It’s become an annual tradition here during our birthday bash: No matter how much stuff we line up, people we interview, etc., there are still tons of folks we like to hear from and include in our giant New Year’s/anniversary/birthday activities. So, as we’ve done in past years, we asked a cross-section of comics folks what they liked in 2012 and what they’re excited about for 2013. We received so many this year that we’ve broken it down into two posts; watch for another one Tuesday.
But for now, check out all the great stuff people shared with us, including hints at new projects and even some outright announcements. Our thanks to everyone this year who responded. Also, thanks to Tim O’Shea, Michael May and Chris Arrant, who helped collect responses.
JIMMIE ROBINSON (Bomb Queen, Five Weapons)
What was your favorite comic of 2012?
Image’s Saga, Fatale, Hawkeye‘s reinvention is fresh and exciting, Peter Panzerfaust, Enormous by Tim Daniel. It’s hard to pin down just one because there is SO much good work coming out nowadays — from many publishers across the board.
As I mentioned yesterday, over the last couple of weeks Tim O’Shea and I have been reaching out to various folks around the comics industry, asking them what they are excited about for 2010. We asked them to mention something they were anticipating as a fan and also something they were working on, if they could talk about it. Here’s round two; we’ll have round three up later today.
I am personally excited about what changes are coming at both DC COMICS and MARVEL COMICS. Most people look at change as a negative thing, but looking at the projects coming from both companies and the amount of multi-media projects coming our way, I cant help become excited to what the future holds. I think all these changes will help bring brand new readers to our industry and deliver some exciting projects to the loyal fans as well. see? a lot of positive vibes…there really is no reason to fear change. I believe in embracing it.
As far as what I have coming up… well , that would take a while, but the first thing that is coming to mind is the Image Comics one shot Justin Gray and I have in the works for this spring called Splatterman. Originally we were going to make this a few issues , but decided to go the graphic novel way and put it out as one book. It features beautiful artwork by Giancarlo Caracuzzo and Paul Mounts with a stunning cover by award winning artist, Tim Bradstreet. It’s the story of two comic creators [not us, lol] that create the ultimate horror comic character that comes back to haunt them. It’s crazy adult comics the way they were meant to be told. Anyone that enjoyed our Friday the 13th series and The Last Resort will understand what i mean.
Back in late January, I completed this email interview with Andrew Farago, curator of San Francisco’s Cartoon Art Museum. Events on my end delayed it being run until this week. As detailed at the museum’s site: “The Cartoon Art Museum is committed to fostering and promoting a greater appreciation of cartoon art. This it achieves through collecting, cataloging, preserving and displaying the finest representations of original cartoon art as well as providing innovative educational programs designed to enrich the cultural life of our community.” While I am pleased to run this interview, before launching into it, I want to offer my condolences to Farago and the museum staff on the February 26 death of Rod Gilchrist, the museum’s executive director for the past 11 years. My thanks to Farago for his time.
Tim O’Shea: How long has the Museum had a Cartoonist-in-Residence program–and how did you land the latest person in residence, Mike Gray?
Andrew Farago: The Cartoonist-in-Residence program was started several years back as a joint effort between the Cartoon Art Museum, The Charles M. Schulz Museum and the Northern California chapter of the National Cartoonists Society. We wanted to take advantage of the fact that we’ve got such a wealth of cartoonists in our area and give the public a regular opportunity to interact with them (and vice versa).
The artists come to us in a variety of ways. Often, someone will contact me, or another staff or board member, about his upcoming book, or a new strip launching in a local publication, or a new piece of animation that they’ve created, and that person wants to work with us to promote it.