animation Archives - Page 4 of 17 - Robot 6 @ Comic Book Resources
Although the animated adaptation of Axe Cop, the hit webcomic by brothers Malachai Nicolle and Ethan Nicolle, doesn’t premiere for more than six months — July 27, to be exact! — Fox is offering a taste of what we can expect from the show in the form of another installment of “Ask Axe Cop.”
In the clip, which you can watch below, young Keith asks, “Would you ever consider running for president? And if so, what would your platform be?” The answer, as delivered by Nick Offerman — yes, in case you missed it, Ron Swanson of Parks and Recreation voices Axe Cop — is as funny as you might expect.
Part of Fox’s new Animation Domination High-Def late-night programming block, Axe Cop also features the voice talents of Nick Offerman, Megan Mullally, Patton Oswalt, Ken Marino and Peter Serafinowicz. ADHD premieres Saturday, July 27 at 11 p.m. ET/PT.
Ahead of the Jan. 21 season premiere of Ultimate Spider-Man, Disney XD has released a preview of “Marvel Comics Close-Up,” a new series of interstitials that uses Marvel comics in an effort to encourage kids to read.
As we noted last month, the spots are hosted by Marvel’s Chief Creative Officer Joe Quesada (aka “Marvel Master”) and Dylan Riley Snyder (“Kickin’ It”), who offer viewers an inside look at 10 of the publisher’s comics. In the segment below, which arrives courtesy of The Hollywood Reporter, they tie in the debut of the Lizard in the animated series with his appearance in Ultimate Spider-Man #7, by Brian Michael Bendis and Mark Bagley. Viewers will be able to read the comics they discuss on the Disney XD website.
Happy January an welcome to Shelf Porn. You’ve got shelves, we’ve got a blog … and then the magic happens. Today Rich shows us his collection of statues, graphic novels, animation cels and a pretty awesome Batman sketch by Moebius.
If you’d like to see your collection here, drop me an email at firstname.lastname@example.org with a brief write-up and some jpgs.
And now here is Rich …
Fox has announced a July 27 television premiere for Axe Cop, based on the hit webcomic by brothers Malachai Nicolle (who was 5 when it launched in 2009) and Ethan Nicolle (28), as part of the network’s new Adult Swim-style Saturday-night animated programming block ADHD.
Axe Cop, which follows the adventures of the title character and his loyal partner Flute Cop as they deliver their brand of vigilante justice, features the voice talents of Nick Offerman, Megan Mullally, Patton Oswalt, Ken Marino and Peter Serafinowicz. The show is joined in the 90-minute block by High School USA!, from Community writer/actor Dino Stamatopoulos, and an untitled project from twin comedians Kenny and Keith Lucas.
Teasing Axe Cop in October, Fox released a Halloween-themed test clip based on the comic’s “Ask Axe Cop” feature. You can watch it below. ADHD (Animation Domination High-Def) premieres Saturday, July 27 at 11 p.m. ET/PT on Fox.
One of the longtime laments of many fans is that DC Entertainment and Marvel don’t better utilize popular animated series like Young Justice or the late Avengers: Earth’s Mightiest Heroes to promote their comic books. Well, that’s about to change.
When Disney XD’s Ultimate Spider-Man returns Jan. 21 for a second season, it will be accompanied by a new series of interstitials designed to encourage kids to read. Hosted by Marvel’s Chief Creative Officer Joe Quesada and Dylan Riley Snyder (“Kickin’ It”), “Marvel Comics Close-Up” will give viewers an inside look at 10 comics, including Ultimate Spider-Man #7, Invincible Iron Man #7, Hulk #3, Thor #364 and Marvel Adventures Spider-Man #16. In addition, free Marvel digital comics will be offered on the Disney XD website.
Ultimate Spider-Man returns Monday, Jan. 21 at 7 p.m. ET/PT with a one-hour premiere that introduces Electro and the Lizard. New episodes follow in the show’s regular time slot, Sundays at 11 a.m. ET/PT.
If you’re a comics fan who came of age in the ’90s watching the terribly animated X-Men cartoon as part of the Fox Kids Saturday morning lineup, you’ll likely appreciate this video, which recreates the show’s opening using action figures and stop-motion animation. According to Kyle Roberts’ YouTube page, he used more than 4,000 pictures, and “spent two months rotoscoping and animating all of the special effects.” Add to that the work done by Nathan Poppe on the doodle-style background, and the theme song recreated by Colin Nance and Zach Zellar.
And on top of all of that, there’s a mildly amusing framing sequence. Still, though, the stop-motion credits sequence is the star of the show.
Although he’s still reeling by the defeat of Mitt Romney — hey, he didn’t heed valuable advice — C. Montgomery Burns pulls himself together to deliver a helpful explanation of the “fiscal cliff” from within the ominous-looking headquarters of the Springfield Republican Party.
“Think of the economy as a car and the rich man as the driver,” he offers in a new Simpsons promo. “If you don’t give the driver all the money, he’ll drive you over the cliff. It’s just common sense.”
Watch the video below. New episodes of The Simpsons air Sundays at 8 p.m. ET/PT on Fox.
SuperF*ckers made its animated debut today on the Cartoon Hangover site. Based on the comics by James Kochalka published several years ago by Top Shelf, it features, as Kevin noted earlier this week, “teen superheroes doing, and saying, bad and occasionally disgusting things.” And some very funny things.
A censored version of the first episode can be found below, and you can watch the uncensored version on YouTube. Neither one of them are really safe for work, though, so put your headphones on before watching.
In addition, once you’ve enjoyed the cartoon, you can buy the merch … WeLoveFine has a whole Cartoon Hangover section on their site now, featuring the SuperF*cker characters, and to celebrate the show’s premiere, the above shirt featuring Ultra Richard is their deal of the day. They’ve also got one featuring Jack Krak that’s tied to the first episode. You can find images of some of them below.
Top Shelf points out that Cartoon Hangover has been adorably counting down to the Friday debut of SuperF*ckers, the online animated series based on the comics by James Kochalka. If you’ve read the series, which the publisher describes as “obscenely funny,” or even just read about it, you have a pretty good idea what to expect from the cartoon: teen superheroes doing, and saying, bad and occasionally disgusting things. If that’s not enough to sell you on the animated SuperF*ckers, it’s produced by Frederator Studios, the folks behind Adventure Time and Bravest Warriors.
Like many of us, 13-year-old Nick Mastrangelo is a fan of Daryl Dixon, the crossbow-shooting, motorcycle-riding loner from AMC’s The Walking Dead. But while the rest of us are content to watch Merle’s younger brother kill walkers, and the occasional owl and possum, once a week, aspiring animator Nick created his own Daryl Dixon adventure. The result is bloody, manic and undeniably awesome (Robert Kirkman calls it “the coolest thing I’ve seen all day”). If The Walking Dead can spin off a weekly talk show, then I see no reason why it can’t spawn a series of animated shorts (by Nick Mastrangelo, naturally). Get on it, AMC.
The Kickstarter campaign to fund a feature-length story reel for the stalled CGI-animated adaptation of The Goon ended successfully Sunday, exceeding its $400,000 goal by $41,900.
“Frankly, we don’t have the words to describe our APPRECIATION, Goon Fans,” the message on the Kickstarter page states. “We NEVER could have imagined how much SUPPORT we’d receive from this fan community. It’s truly been OVERWHELMING. Through your time, energy, dedication, and donations, you’ve given us an AMAZING opportunity to help keep The Goon Movie dream alive.”
That dream dates back to at least 2008, when it was announced that producer David Fincher and Blur Studio would adapt the acclaimed comic by Eric Powell. Progress soon stalled, however, as financing proved difficult. Test footage, featuring the voices of Clancy Brown and Paul Giamatti, was at last revealed last year, giving fans hope the project might eventually see the light of day. With few additional signs of movement, Powell gave in to pressure and revealed at Comic-Con International he would turn to Kickstarter.
The result of the campaign won’t be the actual film; that budget is pegged at somewhere around $45 million. Instead the $441,900 will be used to finance a story reel to shop to studios.
Sure, President Obama has received high praise from New Jersey Gov. Chris Christie and, just today, the endorsement of New York City Mayor Michael Bloomberg, but Mitt Romney has now secured the invaluable assistance of the Springfield Republican Party.
In a video message from C. Montgomery Burns, the nuclear power tycoon and kingmaker offers the candidate a way to overcome “the one thing that might deny us the presidency that is the God-given property of the Republican Party.” It’s not the 47-percent video, the overseas bank accounts or even, as Mr. Smithers says, “the tax returns that even Wesley Snipes would call suspicious.” No, no, no … it’s the harrowing tale of Seamus the dog.
The Simpsons returns Sunday at 8 p.m. ET/PT on Fox.
Three months after teasing he would give in to pressure and use Kickstarter to help fund the stalled CG-animated adaptation of his comic, The Goon creator Eric Powell launched the campaign this morning. Although the film’s budget has been pegged at $45 million, the drive’s goal is $400,000 to pay for a feature-length story reel to shop around to studios.
Billed as an effort by Powell, producer David Fincher, Blur Studio and Dark Horse Entertainment, the campaign asks fans to “Help us make a NEW KIND of animated film … one that’s LOUD, VIOLENT and OFFENSIVE TO YOUR GRANDMA.”
Announced in 2008, the animated movie has been slow moving as the producers searched for financial backers. “The Goon is in the exact same position it’s been in for the past couple of years,” Powell said in January. “Prepping the design and script while searching for funding.” About a year ago, the cartoonist shared well-received test footage that featured the voice talents of Clancy Brown and Paul Giamatti, who are set to return for the story reel and the eventual feature.
This weekend, fans of Masters of the Universe, She-Ra: Princess of Power and ThunderCats will descend on Torrance, California, for the second annual Power-Con/ThunderCon, an event devoted to the 1980s media franchises.
While much of the programming is dedicated to the toy and animation aspects of the pop-culture mainstays, there are panels devoted to the He-Man and She-Ra minicomics (they came with the original action figures) and the ThunderCats comics, “the Art of Eternia,” MVCreations (which created He-Man comics from 2002 to 2004), and the rarely seen He-Man newspaper comic strips.
Comics guests include Blond, Shannon Eric Denton, Leanne Hannah, Larry Houston, Josh Howard, Pepe Moreno, Tone Rodriguez, Nei Ruffino, Mark Dos Santos, Tim Seeley, Felipe Smith, Matt Tyree, Anthony Washington and Dave Wilkins.
Power-Con/ThunderCon kicks off Saturday morning at the Torrance Marriott South Bay and continues through Sunday.
While comics fans may miss seeing new work from Joshua Middleton on comics shelves (the covers to Sword & Sorcery and Before Watchmen were nice!), there’s some consolation in knowing that although the artist isn’t actively illustrating comics he is keeping within the superhero landscape. Middleton recently posted some landscape designs he created for Warner Bros. Animation’s Green Lantern: The Animated Series, which he worked on for some time. What he’s revealed so far is his renditions of Oa, interplanetary headquarters of the Green Lantern Corps. In his brief post, Middleton explains some of the obstacles from an art direction standpoint to the Green Lantern concept and how he overcame them for his work on the series.
“One major problem from an art direction perspective, with Green Lantern: The Animated Series and anything Green Lantern in general, is the overabundance of green,” Middleton writes. “It can be difficult to come up with nice color palettes when everybody and everything in the scene is glowing green. Matters were not made better with the introduction of Red Lanterns, as we now had the world’s weirdest Christmas to deal with.”