Digital comics | Watchmen co-creator David Gibbons discusses the comics he’s making for the Madefire digital app: “The term that we bandied around was that reading comics on the Madefire platform is a bit like reading comics on “intelligent” paper in that it’s got all the virtues of regular paper but it can do a whole lot of other things that a printed version can’t. There are wonderful things it can do with movement of the tablet, with animated transitions, and with ambient and event sound. We’ve also talked about creating the new grammar of graphic storytelling.” [ICv2]
Creators | A sold-out appearance by Stan Lee scheduled for Sept. 27 at Ohio’s Toledo-Lucas County Public Library has been canceled because of what the legendary writer’s agent reportedly described as “a very serious circumstance.” The library had sold 2,300 tickets for the “Authors! Authors!” series event, which had already been moved from April 18 because of a scheduling conflict. Lee, who turns 90 in December, cut short some public appearances in May, with a spokesman citing promotional fatigue and the death of Lee’s longtime business associate Arthur Lieberman. [Toledo Blade]
How better to remember the late, great Joe Kubert than with this 1965 photo from the Morris County, New Jersey, Daily Record showing him at the drawing board with son Andy (age 3 1/2)? “The Green Beret” mentioned in the caption is Tales of the Green Beret, the comic strip the elder Kubert drew from 1965 to 1968 (it spun out of the novel of the same by Robin Moore).
The DC Comics blog featured the photo about two years ago, when Joe and Andy Kubert were collaborating on the first two issues of DC Universe: Legacies. Andy wrote at the time: “I came across this old newspaper photo in my files that I had totally forgotten about which my mom had given me about 15-20 years ago. It was taken in my dad`s studio in the house I grew up in … his studio was above the attached garage overlooking the woods in the backyard. I still remember the smell of the paper and ink in there. He would let me set up a little area to draw and read comics as he drew. I loved the war, mystery and Superman and Batman comics. He would also show me a few drawing tricks (and still does!). From the looks of the photo, I don’t know how he put up with me in there!”
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15, I’d start things off with Hawkeye #1 (Marvel, $2.99). David Aja’s built up a great track record from his run on Iron Fist to his various one-off issues in and around the Marvel Universe, so seeing him re-team withIron Fist co-writer Matt Fraction is something special. Without creators like these I’d probably balk at a Hawkeye series, but they make this a must-buy. After that I’d get another first issue, Image’s Harvest #1 (Image, $3.50). AJ Lieberman’s quietly written a number of great stories, and this one seems pretty inventive. I might’ve waited for the trade on this, but newcomer Colin Lorimer’s art on it makes me think he’s going to be a big deal and I need to know about it. For the bronze in my $15 pile, it’s Avengers Vs. X-Men #9 (Marvel, $3.99). This week, Jason Aaron and Andy Kubert take point, re-teaming from their great but under-appreciated Astonishing Wolverine and Spider-Man series from a while back. Lastly, I’d get Daredevil #16 (Marvel, $2.99) because Waid is bringing his A-game, and the recent addition of Chris Samnee only makes it even more impressive. The previews for this issue shows guest appearances by Ant-Man, Doctor Strange and Iron Man, so it’ll be interesting to see how Waid factors them into Matt’s world.
If I had $30, I’d get Thief of Thieves #7 (Image, $2.99), which is becoming one of my favorite Image books and Nick Spencer’s finest at the moment. Having Shawn Martinbrough draw it only helps. After that, I’d get Earth 2 #4 (DC, $2.99). James Robinson is really living up to the “New 52” moniker by giving us one of the most imaginative and different takes on the DCU, and Nicola Scott is drawing up a storm here. After that, I’d tie things up with RASL #15 ($4.99). Jeff, you get my money sight unseen.
If I could splurge, I’d take a chance and order Absalom: Ghosts of London (2000 AD, $17.99) because it looks pretty great. British cops governing over an ages-old pact between the English government and hell? Hell yeah.
Video games | Usagi Yojimbo creator Stan Sakai has revealed a video game will be released later this year for smartphones, tablets and personal computers based on his long-running historical action-fantasy comic. Called Usagi Yojimbo: Way of the Ronin, it’s not the first video game to feature the samurai rabbit: Samurai Warrior: The Battles of Usagi Yojimbo debuted in 1987 for Commodore 64, ZX Spectrum and Amstrad CPC. Expect more details next month at Comic-Con International in San Diego. [Facebook]
Conventions | Organizers of the Denver Comic Con anticipate that this weekend’s show was their second-largest ever. Batgirl writer Gail Simone praised the show, noting it sold out Friday and Saturday: “Sheesh, both Friday and Saturday completely sold out, the place was packed. There are tons of interesting guests, lots of great panels, and a real emphasis on diversity. The attendees have huge percentages of females, there’s more cosplayers here than any con this size I have been to, and very welcome indeed, there are lots and lots of kids.” [Denver Post]
While fans and retailers at the Chicago Comic & Entertainment Expo were given a first glimpse at interior art for DC Comics’ sprawling Watchmen prequels, BuzzFeed now provides the best look yet at pages and character designs from Before Watchmen in the form of photos of a binder at the DC offices. Among the images are interiors from Rorschach, by Brian Azzarello and Lee Bermejo, Silk Spectre, by Darwyn Cooke and Amanda Conner, Ozymandius, by Len Wein and Jae Lee, and Curse of the Crimson Corsair, by Wein and John Higgins. There are also character designs by Bermejo, Conner, Cooke, Higgins, Andy and Joe Kubert, and Lee.
Before Watchmen debuts in June.
As DC Comics’ Before Watchmen announcement rolls out from multiple news and entertainment outlets, so too do our first looks at covers for all seven prequels to the groundbreaking 1986 miniseries.
Okay, almost seven, as USA Today has only offered a detail of one of Lee Bermejo’s covers for Rorschach (at right), his four-issue miniseries with Luthor and Joker collaborator Brian Azzarello. To make up for it, though, there’s a cover by original Watchmen colorist John Higgins for a Crimson Corsair story by he and original Watchmen editor Len Wein.
We also have a Dr. Manhattan cover by Adam Hughes (courtesy of CBR), Minutemen by Darwyn Cooke (Hero Complex), Nite Owl by Andy Kubert and Joe Kubert (Heat Vision), Ozymandias by Jae Lee (Underwire), and Silk Spectre by Amanda Conner (Entertainment Weekly). UPDATE: Now, thanks to The New York Times, we also have one of J.G. Jones’ Comedian covers.
Check out the covers below. We’ll update if more, and in some cases larger, images become available.
UPDATE: DC Comics has released hi-res versions of each of the covers, which we’ve added below.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.
If I had $15: I’d be all over Fatale #1, as I’ll grab anything Brubaker and Phillips do together. I’d go out on a limb and say that’s one of the best and consistently stellar collaborations in comics going on right now. I’d probably get the latest issue of The Boys as well, because that’s what I do.
If I had $30: Well, I haven’t read the first volume yet, but everyone says that the transgender manga series Wandering Son is stellar so I’d at least give it a look through, and perhaps nab volume one as my splurge for the week.
Wired’s GeekDad and Underwire blogs have an exclusive first look at Action Comics #5 which, as teased in the issue’s solicitation text, takes us back to doomed Krypton for some “keys facts about Superman’s past” — not the least of which is the apparent fate of Krypto. If you don’t want to know that last detail, you probably shouldn’t click the second link.
Action Comics #5, which features a main story by Grant Morrison, Andy Kubert and Jesse Delperdang, and a backup story by Sholly Fisch and ChrisCross, arrives Jan. 4.
Note: The artwork originally accompanying this post has been removed following a cease-and-desist letter from DC Entertainment’s legal affairs department.
Any doubts regarding the accuracy of reports about DC Comics’ long-rumored plans for Watchmen prequels may have eroded over the weekend with the emergence of character art by J.G. Jones and Joe Kubert and Andy Kubert.
Bleeding Cool characterizes the illustrations of Nite Owl and The Comedian as cover art for the projects, purportedly being assembled under the code name “Panic Room,” but considering the characters’ names are written on the pages, it seems more likely they’re concept designs.
The four prequels to the seminal 1986 miniseries by Alan Moore and Dave Gibbons are said to also involve Darwyn Cooke, J. Michael Straczynski, John Higgins and even Gibbons himself. Cooke, however, seemed to dismiss reports he was working on one of the miniseries, telling CBR News recently, “Ah, get out, man. That’s like three years old.”
Bleeding Cool contends it’s been “informed quite conclusively from a reliable source” at the publisher that the artist is among the A-list talent involved in the secretive project, which reportedly will use key characters from the seminal 1986 miniseries by Alan Moore and Dave Gibbons.
Other previously mentioned creators include Darwyn Cooke, J. Michael Straczynski, J.G. Jones, John Higgins and even Gibbons himself.
Murmurs of DC’s desire for a Watchmen follow-up gained steam in 2010 after the departure of President Paul Levitz, believed to be the last in-house obstacle to using the Moore-Gibbons characters. The writer seemed to confirm as much last year when he revealed the publisher finally had offered to return the rights to the property — copyright and royalty issues form the roots of his legendary feud with DC — in exchange for a concession: that Moore “agree to some dopey prequels and sequels.” He refused.
Then-newly minted Co-Publishers Dan DiDio and Jim Lee said at the time that DC “would only revisit these iconic characters if the creative vision of any proposed new stories matched the quality set by Alan Moore and Dave Gibbons nearly 25 years ago, and our first discussion on any of this would naturally be with the creators themselves.”
As recently as August, Gibbons addressed perennial rumors of a sequel and the possibility of the characters being transplanted into the DC Universe, telling Comic Book Resources, “It’s not something that I’d personally like to see happen. [...] What I would say is, intrinsic to the whole idea of Watchmen is that they existed in a world that was the way it was because of their existence. And I think to transplant them into another world actually removes a huge part of what is the essence of Watchmen.”
On the heels of its Comic-Con-exclusive Flashpoint #1 variant cover, DC Comics has announced it’s offering a similar — well, recolored — wraparound edition for attendees of FanExpo Canada, held Aug. 25-28 at the Metro Toronto Convention Centre. The cover, by Andy Kubert, Sandra Hope and Alex Sinclair, will be available for $10 at the FanExpo Canada exclusives booth. Kubert is a featured guest at the convention, which means you could even get the variant signed, if you’re so inclined.
Welcome once again to What Are You Reading? Today our special guest is John Jackson Miller, writer of Star Wars: Knight Errant and Mass Effect comics for Dark Horse and various Star Wars prose novels. He’s also the curator of The Comics Chronicles research website. His next comics series, Star Wars: Knight Errant, Deluge, starts in August.
To see what John and the Robot 6 crew are reading, click below.
Even at 34 pages, the first issue of Flashpoint feels like it’s missing something.
This is not exactly a surprise. The very premise of Flashpoint is that lots of things are missing, including Superman, the Justice League, and a generally-peaceful world. Mainly, the world of Flashpoint is short on hope — and so is issue #1.
To be sure, while the story itself is fairly bleak, it’s told in compelling fashion by writer Geoff Johns, penciller Andy Kubert, inker Sandra Hope, and colorist Alex Sinclair. Barry Allen wakes up in a world that would have made George Bailey jump off that bridge without a second thought, and by the end of Flashpoint #1 he has little reason to think his old life will ever return. Nevertheless, under Geoff Johns, Barry has literally become an avatar of hope, unironically intoning the Blue Lantern motto “all will be well.” Never mind the reset button implied in most alternate-reality scenarios — by itself, Johns’ history with the character all but promises Barry’s ultimate triumph. If Flashpoint lives up to that promise, and subsequent issues have as much excitement as this first issue has nihilism, it could be one of the great big-event miniseries.
That’s a big “if,” though. The first issue necessarily comes with a good bit of exposition, and Flashpoint risks its readers being lost in a myriad of apocalyptic scenarios and changed characters. Flashpoint might also become nothing more than a framework for all those tie-in miniseries and one-shots. However, Johns wisely keeps the focus on Barry and just a couple of significant allies. Maintaining that focus is the key to this miniseries, and it’ll be the measure of Flashpoint’s success.
There’s a weird little sequence in the middle of DC Universe: Legacies #3 when the narration’s timeline goes all hazy and oblique, in order to move the story from sometime in the Eisenhower/Kennedy years right into the “X years ago” of modern continuity. Because Legacies tracks some sixty-five years of costumed crimefighting, this sequence bridges the gap between the Justice Society’s retirement and Superman’s debut.
“Hazy and oblique” are also good words for describing DC’s approach to long-term continuity. The history of the DC Universe is well-settled up to the early 1950s, but past then it becomes elastic. This is something we’ve come to expect: fudging the calendar keeps our heroes both as experienced and as youthful as they need to be. However, each passing year also widens the gap between the end of the Golden Age (early ‘50s) and the beginning of the Silver (thought to be 12-15 years ago). Through reader-identification character Paul Lincoln,* DCUL’s writer (and longtime DC favorite) Len Wein aims to put a human face on all those four-color adventures.
That sounds like the premise of 1994′s Marvels and its spiritual descendant Astro City. Really, though, any halfway-entertaining super-survey needs a narrator with a recognizable point of view. Even 1986′s History of the DC Universe, which was basically a series of George Pérez pinups arranged in chronological order, took its florid prose ostensibly from Harbinger’s meditations on the nature of heroism.
It’s Friday, which means DC Comics is once again sharing some teasers on its Source blog for the upcoming Flashpoint event. With the event being an alternate reality/Elseworlds-type event, that means they have plenty of opportunities to redesign some of their characters — and it looks like that’s what they’re sharing today.
The first one they’ve posted is Element Woman, designed by Jim Lee: