Axel-In-Charge: "Secret Wars" Jam Session Talking "A-Force," "Ultimate End" and More
Crime | Sigolène Vinson, a writer for Charlie Hebdo, gives her account of the Jan. 7 shootings that killed 12 at the French satire magazine’s headquarters. Vinson was in the kitchen and heard brothers Chérif and Saïd Kouachi shoot her coworkers; she hid in a colleague’s office but came face to face with Saïd Kouachi, who told her “Don’t be afraid, calm down. I won’t kill you. You’re a woman, we don’t kill women. But think about what you do, what you do is bad. I’m sparing you and because I’ve spared you, you will read the Qur’an.” (However, Chérif killed writer Elsa Cayat, the only female victim of the attack.) [The Guardian]
Awards | This year’s grand prix de la ville d’Angoulême, the lifetime achievement award given every year at the Angoulême International Comics Festival, won’t be given to the staff of Charlie Hebdo, despite a petition started by jury president Gwen de Bonneval that garnered 1,200 signatures plus significant support on Twitter and Facebook. Two Charlie Hebdo cartoonists, Wolinski, who was killed in the Jan. 7 attack, and Willem, who wasn’t in the office that day, have been awarded the grand prix in previous years. The festival has announced a special Charlie Hebdo award that will go to a cartoonist whose work embodies resistance to oppression and censorship, and organizers will also publish a special album of cartoons drawn in response to the attacks. [France Inter]
Controversy | Zainab Akhtar has a good roundup of the SodaStream controversy: A number of internationally known creators have protested SodaStream’s sponsorship of the Angoulême International Comics Festival because the soft-drink manufacturer has a factory in the Israeli-occupied West Bank. “All of Israel’s settlements in the Occupied West Bank are illegal under international law, and SodaStream’s factory in specific was build on land seized from several Palestinian villages in what is regarded as the largest single act of expropriation by the Israeli government in its 47-year long military occupation of the West Bank,” the organizers of the protest said in a statement. A number of artists, including Jacques Tardi (whose work was celebrated in a special exhibit at the show) have signed an open letter to festival organizer Frank Bondoux, asking him to end the relationship with SodaStream. Tardi also issued a statement saying he felt that he had been “taken hostage,” as he did not know about the sponsorship until the festival began. [Comics and Cola]
Calvin & Hobbes creator Bill Watterson received the Grand Prix award this weekend in France at the 41st annual Angoulême International Comics Festival, honoring his lifetime achievement.
The prize is awarded to a living comics creator, and traditionally the winner serves as president of the jury for the following year’s festival; previous honorees have included Robert Crumb and Art Spiegelman. Watterson, Alan Moore and Katsuhiro Otomo (who incidentally received a lifetime achievement award of his own this weekend) were the three finalists this year, with Alan Moore stating late last week that if he won, he would decline the prize. It will be interesting to see if Watterson accepts the prize or attends next year. Tom Spurgeon has some additional commentary on the win.
The Angoulême International Comics Festival is just around the corner, and the shortlist for the Grand Prix de la Ville d’Angoulême was announced on Tuesday:
Binet, Christophe Blain, Charles Burns, Pierre Christin, Daniel Clowes, Richard Corben, Bernard Cosey, Étienne Davodeau, Nicolas de Crécy, Edika, Emmanuel Guibert, Hermann, Alejandro Jodorowsky, Manu Larcenet, Milo Manara, Lorenzo Mattotti, Alan Moore, Katsuhiro Otomo, Quino, Marjane Satrapi, Joann Sfar, Jiro Taniguchi, Jean Van Hamme, Chris Ware et Bill Watterson.
The prize is awarded to a living comics creator, and traditionally the winner serves as president of the jury for the following year’s festival; previous honorees have included Robert Crumb and Art Spiegelman, but the award usually goes to someone working in French-language comics.
There was a bit of controversy last year when juror Lewis Trondheim leaked the finalists on Twitter: Alan Moore, Katsohiro Otomo, Akira Toriyama, Chris Ware, and the eventual winner, Willem, who is well known in French-speaking countries but less so in the rest of the world (the poster above is his work). The Grand Prix winner is chosen by a combination of votes from French creators and a jury of past winners (l’Académie des Grands Prix), and the word on the street last year was that Toriyama was the creators’ choice but the jury overruled that and went with Willem. Toriyama was given a special prize commemorating the 40th anniversary of Dragon Ball.
If I’m reading the French article right, the process will be different this year, with the list being narrowed down to three names in a preliminary round of voting and the winner being determined by a second round in which the creators and the jurors will have an equal say.
Hawkeye, Vol. 1, by Matt Fraction, David Aja and Javier Pulido, and Saga, Vol. 1, by Brian K. Vaughan and Fiona Staples, are among the 35 official selections for the 41st annual Angoulême International Comics Festival, to be held Jan. 30-Feb. 2.
Other titles familiar to North American audiences include: Annie Sullivan and the Trials of Helen Keller, by Joseph Lambert; Attack on Titan, Vol. 1, by Hajime Isayama; Are You My Mother?, by Alison Bechdel; Goliath, by Tom Gauld; My Friend Dahmer, by Derf; and The Property, by Rudu Modan.
In addition, the French-language editions of Paul Pope’s Battling Boy and Ben Hatke’s Zita the Spacegirl are among the nominees for the Sélection Jeunesse (books for young readers), while the eighth volume of Scalped, by Jason Aaron, R.M. Guera, Jason Latour, David Furno, received a nod for Prix Polar (crime). The reprints category also has several books readers should recognize.
The full list can be found on the Angoulême website.
Publishing | As part of its coverage of the Consumer Electronics Show in Las Vegas, Variety spotlights DC Entertainment’s digital moves, particularly its “Digital First” initiative, with titles like Smallville, Arrow and Batman: Arkham Unhinged, and the increase in sales since the company began going day-and-date with its comic books in September 2011. “What we launched last year as an experiment, we’ll increase the frequency now because it’s gotten so popular,” Hank Kanalz, senior vice president of Vertigo and Integrated Publishing, says of Digital First. [Variety]
Retailing | Halifax, Nova Scotia, comics retailer Calum Johnston is looking for a new location for Strange Adventures, as the current location is being redeveloped and the rent will go up as a result. Johnston would rather pay for more staff than pay a higher rent: “When people come in looking for a major title like the death of Peter Parker in Marvel Comics’ The Amazing Spider-Man, they inevitably have questions about other titles. It is important to have staff available to keep customers up to date on new developments and titles.” [The Chronicle Herald]
An odd little remix of Art Spiegelman’s Maus caused a bit of a stir at this year’s Angouleme International Comics Festival (of which Spiegelman was the honorary president), and now it looks like the remaining copies of the book will be destroyed at the behest of Spiegelman’s publisher.
French cartoonist Boulet, who has worked on Dungeon with Lewis Trondheim and Joann Sfar, participated in a 24 Hour Comics event during the Angouleme Festival and came away with a delightful story called “Darkness,” which is kind of what it might be like to be roomies with Morpheus or Gerard Way from My Chemical Romance or the brooding elf from Dragon Age 2 or some other dark, mysterious, handsome stranger that can make the girls swoon just by the way he walks into the room. Boulet nails it perfectly and sticks the landing on a fun story.
Rich Tommaso has had a varied career—his Satchel Paige: Striking Out Jim Crow (written by James Sturm) won an Eisner and several Glyph awards, and he has had a long relationship with Gary Groth and Fantagraphics; currently he is re-coloring Carl Barks comics for Fanta’s collected edition of Barks’s works.
Yet for some reason, Tommaso has had a hard time getting his work published in the U.S.—until now. Yesterday, BOOM! Studios announced that they will publish Tommaso’s graphic novel Pete and Miriam in March under their BOOM! Town imprint. Pete and Miriam has already been published in French, and his bio lists a Spanish edition due out in 2013. “I kept working on it because I had this contract in France but no one was biting on it here,” Tommaso told Tom Spurgeon in an in-depth interview at The Comics Reporter in November. “I went to Angouleme last year and it was amazing how many people came up to me and talked to me about the book. They wanted to know when a second one would be out. There was a lot of excitement for it.” Let’s hope American readers warm to it as well—Tommaso is an artist whose time has come.
Organizations | The Comic Book Legal Defense Fund has named Alex Cox as its deputy director, responsible for oversight of the organization’s home office and fundraising program. Cox, who came to the CBLDF in 2010, previously served as development manager. [CBLDF]
Publishing | Marvel Talent Coordinator Bon Alimagno is leaving the publisher for a position at San Francisco-based software company The Apollo Group. Previously editor of Harris Comics, Alimagno handled freelance scheduling at Marvel, working with David Bogart, the publisher’s senior vice president of business affairs and talent management. [The Beat]
Graphic novels | The Texas Library Association posts its 2012 Maverick Graphic Novel Reading List of recommendations for tweens and teens. [Texas Library Association]