Angoulême International Comics Festival Archives - Robot 6 @ Comic Book Resources
Legal | A 16-year-old in Nantes, France, was arrested last week for posting a cartoon on Facebook that mocks the Charlie Hebdo killings; the charge is “advocating terrorism.” The cartoon shows someone holding a copy of Charlie Hebdo and being struck by bullets. Electronic Intifada posts what is most likely the offending cartoon (it had been shared widely on social media), a takeoff on one of the more notorious Charlie Hebdo covers, accompanied by the text, “Charlie Hebdo is shit. It doesn’t stop bullets.” The original cover featured a cartoon of an Egyptian protestor holding the Koran, with text that read, “The Quran is shit, it doesn’t stop bullets.” [France 3]
Publishing | Sales were down in 2014 for Diamond Book Distributors, even though the industry overall had an up year. The reason: DBD lost a key client, Dark Horse, to Random House. Nonetheless, Vice President Kuo-Yu Liang sees good things in store for 2015, including strong sales of indie graphic novels, expanding international sales, and the much-anticipated March: Book Two, which was released this week. [Publishers Weekly]
Controversy | More than 80 creators and other industry figures, including Jaime Hernandez, Kate Beaton, Alison Bechdel, Warren Ellis, Eleanor Davis, Jeet Heer and David Brothers, have signed an open letter asking Franck Bondoux, head of the Angoulême International Comics Festival, to cut the event’s ties to Israeli soft drink company SodaStream, which has its main plant in an occupied area of the West Bank. A similar action was taken last year regarding the company’s sponsorship of the festival. [Comics & Cola]
Passings | Dutch underground comics artist Peter Pontiac died Tuesday at age 63. Born Peter J. G. Pollmann, Pontiac came of age in the 1960s and started out drawing covers for bootleg songbooks, then moved on to create comics inspired by his own life and experiences, including The Amsterdam Connection, Requiem Fortissimo and the illustrated novel Kraut. His comics appeared in the Dutch underground comics magazines Modern Papier and Tante Leny Presenteert, as well as in the American Anarchy Comix and Mondo Snarfo. He later collected many of his comics in the seven issues of The Pontiac Review. He received the Stripschapprijs, a Dutch lifetime achievement award for comics creators, in 1997 and the Marten Toonder Prize in 2011. Pontiac suffered from liver disease and ran a crowdfunding campaign to finance a book about death and his disease, but he passed away before it could be completed. [Lambiek Comiclopedia]
The prize is presented annually to a living comics creator, with the winner traditionally serving as president of the jury for the following year’s festival. Calvin and Hobbes creator Bill Watterson received the honor in 2014, becoming only the fourth non-European to do so, but the famously reclusive cartoonist declined to attend. He did, however, create a poster for this year’s festival.
The 42nd Angouleme International Comics Festival is coming up Jan. 29, and over the Thanksgiving holiday organizers announced the nominations for the four juried prizes: the Sélection Officielle (the general category), Sélection Jeunesse (young people), Sélection Patrimoine (classics and reprints) and Sélection Polar (mysteries and thrillers).
Angouleme lives up to the “international” part of its name, as many of the selections were first published in English, including Chris Ware’s Building Stories, Brian K. Vaughan and Fiona Staples’ Saga, and Jillian and Mariko Tamaki’s This One Summer.
See the full list below.
Manga | There are 200 million volumes of Naruto in print worldwide as of September, according to a press release from Japan’s Fuji TV, which on Dec. 13 will feature an interview with creator Masashi Kishimoto. The two-part conclusion of the hit manga will appear today in Weekly Shonen Jump magazine; the 71st volume of the series was published last week in Japan. [Anime News Network]
Digital comics | Manga publisher Vertical Inc. announced this weekend that it has acquired the digital rights to all the manga it has published by Osamu Tezuka, including Buddha and Black Jack. [Anime News Network]
Creators | Michael Cavna talks with Calvin and Hobbes creator Bill Watterson about his just-released poster for the Angoulême International Comics Festival and his other recent public projects. [Comic Riffs]
In an interview with the French site 20 Minutes, Calvin and Hobbes creator Bill Watterson debuts the poster he designed for the 2015 Angoulême International Comics Festival, but he says he won’t be attending the event.
Watterson was awarded the Grand Prix d’Angoulême last year, an honor that usually includes serving as president of the following year’s festival. But in the interview, the reclusive cartoonist says he won’t participate beyond designing the poster and sending some of his original art for an exhibit.
Jiro Taniguchi, creator of The Walking Man, A Distant Neighborhood and more than 40 other manga, will be a special guest in January at the 42nd Angoulême International Comics Festival, which will include a major exhibit of his work — the first of its scale in Europe.
Titled “Taniguchi, l’homme qui rêve” (“Taniguchi, the dreaming man”), the exhibition will cover four decades of Taniguchi’s work, which includes the memoir A Zoo in Winter, the conquest-of-Everest tale Summit of the Gods, the time-travel story A Distant Neighborhood, and the mystery The Quest for the Missing Girl.
Not only does Taniguchi’s work span most of the major graphic novel genres, the official press release points out, but he has crossed over to become an author with universal appeal. Indeed, Laurent Duvault, director of international media development for the publishing group Media Participations, told me at this year’s festival that “Taniguchi was the first Japanese artist to have his own area, not in the manga section but in the French section [of bookstores]. It was a graphic novel approach, not a manga approach.” He attributed this in part to the fact that Taniguchi’s work is flipped, so it reads left to right, making it more accessible to readers of European languages. Taniguchi is no stranger to Angoulême: A Distant Neighborhood was awarded the Alph’Art prize for best scenario at the 2003 festival, and he was one of the nominees for the Grand Prix this year.
Taniguchi, who has four new books coming out this year in France, will be present at Angoulême to open the exhibit and participate in the program; after the festival is over, the show will go on tour around France and the rest of Europe.
Digital comics | Japanese publisher Kadokawa plans on March 22 to launch ComicWalker, a digital comics service that will carry manga in three languages: Japanese, English and Chinese. The stories will include some well-known classics (Sgt. Frog, Neon Genesis Evangelion, Gundam: The Origin) as well as new manga, and apparently they will be free. The launch will include 150 titles, 40 of which will be translated, so it sounds like not everything will be available in English right away. [Anime News Network]
Conventions | Lewis Trondheim, a former winner of the Grand Prix d’Angoulême and therefore a member of the academy that chooses each year’s winners, provides an insider’s view of the voting and the causes and effects of the changes that have been made over the past two years: “In its forty-three years, the festival has had, I believe, three Americans, one Argentine, one Swiss, three Belgians, and over thirty Frenchmen. This doesn’t seem to correspond with the reality of the comics world to me.” [The Comics Journal]
Publishing | Variety speaks with Madrigall President Antoine Gallimard about how the French publishing giant and its holdings (Gallimard, Casterman, Flammarion and Futuropolis, among them) handle the film rights to their many graphic novels, and the popularity of comics as source material: “I think that the French publishing and film industries feed on, complement, and ultimately do help each other. The number of films adapted from books that are produced every year in France is eloquent testimony to this.” Noting that, “In recent years, there’s a real feeding-frenzy for graphic novels, comic books,” Gaillimard says, “Comedy, in all its variants, is the most popular of adapted materials.” [Variety]
Legal | An Algerian judge has made a preliminary recommendation of 18 months’ imprisonment for cartoonist Djamel Ghanem for drawing a cartoon, which was never published, that government officials deemed offensive. In an odd twist, Ghanem was sued by his own newspaper, La Voix de l’Oranie, which tends to favor the current administration, and as a result, he has been blackballed by the Algerian media. The cartoon is critical of President Abdelaziz Bouteflika’s bid for a fourth term but doesn’t even depict the president — it shows two people in conversation, comparing the fourth term to baby diapers — Ghanem said the point was that Algerians were treated like children. Pressed by the district attorney to admit the cartoon was insulting to the Bouteflika, Ghanem insisted that wasn’t his intention. [Global Voices Online]
Manga | While at the Angouleme International Comics Festival, I had a chance to study the French manga market and talk to some of the publishers. Manga represents more than one-third of the French comics market (last year, there were more new manga releases than BDs), and sales and production dipped for the first time last year. [Publishers Weekly]
Comics | Gary Cox rounds up reactions from refugees to the Australian government’s online comic that warns them not to try to enter the country without a visa. “The people who are coming here are not economic migrants, they’re coming to have a safer, peaceful life here,” says Ibrar Hassani. And an advocate for refugees pointed out that the images of refugees suffering in detention centers were evidence that the government is deliberately mistreating them. [SBS]
Welcome to Best of 7, where we talk about, as it says above, “The best in comics from the last seven days” — which could be anything from an exciting piece of news to a cool publisher’s announcement to an awesome comic that came out. Looks like I’m flying solo this week, so without further ado, let’s get to it …
Last week, when I was packing my bags to go to the Angoulême International Comics Festival, I kept having to explain to people — even comics people — what it was.
Now that I’m back, it’s not a problem any more.
This year’s selection of Bill Watterson as the winner of the Grand Prix d’Angoulême, and the president of next year’s festival, has put Angoulême on the map for more U.S. readers — or at least, it has sent the cartoonist’s fans scurrying to the map to see where it is.
What follows is a series of first impressions from my first trip to Angoulême; check out Publishers Weekly (which provided me with a press badge) for more solid coverage, and of course no one can capture an event like Heidi MacDonald.
There are a lot of reasons to go to Angoulême — the international array of creators and publishers who are there, the opportunity to get the hottest new BDs and of course, French food, scenery and wine all spring to mind — but to me, the most impressive thing about it was that I was in a place where comics really mattered. Comics aren’t a niche product in France; they are available everywhere, they are widely read, and they are taken seriously. In my previous sojourns in France, long before I was a comics journalist, I was accustomed to seeing a rack of hardcover, full-color comics at the grocery store, train station, and bookstore.
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Controversy | Zainab Akhtar has a good roundup of the SodaStream controversy: A number of internationally known creators have protested SodaStream’s sponsorship of the Angoulême International Comics Festival because the soft-drink manufacturer has a factory in the Israeli-occupied West Bank. “All of Israel’s settlements in the Occupied West Bank are illegal under international law, and SodaStream’s factory in specific was build on land seized from several Palestinian villages in what is regarded as the largest single act of expropriation by the Israeli government in its 47-year long military occupation of the West Bank,” the organizers of the protest said in a statement. A number of artists, including Jacques Tardi (whose work was celebrated in a special exhibit at the show) have signed an open letter to festival organizer Frank Bondoux, asking him to end the relationship with SodaStream. Tardi also issued a statement saying he felt that he had been “taken hostage,” as he did not know about the sponsorship until the festival began. [Comics and Cola]
Legal | Daniel Curry, the actor who was seriously injured in August during a performance of the Broadway musical Spider-Man: Turn Off the Dark, has filed a lawsuit seeking unspecified damages, claiming the producers and other defendants knew a mechanical lift could be dangerous. Curry was hurt when an automated door pinned his leg; he suffered fractured legs and a fractured foot, and had to undergo surgeries and unspecified amputations. The producers have insisted the accident was caused by human error and not malfunctioning equipment. [The New York Times]
Events | Japan’s ambassador to France has expressed his country’s displeasure with a South Korean exhibit at the Angouleme International Comics Festival devoted to “comfort women” who were forced into sex slavery during World War II by the Japanese military. Ambassador Yoichi Suzuki said the exhibit, which attracted about 17,000 visitors, promotes “a mistaken point of view that further complicates relations between South Korea and Japan.” [GMA News, Yonhap News Agency]
Calvin & Hobbes creator Bill Watterson received the Grand Prix award this weekend in France at the 41st annual Angoulême International Comics Festival, honoring his lifetime achievement.
The prize is awarded to a living comics creator, and traditionally the winner serves as president of the jury for the following year’s festival; previous honorees have included Robert Crumb and Art Spiegelman. Watterson, Alan Moore and Katsuhiro Otomo (who incidentally received a lifetime achievement award of his own this weekend) were the three finalists this year, with Alan Moore stating late last week that if he won, he would decline the prize. It will be interesting to see if Watterson accepts the prize or attends next year. Tom Spurgeon has some additional commentary on the win.