (Ballantine)

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Is Amazon opening a brick-and-mortar store in New York City?

AmazonAmazon’s long-rumored plans for a brick-and-mortar store appear to be materializing in Midtown Manhattan — possibly in time for the holiday-shopping season. Or maybe they’re not.

According to The Wall Street Journal, the online giant is set to open a location at 7 W. 34th St., across from the Empire State Building, that will serve as a mini-warehouse, with limited inventory for same-day delivery, product exchanges and online-order pickups, as well as a distribution center for couriers. The newspaper’s sources cautioned those plans could change.

However, The New York Times questions whether we’ll see an Amazon store “any time soon” at that location, noting the retailer is taking over the entire 12-story building for what construction and real estate executives contend will be offices and a distribution center.

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Comics A.M. | ‘Attack on Titan’ conquers bookstores in June

Attack on Titan, Vol. 1

Attack on Titan, Vol. 1

Publishing | The latest BookScan numbers reveal June was a good month for manga in bookstores, with eight volumes of Attack on Titan making the top 20 — a new record. The first volume topped the list, which means new readers are still discovering Hajime Isayama’s dark fantasy. Overall, manga had a slight edge, with 11 titles, and all three volumes of Saga were on the list, but only one volume of The Walking Dead. And despite the Amazon-Hachette battle, the Yen Press title Sword Art Online: Aincrad made the chart. [ICv2]

Publishing | ICv2 and Comichron’s John Jackson Miller joined forces to calculate the size of the entire comics market, including the direct market, bookstore and digital channels, and both single issues and graphic novels. Inevitably some things get left out, such as subscription services, sales to libraries and the juggernaut that is the Scholastic Book Fair, but it’s a good snapshot. The bottom line: $850 million in 2013. [Comichron]

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Amazon selects best comics & graphic novels of the year, so far

Afterlife With Archie

Afterlife With Archie

If you’re searching for some summer reading, Amazon’s Best Books of the Year So Far For 2014 is a pretty good place to start.

Led by Roberto Aguirre-Sacasa and Francesco Francavilla’s Afterlife With Archie: Escape From Riverdale, the Comics & Graphic Novels division is as diverse as you’d probably expect, with entries ranging from Jonathan Hickman and Nick Dragotta’s East of West to Mariko Tamaki and Jillian Tamaki’s This One Summer to Roz Chast’s Can’t We Talk About Something More Pleasant?

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Comics A.M. | Judge places hold on Hastings sale

Hastings

Hastings

Retailing | A federal judge has issued a temporary restraining order halting the $21.4 million purchase of retail chain Hastings Entertainment by Joel Weinshanker, president and sole shareholder of Wizkids parent National Entertainment Collectibles Association. The order was granted at the request of two Hastings shareholders who sued to stop the sale, insisting the price paid for the retailer is too low; it will remain in effect until a hearing can be held on June 12. Hastings issued a statement Monday pledging to “vigorously dispute these claims.” Hastings operates a chain of 149 stores that sells books, comics, video games and more. [Amarillo Globe-News, via ICv2]

Retailing | Amazon may be charging full price for Hachette’s graphic novels as part of its continuing contract dispute with the publisher, but Barnes & Noble has leaped into the breach with big discounts and a buy-two-get-one-free promotion on Hachette’s Yen Press manga and Little, Brown’s Tintin books. [ICv2]

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Amazon’s Jet City imprint makes comiXology debut with ‘Wool’

wool-the graphic novelNearly two months after Amazon announced the purchase of comiXology, the first title from the retail giant’s Jet City Comics imprint has debuted on the digital comics platform.

Wool: The Graphic Novel, an adaptation of the bestselling sci-fi novel by Hugh Howey, will be serialized in six biweekly issues beginning today on comiXology for $2.99 each. The full run is also available for $4.99 on Amazon.com as a Kindle Serial, with new issues arriving on the same schedule; comiXology will offer a $4.99 bundle once all six installments have been released.

A dark, dystopian story set on a post-apocalyptic Earth, Wool was published in 2011 by Howey as a novelette through Amazon’s Kindle Direct Publishing system. As it attracted a following, he wrote more installments, which became the bestselling Silo Series. The graphic novel is written by Jimmy Palmiotti and Justin Gray and illustrated by Jimmy Broxton; a print edition will be released in August.

Amazon launched its Jet City imprint in July 2013, intending to serialize its titles for the Kindle, and then offer bundled digital editions and print collections. Naturally with the acquisition of comiXology in April, the distribution channels expanded.

Comics A.M. | Amazon breaks silence in Hachette dispute

Amazon

Amazon

Retailing | Finally breaking its silence regarding the feud with Hachette over sales terms, Amazon acknowledged it’s buying less print inventory and “safety stock” from the publisher and is no longer taking pre-orders for its titles. And while Amazon conceded that “Hachette has operated in good faith and we admire the company and its executives,” the retail giant said “we are not optimistic that this will be resolved soon.” The company also recognized the affect the dispute may have on authors, revealing it offered to fund 50 percent of an author pool to help mitigate the impact. Hachette responded, saying it was glad Amazon has admitted its actions have an effect on authors: “We will spare no effort to resume normal business relations with Amazon—which has been a great partner for years — but under terms that value appropriately for the years ahead the author’s unique role in creating books, and the publisher’s role in editing, marketing, and distributing them, at the same time that it recognizes Amazon’s importance as a retailer and innovator.” [Publishers Weekly, GalleyCat]

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Comics A.M. | Amazon backs off Marvel in Hachette dispute

Marvel

Marvel

Retailing | Amazon’s war with Hachette has taken an odd turn: The retail giant has restored discounts and preorders for Marvel (which uses Hachette as its distributor), and the shipping delays are gone, but it seems to have doubled down on Hachette imprint Yen Press. [ICv2]

Retailing | Heidi MacDonald reports on Diamond Comic Distributors’ year-to-date sales figures, and it’s a bit of a mixed bag, with sales of monthly comics down but graphic novels and merchandise up, for a slight uptick in overall sales. Another interesting statistic: The number of individual Diamond accounts (which is generally regarded as a measure of the number of comics shops) is up 1.3 percent for 2014 so far; last year’s increase was 3 percent over the entire year. She also reports on the numbers for this year’s Free Comic Book Day; retailers ordered 4.65 million comics, and most were happy with the way the day went. [Publishers Weekly]

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Comics A.M. | Restricted erotic manga removed from Kindle store

Younger Sister Paradise 2

Younger Sister Paradise 2

Digital comics | Amazon has removed the manga Younger Sister Paradise 2 (Imōto Paradise! 2) from the Japanese Kindle store, two days after the Tokyo Metropolitan Government declared the manga a “harmful publication to minors” because of its “glorification of incestuous acts” and restricted its sale to customers over 18. As a result, beginning Friday, brick-and-mortar bookstores in Tokyo must keep the manga in a separate area for adults only. Whether because of all the attention or because it was unavailable elsewhere, the manga was the top-selling comic in the Japanese Kindle store before Amazon removed it. [Anime News Network]

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Comics A.M. | Marvel, Yen Press caught in Amazon/Hachette feud

Amazon

Amazon

Publishing | Both Marvel and the manga publisher Yen Press are caught in the middle of the Amazon/Hachette dispute: Hachette is accusing Amazon of suppressing sales of Hachette titles in order to force the publisher to agree to its terms, according to The New York Times. Marvel uses Hachette as its distributor and Yen is a Hachette imprint; ICv2 found evidence that several of Amazon’s cited tactics, which include shipping delays and lower discounts, were being used on their titles. In fact, Amazon is offering no discount at all on Yen Press titles at the moment. [ICv2]

Comics sales | ICv2 runs the numbers on April comics sales, and The Amazing Spider-Man #1 is the spring phenom: After three months of no comic selling more than 100,000 copies, ASM #1 sold more than 500,000, thanks in no small part to its nearly 50 variant and retailer custom covers, generating a record $3.19 million. Two other comics, Superior Spider-Man #31 and Batman #30, also hit the six-figure mark. ICv2 has the numbers for the top 300 comics and graphic novels as well. [ICv2]

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Comics A.M. | TOON Books launches imprint for older readers

Hansel and Gretel

Hansel and Gretel

Publishing | I talked with TOON Books founder Francoise Mouly about her new imprint, TOON Graphics, which will feature “visual books” (picture books and comics) for readers ages 8 and up. The line launches with three titles: Theseus and the Minotaur, by Yves Pommaux, Cast Away on the Letter A, by Fred, and Hansel and Gretel, retold by Neil Gaiman and illustrated by Lorenzo Mattotti. [Publishers Weekly]

Commentary | Former DC Comics senior editor Joan Hilty tackles the issue of sexism in comics and calls for publishers to include more women in their senior editorial rank:. “Women are getting the bestselling books into stores and greenlighting the million-dollar movie franchises, but they’re barely represented among the creative executives who map out the universes and storytelling strategies. That’s where you cement broad-based, long-term loyalty to authors and characters, tap new audiences and trends, and grow readership, without which none of those books or movies would exist.” [The Guardian]

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