Digital comics | IDW Publishing released its first batch of digital comics on the motion-comics platform Madefire this week. The selection includes partially animated My Little Pony, Star Trek and Transformers comics, which sell for $1.99 each. Jeff Webber, IDW’s vice president of digital publishing, noted that because Madefire has a partnership with DeviantArt, the books are being exposed to “an incredibly broad network of illustration fans.” To commemorate My Little Pony’s Madefire debut, Dave Gibbons drew the image at right “to show that Friendship IS Magic!” `[Publishers Weekly]
Passings | Cartoonist Jack Matsuoka, who chronicled life in the Poston, Arizona, internment camp in his book Camp II, Block 211, has died at the age of 87. , Born in the United States to Japanese parents, Matsuoka was a teenager when his family was sent to internment camps in Salinas, California, and then Poston. After leaving the camp he was drafted and served as an interpreter for the U.S. Army in occupied Japan. He went to college on the G.I. Bill and worked as an illustrator and cartoonist for many years. Camp II, Block 211 was based on sketches he did while living in the camps and set aside for many years; his mother found them and encouraged him to share them with the public. They were put on exhibit in San Francisco and then collected into the book, which was first published in 1974. A revised edition was released in 2003. [The Rafu Shimpo]
Black Lightning co-creator Tony Isabella, whose relationship with DC Comics can be kindly described as contentious, would like you to know that, yes, he’s seen the announcement about the character’s reintroduction in DC Universe Presents — and, no, he doesn’t want to comment on it.
“You don’t have to e-mail me, private message me, phone me, or post links on my Facebook page,” he wrote on his blog. “My only public comments to date have been ‘Words fail me’ and, to my friend Dan Mishkin, ‘Forget it, Dan. It’s DC Town.’ But, really, if you’ve ever read anything I’ve written about Black Lightning and DC’s continued refusal to honor its agreements with me, and if you have half a brain, you already know how I feel about the news.”
Mishkin is, of course, co-creator of Blue Devil, who’ll share the spotlight with Black Lighting, as well as co-creator of Amethyst, who will anchor the upcoming Sword of Sorcery anthology. He’s already spoken publicly about the relaunch of Amethyst, telling Comic Book Resources he thinks “what they’re setting out to do isn’t worth doing” because of central changes DC is making to the character. His former collaborator Gary Cohn was more blunt, saying, “I really don’t have anything to say about Amethyst that I haven’t said many times before, except maybe, R.I.P.”
Isabella has long contended he’s the sole creator of Black Lightning, a character who wasn’t introduced under a work-for-hire agreement but rather a partnership between he and DC. It was only after he sought to buy out the publisher’s interest in the character following the cancellation of the first series in 1978 that he says DC declared artist Trevor Von Eeden as Black Lightning’s co-creator.
The new Black Lightning will debut alongside the new Blue Devil in October’s DC Universe Presents #13. The five-part story by Marc Andreyko and Robson Rocha will team the two disparate heroes in a scenario the writer has likened to Lethal Weapon and Moonlighting.
On Friday, DC Comics announced four titles will launch in September, at which point the New 52 DCU (or New52U) will be one year old, and every title will get a special zero issue (you remember; you were there).
At this point, it’s unclear whether DC will be canceling four existing books to make room for this third wave of new titles — remember when the publisher announced a half-dozen new books in May, it was to replace a half-dozen canceled ones — but given the amount of work that went into making “The New 52″ a thing, it seems likely that four books will be canceled shortly to keep the number consistent.
Of course, DC doesn’t always do what seems most likely, does it? For example, when rebooting and relaunching the entire line of comics in an attempt to increase readership by seeking out new audiences, it mostly just rearranged their creative teams, so the “new” DC Comics were being made by the same people who made the “old” DC Comics, which is a little like a losing baseball team deciding to have all the players trade positions and see if that helps.
But what about these new titles? Who is making them, and what chance do they have in today’s market? Better than Hawk and Dove and OMAC? What chance do they have of growing today’s market or, at the very least, growing DC’s readership?
Let’s take a closer look at the books, and judge them by the judge-able information DC has released: Continue Reading »
DC Comics has announced it will publish the long-hoped-for collection of its 1980s fantasy property Amethyst, Princess of Gemworld in September — no doubt thanks to the character’s inclusion in Cartoon Network’s upcoming DC Nation programming block.
Created by Dan Mishkin, Gary Cohn and Ernie Colón, Amethyst debuted in 1983, at a time when DC boasted such fantasy series as Warlord, Arion, Lord of Atlantis, and Arok, Son of Thunder. The initial limited series, subsequent short-lived ongoing and later one-shot and miniseries centered on Amy Winston, a teenager who discovers she’s actually the orphaned princess of Gemworld, a magical realm ruled by the evil Dark Opal. In short, it’s the perfect setup for a children’s fantasy story (although the later issues took on a darker tone than the original miniseries).
The 648-page Showcase Presents: Amethyst, Princess of Gemworld, Vol. 1, collects the character’s first appearance in 1983′s Legion of Super-Heroes #298, the original Amethyst, Princess of Gemworld 12-issue limited series, the subsequent Amethyst Annual #1, the one-shot with Superman in DC Comics Presents #63 and the first 11 issues of the 16-issue ongoing titled simply Amethyst. That leaves the last four issues of the ongoing, the 1986 Amethyst Special and the final four-issue miniseries for another (thin) volume.
Check out the solicitation information below:
“I had no idea it [Amethyst] was being animated. You know, when you create something, it isn’t unreasonable to imagine it belongs to you. That whoever is in charge in the corporate structure, they’ll want to consult you as to where your character is headed. Not DC Comics. Maybe not any corporation. Maybe we could have been better business people, better negotiators. Amethyst has been through a wringer, twisted by lesser lights than the guys who created her — Dan Mishkin, Gary Cohn and — if you’ll permit me — me.”