Angoulême International Comics Festival Archives - Page 2 of 4 - Robot 6 @ Comic Book Resources
Digital comics | ComiXology CEO David Steinberger dicusses the growth of the digital-comics platform, which was the top-grossing non-game iPad app for the third year in a row. “We’re finding that a larger and larger percentage of our user base — our new user base — is people who are buying comics for the very first time with us,” he tells Wired. Steinberger also hints at a next step for comiXology: curation. [Wired.com]
Comics | Torsten Adair looks back at some comics trends in from 2013 and looks ahead to what we can expect in 2014. [The Beat]
Comics | Dark Horse Editor-in-Chief Scott Allie discusses the relaunch of the publisher’s Alien, Predator and Alien vs. Predator series and the debut of Prometheus. [io9]
The Angoulême International Comics Festival is just around the corner, and the shortlist for the Grand Prix de la Ville d’Angoulême was announced on Tuesday:
Binet, Christophe Blain, Charles Burns, Pierre Christin, Daniel Clowes, Richard Corben, Bernard Cosey, Étienne Davodeau, Nicolas de Crécy, Edika, Emmanuel Guibert, Hermann, Alejandro Jodorowsky, Manu Larcenet, Milo Manara, Lorenzo Mattotti, Alan Moore, Katsuhiro Otomo, Quino, Marjane Satrapi, Joann Sfar, Jiro Taniguchi, Jean Van Hamme, Chris Ware et Bill Watterson.
The prize is awarded to a living comics creator, and traditionally the winner serves as president of the jury for the following year’s festival; previous honorees have included Robert Crumb and Art Spiegelman, but the award usually goes to someone working in French-language comics.
There was a bit of controversy last year when juror Lewis Trondheim leaked the finalists on Twitter: Alan Moore, Katsohiro Otomo, Akira Toriyama, Chris Ware, and the eventual winner, Willem, who is well known in French-speaking countries but less so in the rest of the world (the poster above is his work). The Grand Prix winner is chosen by a combination of votes from French creators and a jury of past winners (l’Académie des Grands Prix), and the word on the street last year was that Toriyama was the creators’ choice but the jury overruled that and went with Willem. Toriyama was given a special prize commemorating the 40th anniversary of Dragon Ball.
If I’m reading the French article right, the process will be different this year, with the list being narrowed down to three names in a preliminary round of voting and the winner being determined by a second round in which the creators and the jurors will have an equal say.
Hawkeye, Vol. 1, by Matt Fraction, David Aja and Javier Pulido, and Saga, Vol. 1, by Brian K. Vaughan and Fiona Staples, are among the 35 official selections for the 41st annual Angoulême International Comics Festival, to be held Jan. 30-Feb. 2.
Other titles familiar to North American audiences include: Annie Sullivan and the Trials of Helen Keller, by Joseph Lambert; Attack on Titan, Vol. 1, by Hajime Isayama; Are You My Mother?, by Alison Bechdel; Goliath, by Tom Gauld; My Friend Dahmer, by Derf; and The Property, by Rudu Modan.
In addition, the French-language editions of Paul Pope’s Battling Boy and Ben Hatke’s Zita the Spacegirl are among the nominees for the Sélection Jeunesse (books for young readers), while the eighth volume of Scalped, by Jason Aaron, R.M. Guera, Jason Latour, David Furno, received a nod for Prix Polar (crime). The reprints category also has several books readers should recognize.
The full list can be found on the Angoulême website.
Passings | French cartoonist Theodor Friedrich Otto Aristidès, aka Fred, passed away Tuesday in a Paris hospital at age 82. He was best known for Philémon, his surrealistic comic about a French farm boy who fell down a well into a fantasy world akin to Wonderland. Fred was awarded the Grand Prix de la ville d’Angoulême in 1980, and had been the oldest living recipient. [L’Observateu de Beauvais]
Creators | John Layman, who’s writing the 900th issue of Detective Comics (No. 19 in the New 52 continuity) talks about his plans for that and his creator-owned series Chew, and contrasts the two: “Well, the cases are weirder in Chew. There is an element that’s the same – you introduce a conflict, and then you have a detective with a certain skill set resolving it. … Batman’s just happen to be gadgets and fists. I guess if there’s a formula in the skeletal layer, it’s probably the same.” [Hero Complex]
A few U.S. and U.K. (and Brazilian) comics folks have made it back from the Angoulême International Comics Festival and blogged about their time there, but few American artists would have gotten home faster than Mike Huddleston, who now lives in France.
The Ankama Editions/619 Label version of his and Joe Casey’s Butcher Baker, The Righteous Maker seems to be going great guns there, and Huddleston seems to have made it his mission to sketch in every single copy of the book. Fortunately for us living in the age of the smartphone, he’s also recording these sketches for posterity. Below are some examples for your delectation. Few artists could do so much in so little time, armed with just four Sharpies and a bottle of Wite-Out. Careful now, as there’s slight potential for a NSFW tattoo on some of these characters offending your boss. The prude.
Manga | The widow of Barefoot Gen creator Keiji Nakazawa, has found 16 pages of penciled notes and sketches for a possible sequel to Nakazawa’s semi-autobiographical account of living through the Hiroshima bombing and its aftermath. Before he died in December, Nakazawa donated the first 16 pages of the projected volume to the Hiroshima Peace Memorial Museum; this is the outline for the second set of pages. The new story would have taken Gen to Tokyo to become a manga creator, just as Nakazawa did in real life. [Anime News Network]
Comics | Glen Weldon, who writes about comics for National Public Radio, explains why he, as a gay man, won’t be reading Orson Scott Card’s issues of Adventures of Superman: “DC Comics has handed the keys to the ‘Champion of the Oppressed’ to a guy who has dedicated himself to oppress me, and my partner, and millions of people like us. It represents a fundamental misread of who the character is, and what he means. It is dispiriting. It is wearying. It is also, finally, not for me.” [NPR]
Comics | A Columbus, Ohio, entertainment weekly lays out a case for the city — home of Jeff Smith, the Billy Ireland Cartoon Library & Museum and the Small Press and Alternative Comics Expo — becoming, like Portland, Oregon, a hub for comic books. “Comics in Columbus is a weird underground, sort of hip-hop thing,” indie publisher Victor Dandridge Jr. says. “We’re like hip-hop in the Bronx in ’79, just on the corner doing our thing.” [Columbus Alive]
Conventions | Bart Beaty files a final report on this year’s Angouleme International Comics Festival, and his verdict is … meh. “There was a consensus all around that the show was flat. People would throw around adjectives like “fine,” “good,” and “okay.” It wasn’t a disaster (as were some of the shows disrupted by construction), but it also wasn’t that memorable either” [The Comics Reporter]
Dutch cartoonist Willem was presented with the Grand Prix award over the weekend in France at the 40th annual Angoulême International Comics Festival, honoring his lifetime achievement. In addition, Dragon Ball and Dr. Slump creator Akira Toriyama was awarded a special Grand Prix recognizing his 40-year career.
As the recipient of the Grand Prix, Willem will serve as president of next year’s festival.
The other major prize winners, courtesy of The Comics Reporter, were:
Prix du meilleur album
Quai d’Orsay Volume Two: Chroniques diplomatiques, Christophe Blain and Abel Lanzac (Dargaud)
Prix spécial du jury
Le Nao de Brown, Glyn Dillon (Akileos)
Festivals | The Angoulême International Comics Festival has opened in Angoulême, France, and that’s where all the cool kids are. Bart Beaty surveys the scene for the rest of us; the president of this year’s show is Jean-C Denis (last year it was Art Spiegelman), and there will be an exhibit of his work, but Beaty says the big draw will be the exhibit of work by Albert Uderzo, co-creator of Asterix. [The Comics Reporter]
Editorial cartoons | Rupert Murdoch has apologized, on Twitter, for an editorial cartoon by Gerald Scarfe in the Sunday Times that depicted Israeli prime minister Binyamin Netanyahu bricking Palestinians into a wall with blood-red mortar. Many commentators were concerned that the cartoon, which Scarfe intended as a commentary on the recent elections in Israel, came too close to old anti-Semitic blood libel. Making things worse, the cartoon was published on Holocaust Memorial Day. [The Guardian]
Angoulême is synonymous with comics, so it’s probably to be expected that when marriage-equality supporters marched in the French city last weekend they enlisted some familiar faces for the cause.
On her blog, local artist Algesiras posts a handful of photos of banners depicting several famous comic characters sharing a same-sex kiss. There’s Tintin and Captain Haddock, Catwoman and Poison Ivy, Asterix and Obelisk, Minnie Mouse and Daisy Duck, Blake and Mortimer, and Spirou and Fantasio, among others.
“Notice the rings on the hands of the characters,” Algesiras writes. “I think the best one is the one with the Smurfette, because it mocks the fact that the Smurfette is the only female in the Smurfs world. She’s not alone anymore.”
The 40th annual Angoulême International Comics Festival kicks off Jan. 31.
Publishing | As part of its coverage of the Consumer Electronics Show in Las Vegas, Variety spotlights DC Entertainment’s digital moves, particularly its “Digital First” initiative, with titles like Smallville, Arrow and Batman: Arkham Unhinged, and the increase in sales since the company began going day-and-date with its comic books in September 2011. “What we launched last year as an experiment, we’ll increase the frequency now because it’s gotten so popular,” Hank Kanalz, senior vice president of Vertigo and Integrated Publishing, says of Digital First. [Variety]
Retailing | Halifax, Nova Scotia, comics retailer Calum Johnston is looking for a new location for Strange Adventures, as the current location is being redeveloped and the rent will go up as a result. Johnston would rather pay for more staff than pay a higher rent: “When people come in looking for a major title like the death of Peter Parker in Marvel Comics’ The Amazing Spider-Man, they inevitably have questions about other titles. It is important to have staff available to keep customers up to date on new developments and titles.” [The Chronicle Herald]
Awards | Although the website for the 40th Angoulême International Comics Festival is down, several outlets managed to pick up on the official selections for the 2013 festival, to be held Jan. 31-Feb. 3. Contenders for book of the year include Big Questions by Anders Nilsen, Daytripper by Gabriel Ba and Fabio Moon, Fables by Bill Willingham, Matthew Sturges and others, The Hive by Charles Burns, The Nao of Brown by Glyn Dillon, Paying For It by Chester Brown, and The Walking Dead Vol. 16 by Robert Kirkman and Charlie Adlard. Fatale Vol. 1 by Ed Brubaker and Sean Phillips, and The Green River Killer by Jeff Jensen and Jonathan Case were among those named in the crime comic category. [BoDoi]
Publishing | Bluewater Productions Publisher Darren G. Davis isn’t afraid to talk about real numbers: Bluewater’s income is about $2 million a year, and the most popular titles sell 5,000 to 10,000 copies apiece, although others never make it out of the triple digits. And while he admits he doesn’t have a thick skin, Davis says he has gotten used to criticism: “I’ve learned that I’m not my company. When they attack my company, they are not attacking me personally.” [The Columbian]
Comics | As part of an Associated Press article about comics addressing real-world issues, it’s revealed that the glamorous Cheryl Blossom, an Archie Comics character who has appeared throughout the years, often as a fourth player in the traditional Archie/Betty/Veronica love triangle, will battle breast cancer in a new storyline. According to Editor-in-Chief Victor Gorelick, Cheryl feels fortunate she can afford treatment, which “opens the door that there are a lot of people who cannot afford this kind of treatment and we have to see where that’s kind of going to lead.” [The Associated Press]
Conventions | Paul Gravett files his report on the Angoulême International Comics Festival. [Paul Gravett]
Creators | The Simpsons creator Matt Groening has given $500,000 toward the creation of a chair in animation at the University of California, Los Angeles. The Matt Groening Chair in Animation at UCLA’s School of Theater, Film and Television will “allow visiting master artists to teach classes” and “bring working professionals with wide-ranging expertise” to work with students. The cartoonist, a graduate of Evergreen State College in Washington, makes an annual $50,000 donation to UCLA to help students who create socially conscious animated shorts. [The New York Times]
Legal | Attorneys for comics retailer and convention organizer Michael George, who’s serving a life sentence for the 1990 murder of his first wife Barbara, made arguments Monday on a motion for acquittal or a new trial — that would make George’s third — on the basis that there was insufficient evidence for conviction, and that the prosecutor raised a new issue in closing arguments. [Detroit Free Press]
Publishing | John Jackson Miller profiles Diamond Comic Distributors to mark its 30th anniversary, offering a timeline of major events in the company’s history. [Comichron]
Retailing | Dark Horse Publisher Mike Richardson will give the keynote address at this week’s ComicsPRO Annual Membership Meeting. [NewsOK]
Retailing | Hypno Comics will open Saturday in Ventura, California. [Ventura County Star]