Vaughan & Chiang's "Paper Girls" Builds a Familiar Yet Disconcerting World
Welcome to the new weekly interview series Conversing On Comics, in which Robot 6’s Chris Arrant talks with notable people in and around the comic industry, focusing on the creative lives of artists, writers, editors and other figures in the industry. Look for new installments every Friday.
Dustin Nguyen isn’t your traditional superhero artist. Sure, he can draw like the best of them — and has done so on Detective Comics and Wildcats 3.0. But Nguyen’s managed to forge his own path without sacrificing his own sense of style, from his early angular work on DC/Wildstorm’s Jet to his maturation as a storyteller in Wildcats 3.0 and onto his entrenchment as a veteran on various Batman titles. And like some of his contemporaries, he’s brought painting into his work, but not in the mold of Alex Ross or Steve Rude; he relies upon a nuanced palette and application using watercolor and acrylic.
For the past five years, Nguyen has devoted himself almost exclusively to the Dark Knight and the denizens of Gotham City with runs on Superman/Batman, Detective Comics, Batman: Streets of Gotham, Batman & Robin and Batgirl. But now Nguyen is spreading his wings and pushing himself to what seems like the next stage of his career as he begins writing (with longtime inker and friend Derek Fridolfs) the digital-first Batman Beyond while also preparing to go outside of superheroes — and outside of the DC Universe entirely — as he draws a new American Vampire series subtitled Lord of Nightmares. And Dustin’s not finished yet, as the project he wants to do next is a first for him: a creator-owned book of his own.