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Little moments add up in Lucy Knisley’s ‘An Age of License’

An Age of License[Editor’s note: Each Sunday, Robot 6 contributors discuss the best in comics from the last seven days — from news and announcements to a great comic that came out to something cool creators or fans have done.]

It took me a while to figure out why I liked Lucy Knisley’s An Age of License so much better than her last book, Relish, but eventually it came to me: Relish is a memoir, An Age of License is a diary comic.

Knisley was in her mid- to late 20s when she made Relish, and that is a bit young to be doing a memoir, even one that focuses on childhood. There’s a certain fullness of perspective that comes with time and distance, and while Relish was technically a very accomplished book, it felt a bit thin.

An Age of License, on the other hand, has an immediacy to it that makes it much more compelling. It’s more diary than memoir, a travelogue comic about Knisley’s trip through Europe in 2011, when she was a guest at the Raptus Comic Fest in Norway. Her plan is to travel alone, but not entirely: A few weeks before she leaves, she meets a handsome Swedish guy, Henrik, and they hit it off. So she plans to head off to Stockholm after the comics fest, spend some time with Henrik, and then push on to Berlin and visit friends and family in France.

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Lucy Knisley announces ‘Something New’

something new

The Mary Sue landed the exclusive that First Second will publish Lucy Knisley’s Something New, a graphic novel about the cartoonist’s wedding. She’s a bit in front of things this time, as the wedding is still three months away, but it sounds like Knisley is going to make it interesting:

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Fantagraphics announces two new Lucy Knisley books

age-of-license-coverLucy Knisley was the toast of comics last year for her graphic-novel memoir Relish, so the announcement that Fantagraphics will publish her next two books is big news.

Both books are travel stories. The first, An Age of License, is the tale of Lucy’s trip through Europe, where she apparently has all sorts of adventures, meditates on the meaning of life and finds love. It’s due out this fall and will be about 200 pages, black and white with some color.

In the second book, Displacement, Lucy takes her grandparents on a cruise, meditates on the meaning of life and “tries to hold her family together,” which sounds intriguing. This graphic novel will also be black and white with some color.

There are a couple of things about this announcement that are worth noting. First is the move from First Second, which published Relish, to Fantagraphics. First Second gave Relish a strong marketing push — for a while it seemed there was a Lucy Knisley interview somewhere, often in a major publication, every single day, and she did a book tour as well. I think that’s helpful to a young creator, and I hope she’s able to stay on a roll with Fantagraphics.

The other thing is format. Relish had a lush feeling because it was in full color. To me, a black-and-white or black-and-white-with-color format signals a different type of book, maybe something a bit more serious, a bit more literary. It works well for many of Fantagraphics’ titles, as it did for Knisley’s first book, French Milk, and it will be interesting to see how it changes the feel of her work.

Fall is a long ways away, so while you wait, check out Knisley’s sporadically updated webcomic, Stop Paying Attention, which is funny and perceptive and really shows what she is capable of.

The full press release can be found below.

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