Amy Reeder Archives - Robot 6 @ Comic Book Resources
Conventions | Image Comics content manager David Brothers explains why this year’s Comic-Con International was a great convention, pointing out that there’s a lot more to the event than movies and television, and there’s a lot more to comics than the Big Two: “Marvel and DC are comics, just like the other publishers, and they make some great ones when they let the creators do their own thing. But at this point? You can’t treat them like the entirety of the comics industry, or even two companies that can dictate the future of comics. They run the movies, and that’s cool, but running comics? It’s just not true any more. Image in particular outsells Marvel in the book market as far as trade paperbacks go, and that holds true in the comics market lately, too. That’s no coincidence. People enjoy Marvel and DC, but they want more than Marvel and DC.” [io9.com]
Editor’s note: Each Sunday, Robot 6 contributors discuss the best in comics from the last seven days — from news and announcements to a great comic that came out to something cool creators or fans have done.
Rocket Girl, Vol. 1
By Brandon Montclare and Amy Reeder
This week marked the release of Amy Reeder and Brandon Montclare’s Rocket Girl in trade paperback, which is probably the best way to read it, as the time-travel story is a bit confusing. It’s a fun read nonetheless, especially for those of us who are still waiting for our jetpacks to arrive.
Dayoung Johansson is a 15-year-old girl who travels from 2013, where all New York police officers are teenagers, to the much grittier 1986 version of the Big Apple, to stop a group of scientists from getting a piece of tech that would allow their company to become a mega-corporation that has corrupted the city. The twist is, that if she succeeds, Dayoung will destroy her own future.
Book Expo America is the annual trade show where publishers promote their upcoming books to retailers and librarians. BEA is all about books, but comics and graphic novels are a growing presence. Diamond had a dedicated area, as it has in previous years, several comics publishers had their own booths, and several of the big publishers featured graphic novels alongside their other titles, most notably Hachette, which gave quite a bit of space to Yen Press.
I spent Friday at the show looking at which books the publishers were drawing the most attention to. Here’s a very subjective account of what I saw.
Kid stuff! Children’s and YA graphic novels have been hot for a couple of years, and the news that Raina Telgemeier’s Sisters is getting a 200,000 copy initial print run got a lot of buzz. Of course, the BEA crowd has been on board with her work for a while, and they lined up in droves for her book signing. The same was true of Jeff Kinney, who was signing copies of The Wimpy Kid School Planner at the Abrams booth; the crowd just kept on coming. And the staff at the BOOM! Studios table were hustling as attendees grabbed copies of their Adventure Time and Bravest Warrior collections as well as their third original Peanuts graphic novel, Peanuts: The Beagle Has Landed, which takes Snoopy to the moon.
Continuing with our annual “Looking Forward, Looking Back” feature for our big fifth anniversary, we asked various comics folks what they liked in 2013, what they’re looking forward to in 2014, and what projects they have planned for the coming year. In this edition, hear from Tim Seeley, Amy Reeder, Pat Aulisio, Andy Hirsch, David Gallaher, Amanda Meadows and Geoffrey Golden, Joey Weiser, Ian Brill, Philip Gelatt and Dave Dwonch!
Check out part one here, and don’t forget to come back Tuesday to read more!
It seems we hear a lot of horror stories about Kickstarter projects gone wrong, whether it’s because printing took longer than anticipated, postage rates shot up or the creators seemingly disappeared for long stretches of time with no updates.
On the other hand, there’s Rocket Girl.
Brandon Montclare and Amy Reeder had some advantages going into their second Kickstarter — it wasn’t their first rodeo, they were able to line up a publisher (Image Comics), and they both had industry experience. They aren’t the only Kickstarter project I’ve backed that has been able to hit its fulfillment date, but it’s happened infrequent enough that it seems worth noting. It also helps that the final project is very well done, showcasing an intriguing premise, a fun story and electric artwork, but that’s beside the point (unless the point is that you should buy this comic, which you should; the second issue comes out Wednesday).
Brandon and Amy recently sent out an update that detailed the process they went through fulfilling all the rewards they offered on Kickstarter. It was an interesting read, both from an “inside baseball” aspect and from a “this might help someone else looking to use Kickstarter” perspective, so I asked them if I could reprint it here. Brandon offered to expand it a little so it made more sense to non-backers who weren’t along for the six-month ride. I appreciate the time he took to do that, as well as the opportunity to share their story. So with that said, here are Amy and Brandon …
Publishing | John Jackson Miller dissects the latest sales numbers and finds July 2013 to be the second-best month for comics sales in the direct market so far this century—actually, since 1997. Combined comics and graphic novel sales were up almost 17 percent compared to July 2012, and year-to-date sales are up almost 13 percent compared to last year. [The Comichron]
Retailing | Brian Hibbs, one of the founding members of the direct-market trade organization ComicsPRO, has left the group “because of the reactions of the Board to recent DC moves.” He revealed his decision in the comments on his blog post about DC’s allocation of 3D covers for Villains Month: “The org that I formed was intended to look out for the little guy; the current Board seems much more interested in keeping the big guys big. Democracy in action, I suppose, so I vote with my dollars.” [ICv2]
Hello everyone, Happy Memorial Day weekend to America, and welcome one and all to What Are You Reading? This week we are joined by special guests Brandon Montclare and Amy Reeder, the creative team behind Halloween Eve and the upcoming Rocket Girl. I spoke to them earlier this month about Rocket Girl, which surpassed its Kickstarter goal but you still have some time to get in on the action and rewards.
To see what Brandon, Amy and the Robot 6 crew have been reading, click below.
After teasing fans for a few months, Amy Reeder and Brand Montclare’s Rocket Girl is go for launch.
According to the Kickstarter page, which went live this morning, Rocket Girl is a “teenage cop from a high-tech future” who’s sent back to 1986: “She’s investigating the Quintum Mechanics megacorporation for crimes against time. As she pieces together the clues, she discovers that the ‘future’ — an alternate reality version of 2013 and the place she calls home — shouldn’t exist at all.”
Montclare and Reeder have been on similar flight paths since breaking into comics. They both did their time at Tokyopop before Montclare recruited Reeder to work on Madame Xanadu after he took an editorial position at Vertigo. Last year they re-teamed for a creator-owned one-shot, Halloween Eve, which they used Kickstarter to fund. And now they’ve returned to crowdfunding to finance the production of Rocket Girl, an ongoing series they plan to launch this fall.
I spoke with Montclare and Reeder about Rocket Girl, using Kickstarter to finance their creator-owned works and much more.
Tokyopop has come back to life, sort of: The manga publisher unveiled its revamped website a few days ago, and the company is once again selling books, in partnership with Right Stuf (for print) and Graphicly (for digital). The only Japanese manga available on the new site is Hetalia; Tokyopop’s licenses for other series lapsed, and most of them probably aren’t coming back, although CEO Stu Levy dangled the possibility of some new licenses in a panel last week at Anime LA. What’s left is a good-sized collection of Tokyopop’s Original English Language (OEL) manga and a few graphic-novel imports from countries other than Japan.
Although Tokyopop’s OEL line earned a fair amount of derision at the time, many of the books were actually pretty solid. In addition, they provided paying work for many young and veteran artists. Here’s a look at six that are of interest either because of the creators or because they are so strong (or both).
East Coast Rising: Becky Cloonan’s first full-length graphic novel, this urban-pirate story earned a nomination for Best New Series in the 2007 Eisner Awards. Alas, there was never a second volume.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15, I’d start with a couple of Marvel firsts, even though one of them isn’t technically a first issue: Uncanny Avengers #1 ($3.99) and Red She-Hulk #58 ($2.99). This is the first week of Marvel NOW, and they’re starting with books by creative teams I’m excited about. Next I’d get Stumptown V2 #2 ($3.99) and wind things up with the Halloween Eve one-shot. I actually supported the Kickstarter for the latter, so my copy is probably already on the way to my mailbox, but hypothetically let’s assume that it wasn’t. It’s by Brandon Montclare and Amy Reeder, two creators whose work I’ve enjoyed in the past. So if it wasn’t coming to me in the mail, it would come home in a paper bag from the comic shop.
If I had $30, I’d add an outgoing Marvel title (Marvel THEN?), Fantastic Four #611, which features the end of Hickman’s run before he moves on to Avengers and Matt Fraction takes over the first family of Marveldom. Next I’d grab Green Lantern Corps #13 ($2.99) as I like the direction the GL books have been headed in lately, and Conan #9 ($3.50), the second half of Brian Wood’s collaboration with Vasilis Lolos. Finally, I’d grab Point of Impact #1 ($2.99), the new crime book by Jay Faerber and Koray Kuranel.
This is a splurge in price only; if I had $50, then Chris Ware’s Building Stories would definitely have been at the top of my buy list this week. It’s a big box of little comics, as Chris put it, and as luck would have it I really do have $50 in gift certificates that I got for my birthday to buy it with. Thanks Mom and Dad!
Conventions | San Diego City Council has given final approval to the planned $520 million expansion of the San Diego Convention Center, viewed as necessary to keeping Comic-Con International in the city past 2015. The project still faces a legal challenge to a financing scheme involving a hotel-room surtax, as well as state regulatory approval, leading the city attorney to caution that the targeted 2017 completion date is just “a goal.” Whether Comic-Con organizers can be convinced to sign another three-year extension to their contract remains a big question. [NBC San Diego]
Conventions | Most of Heidi MacDonald’s article about New York Comic Con is behind a paywall at Publishers Weekly, but she pulls out some stats at The Beat: Ticket sales are up 190 percent over this time last year. As the capacity of the Javits Center is somewhere south of 110,000 people, this means the ReedPOP folks won’t sell any more tickets than last year, but they are selling out faster. Three-day and four-day passes are already gone, only Friday tickets remain, and ReedPOP vice president Lance Fensterman expects everything to be sold out by the time the show begins. [The Beat]
Comics | Green Lantern writer Geoff Johns talks with The Wall Street Journal about the introduction this week of the newest member of the Green Lantern Corps Simon Baz, an Arab-American Muslim from Dearborn, Michigan: “As fantastic as the concept of Green Lantern is of an intergalactic police force, the comic has had a history of grounding in the now and dealing with modern characters and concepts and Simon Baz is that. I wanted to create a character that everyday Americans have to deal with. When 9/11 hit, he was 10-years-old. His family was devastated, just like every other American. He’s grown up in that world. It’s just part of the daily life, the new normal.” [Speakeasy]
Comics | The new Spider-Man, Miles Morales, reaches a key moment in Ultimate Comics: Spider-Man #14, when Aunt May gives him Peter Parker’s web-shooters and the formula for for his web fluid. Writer Brian Michael Bendis explains why he waited so long to pass along the iconic tools: “‘This is like Excalibur. This is it. This is like being bequeathed the sword,’ Bendis says. ‘But, young Miles and (his friend) Ganke trying to figure out how to make web fluid is going to be my favorite stuff to write ever in the history of writing of anything. Just because someone gives you a formula and says, “Here, cook this,” doesn’t mean you can.’” [USA Today]
If you’ve been wondering what Amy Reeder would be doing after her departure from Batwoman, here’s a treat, not a trick–she and writer Brandon Montclare (Fearsome Four) have teamed up for a creator-owned comic called Halloween Eve. The duo is currently raising money on Kickstarter to shoulder the cost of making it.
“It has been so rewarding to work on this,” Reeder said on her blog. “If I could give one person the biggest responsibility for my career at this point, it would be Brandon…he basically discovered me and helped me get work both when he was at Tokyopop and then Vertigo. And, he’s my best friend. So it’s nice that we have a great working relationship and to know that I’m not alone as I venture out into the creator-owned world. He really knows his stuff.”
The comics literacy non-profit, Reading With Pictures is dedicated to getting comics into classrooms. In addition to cultivating research on the role of comics in education, the mostly volunteer organization seeks to produce its own comics for schools to use and would like your help for their second publication. I say “mostly volunteer,” but that doesn’t include the creators of the new book. They’ll be paid for their contributions and that – plus the large print run – is a major reason Reading With Pictures needs $65,000 to complete the project.
The first Reading With Pictures comic was the Harvey-nominated Reading With Pictures Anthology that featured work by Jill Thompson, Fred Van Lente, Raina Telgemeier, Chris Giarrusso, and others. The new compilation, The Graphic Textbook will include Ben Caldwell, Fred Van Lente, Ryan Dunlavey, Chris Schweizer, Russell Lissau, Marvin Mann, Amy Reeder, Janet Lee, Katie Cook, Roger Langridge, Josh Elder, Dean Trippe, and others.
The collection will contain 12 short stories (both fiction and non-fiction) that are appropriate for grades 3-6 and include a variety of subjects from Social Studies and Math to Language and Science. There will also be a Teacher’s Guide with “lesson plans customized to each story, research-based justifications for using comics in the classroom, a guide to establishing best classroom practices and a comprehensive listing of additional educational resources.”
It’s a great cause with some great creators and some nifty rewards ranging from copies of the book and original art to being drawn into one of the stories.
Publishing | Single-issue comics sales last month were up 22.26 percent over February 2011, and graphic novels were up 15.6 percent, making for a good month for publishers and retailers. (Of course, there were five Wednesdays in February, which may have something to do with it.) As in previous months, DC sold the most comics but Marvel, with higher cover prices, topped its competitor in terms of dollar share. [ICv2]
Publishing | The top-selling graphic novel in bookstores last month was part one of Avatar: The Last Airbender: The Promise, written by Gene Luen Yang (American Born Chinese). The Walking Dead books took four of the top 20 spots, or a healthy 20 percent of the list, and 13 of the bestsellers were manga. [ICv2]
Publishing | Marvel is cutting costs on its $2.99 comics by going with “self covers,” which just means that the covers are the same paper as the inside of the comic, rather than heavier stock. As the insides are glossy paper anyway, Todd Allen feels the difference is barely noticeable—and that the real news is that Marvel is finding it necessary to cut costs once more. [The Beat]