PREVIEWS: "Spider-Gwen," "Chewbacca" & More Marvel Comics on Sale October 14, 2015
At first glance, you might expect Lucy Knisley‘s latest travelogue Displacement to be filled with the same humor and insight as her previous books Relish: My Life in the Kitchen and An Age of License. After all, it recounts the 2012 cruise with her memory-impaired 91-year-old grandmother and physically challenged 93-year-old grandfather. Yet the quality that’s made Knisley a great storyteller — her ability to recall nuanced encounters with a blend of wit and compassion — allows her to craft a compelling and complicated account of this time spent with her grandparents.
Business | Indian digital comics and animation producer Graphic India has raised $2.8 million in seed financing, led by CA Media, the Asian investment arm of the Chernin Group (which previously acquired “a large minority stake” in the company). Founded in 2013 as a subsidiary of Liquid Comics, Graphic India is perhaps best known for the Stan Lee-created Chakra: The Invincible. The funding will be used to create content in English, Hindi, Tamil and other Indian languages for mobile devices. [Variety]
Creators | Geoff Johns says he returned to Superman because he was interested in giving the Man of Steel a new confidante: “When I was just thinking about the character and thinking about the story possibilities, every time my brain started to picture him talking to somebody with a problem he was having … or dealing with Clark and Superman, it always was just with another superhero. I quickly realized [Superman] didn’t really have anyone normal in his life that he could talk to again, because no one knew his secret.” The other reason: The opportunity to work with John Romita Jr. [Comic Riffs]
Each of Lucy Knisley’s memoirs has been stronger than the last, and Displacement continues that rising arc. While An Age of License, her story of a trip through Europe, was sort of a free-range travelogue, Displacement, her account of a cruise she took with her elderly grandparents, is more introspective and self-contained.
I can’t claim this is an original insight; Knisley lays it all out on one page of Displacement, where she recalls the trip that became An Age of License. “That trip was about independence, sex, youth, and adventure,” she muses. “This trip is about patience, care, mortality, respect, sympathy, and love.”
Indeed, where An Age of License is filled with drawings of interesting places and fabulous food, Displacement focuses tightly on Knisley and her grandparents. Traveling on a cruise ship is all about the journey, not the destination; Knisley only gets off the ship for two short excursions, and even then, she is less interested in local color than the people around her. While she started every chapter of An Age of License with a drawing of her journey to the next destination, she starts each chapter of Displacement with an image of the empty ocean, with the horizon getting higher with each day of the trip.
Legal | A 54-year-old man was sentenced this week in a Quebec court to 60 days in jail for watching pornographic anime featuring characters that appeared to be minors, a violation of Canadian law. A former private security guard, Regis Tremblay admitted he watched the cartoons several times in January 2012 out of “curiosity” while working at Canadian Force Base Valcartier, north of Quebec City. Investigators say they discovered 210 “hentai” files from a hard drive, and 501 “incriminating” web addresses from Tremblay’s browser history. Following his jail sentence, Tremblay will have to register as a sex offender. [Canoe]
Conventions | Richard Bruton notes that the Dublin International Comic Expo (DICE) has taken the unusual step of posting a link to its harassment policy at the top of its home page. “Having a quick look around it’s the only comic event/festival/expo/con site to feature it so prominently,” he writes. “Some make mention of their policies in FAQ or About sections, but as far as I know DICE is the first to do so this way.” He does take issue with one vaguely worded item in the policy, though: “In particular, exhibitors should not use sexualized images, activities, or other material.” [Forbidden Planet]
[Editor’s note: Each Sunday, Robot 6 contributors discuss the best in comics from the last seven days — from news and announcements to a great comic that came out to something cool creators or fans have done.]
It took me a while to figure out why I liked Lucy Knisley’s An Age of License so much better than her last book, Relish, but eventually it came to me: Relish is a memoir, An Age of License is a diary comic.
Knisley was in her mid- to late 20s when she made Relish, and that is a bit young to be doing a memoir, even one that focuses on childhood. There’s a certain fullness of perspective that comes with time and distance, and while Relish was technically a very accomplished book, it felt a bit thin.
An Age of License, on the other hand, has an immediacy to it that makes it much more compelling. It’s more diary than memoir, a travelogue comic about Knisley’s trip through Europe in 2011, when she was a guest at the Raptus Comic Fest in Norway. Her plan is to travel alone, but not entirely: A few weeks before she leaves, she meets a handsome Swedish guy, Henrik, and they hit it off. So she plans to head off to Stockholm after the comics fest, spend some time with Henrik, and then push on to Berlin and visit friends and family in France.
The Mary Sue landed the exclusive that First Second will publish Lucy Knisley’s Something New, a graphic novel about the cartoonist’s wedding. She’s a bit in front of things this time, as the wedding is still three months away, but it sounds like Knisley is going to make it interesting:
Both books are travel stories. The first, An Age of License, is the tale of Lucy’s trip through Europe, where she apparently has all sorts of adventures, meditates on the meaning of life and finds love. It’s due out this fall and will be about 200 pages, black and white with some color.
In the second book, Displacement, Lucy takes her grandparents on a cruise, meditates on the meaning of life and “tries to hold her family together,” which sounds intriguing. This graphic novel will also be black and white with some color.
There are a couple of things about this announcement that are worth noting. First is the move from First Second, which published Relish, to Fantagraphics. First Second gave Relish a strong marketing push — for a while it seemed there was a Lucy Knisley interview somewhere, often in a major publication, every single day, and she did a book tour as well. I think that’s helpful to a young creator, and I hope she’s able to stay on a roll with Fantagraphics.
The other thing is format. Relish had a lush feeling because it was in full color. To me, a black-and-white or black-and-white-with-color format signals a different type of book, maybe something a bit more serious, a bit more literary. It works well for many of Fantagraphics’ titles, as it did for Knisley’s first book, French Milk, and it will be interesting to see how it changes the feel of her work.
Fall is a long ways away, so while you wait, check out Knisley’s sporadically updated webcomic, Stop Paying Attention, which is funny and perceptive and really shows what she is capable of.
The full press release can be found below.