Axel-In-Charge: Navigating the "Civil War II" Landscape, Bringing DMC to Marvel
Conventions | Convention producer ReedPOP will add Vienna Comic Con in Austria to a growing roster of shows that already includes the Chicago Comic & Entertainment Expo, New York Comic Con, Emerald City Comicon, PAX, OZ Comic Con, Shanghai Comic Con, Star Wars Celebration and Comic Con Paris. It’s scheduled for Nov. 21-22 at Messe Wien in Vienna. ”We aim to make Vienna Comic Con the leading pop culture event in Central Europe,” Barbara Leithner of Reed Exhibitions said in a statement. “Fans at Vienna Comic Con will experience unique programs and events, and meet pop culture creatives from all over the world.” [press release]
Check out the Boston public radio website WBUR for a powerful example of comics journalism: Invisible Injury: Beyond PTSD explores the emotional consequences of the decisions that soldiers make during wartime — decisions that often go against their own moral code.
“Moral injury” is something different from post-traumatic stress disorder. As the introduction explains, “Post-traumatic stress disorder is triggered by a terrible event — in combat, that’s often something that has happened to you. But what about a terrible event that has happened because of you?” The comic explores that question through a combination of conversations with veterans, flashbacks to actual events, and concise summaries of research on the topic. The visual medium really brings it to life, not just in the depiction of events but also in illustrating more abstract ideas, such as the way soldiers may become gradually alienated from the rest of the world in the course of war.
First of all, we need to think up some new terms to distinguish journalism done via comics — as practiced by, say, Joe Sacco — from journalism about comics. Suggestions gleefully accepted!
Whatever we call it, sequential-art reporting is definitely coming into its own, and we have the links to prove it. For starters, here’s a video of the Comics and Journalism in a New Era panel at Comic-Con International, moderated by Publishers Weekly comics editor Calvin Reid and featuring a stellar lineup of Susie Cagle (who
has been involved in as well as reporting reported* on Occupy Oakland), Andy Warner, Stan Mack, Ed Piskor, Dan Carino and Chris Butcher.
Of course, the really great thing about this weekend’s MoCCA Festival is the huge flock of individual creators who go there to show off their work. Here’s the full list, and here are a few of the highlights that jumped out at me. Feel free to point out the good stuff I missed in the comments section.
Neil Kleid will happily sign copies of his comics, mini-comics, and graphic novels (The Big Kahn, Brownsville), and anything else he has work in (including the Fraggle Rock anthology), but if you really want to make his day, bring him an obscure soda.
Stephanie Yue, who illustrates the Guinea Pig: Pet Shop Private Eye graphic novels (not just adorable, but funny for both adults and kids) will be there, as will her editor Carol Burrell, who draws SPQR Blues under the nickname Klio.
Rica Takashima will have a special doujinshi just for MoCCA. Rica is a yuri (lesbian) manga creator and the author of the much-acclaimed Rica ‘tte Kanji?, which Shaenon Garrity described, approvingly, as “as cute as a blender full of kittens.”
If your tastes tend more toward the retro-bizzare, check out Coin Op Studio, which will be debuting the charmingly titled Coin Op No. 3: Municipal Parking and Waterfall at the show.