Ann Nocenti Archives - Robot 6 @ Comic Book Resources
Our annual “Looking Forward, Looking Back” feature continues, as we ask various comics folks what they liked in 2013, what they’re looking forward to in 2014 and what projects they have planned for the coming year. In, this final round, we hear from Vito Delsante, Jacq Cohen, Mark Sable, Dean Haspiel, Joshua Williamson, Jordie Bellaire, Paul Allor, Adam P. Knave, Tim Gibson, Bryan Q. Miller, Nathan Edmondson, Ann Nocenti, Jason Latour, Paul Tobin, Ming Doyle, Jeff Parker, Francesco Francavilla and Gabriel Hardman.
And if you missed them, be sure to check out Part 1, Part 2, Part 3, Part 4, Part 5 and Part 6 where we heard from Jimmy Palmiotti, Tim Seeley, Chris Roberson, Kurt Busiek, Faith Erin Hicks, Tyler Kirkham, G. Willow Wilson and many more.
Stage | Dancer Daniel Curry, who was seriously injured during an Aug. 15 performance of the Broadway musical Spider-Man: Turn Off the Dark, made his first appearance since the accident at a benefit concert held Monday that raised $10,000 for his medical bills. Curry was injured when his leg was pinned by an automated trap door — he blames malfunctioning equipment, producers say it was human error — resulting in fractured legs and a fractured foot; he has undergone surgeries and unspecified amputations. The Occupational Safety and Health Administration and Actors’ Equity have launched investigations into the accident, and Curry’s lawyers are exploring a possible lawsuit against the $75 million show and the equipment suppliers.
During previews of Spider-Man: Turn Off the Dark — before the March 2011 firing of director Julie Taymor and the sweeping overhaul that followed — no fewer than five performers were injured, the most serious previously being aerialist Christopher Tierney, who fell about 30 feet in December 2010, breaking four ribs and fracturing three vertebrae. He returned to rehearsals four months later. There have been no major accidents since the show opened in June 2011. [The New York Times]
Awards | Online voting is open through April 30 for the sixth annual Inkwell Awards, which recognize excellence in comic-book inking. The winners will be announced during a ceremony at HeroesCon, held June 7-9 in Charlotte, North Carolina. [Inkwell Awards]
Comics | On the website of the conservative Media Research Center, Kristine Marsh and Matt Philbin accuse DC Comics and Marvel of having a “homosexual agenda”: “Like the rest of American pop culture, comic books have increasingly included pro-gay propaganda pieces aimed at the children and young adults who read them.” [Media Research Center]
Ann Nocenti is a creator who caught my attention in different ways over the years. As a news and documentary junkie myself, her career path (which ventured into journalism and making documentaries at various times) fascinates me. Once she agreed to a interview about her new DC Comics series Katana, I filled her in-box with my questions. Wednesday marks the release of Katana #2, in which the lead character has become a member of the Sword Clan in her quest for vengeance. Nocenti’s discussion of her current work becomes even more interesting to read when juxtaposed the recent Comic Book Resources interview with Louise Simonson and Nocenti regarding their journeys into writing comics.
Tim O’Shea: I love your ability to offer conflicting imagery in the first issue of Katana. For instance, you stage a fight with Katana in a garden sculpture park/kawaii park (including teddy bear topiary). Was that your idea or did artist Alex Sanchez suggest it?
Ann Nocenti: I do a lot of research before writing a comic, then try to forget it all before actually writing the scripts in order to allow something new to seep in. When I was first offered Katana, Jim Lee said something about how it would be great to have the fight scenes in spectacular visual settings, rather than alleyways and streets, and his comment stuck with me. So when researching Japan, I was enchanted by kawaii art, how it is both soothing and endearing, and yet it reminded me of my childhood filled with Cinderella and Sleeping Beauty tales — the myths that are hoisted on little girls. So I set the battle in a kawaii park, but it was Alex’s idea to turn that into a topiary. I was surprised and delighted when the art came in. I also wanted to play with visual riffs on feminist themes — to contrast what is expected of women, both here and in Japan, when one is raised in a traditional fashion and yet struggles to be progressive. I was raised Catholic, so I can understand that. Visually, I want to continue the idea of strong settings for the fight scenes: In Katana #2 there is a battle in a zoo and at a double-ended sword show. In Katana #3 the battle is in a boat graveyard.
“… I got back into comics because of stereotypes. I think there was some big controversy in some convention — I wasn’t in the industry because I was off doing other things — about how there were no women in comics, and then I got a call, ‘We need women in comics.’ So if I got back into the industry because I’m a token female, I say great! I’m all in! [...] They put me on Green Arrow, and I have to admit, I just didn’t get Green Arrow. I struggled with him. He was a rich playboy in an armored suit who was young. I liked the old Green Arrow, the wise guy who was stealthy and a social crusader — Denny O’Neil’s Green Arrow. This was a different Green Arrow and I didn’t connect with him. Now, doing Katana and Catwoman, I have no idea if there was a meeting where someone said, ‘Let’s give the girl writer the girl books,’ but I instantly related to those characters! It’s fun to write girls.”
– veteran writer and editor Ann Nocenti, discussing her recent return to comics in a fascinating conversation with Louise Simonson at Comic Book Resources that touches up their careers at Marvel, creations like Longshot and Power Pack, attitudes toward female creators in the ’80s, and much more
Happy Presidents Day weekend, America, and happy Sunday to everyone else. Welcome to a very presidential What Are You Reading?, which really isn’t that different than a regular one, but you can imagine every entry being written by Daniel Day-Lewis if you’d like.
Today our special guest is Chris Smits, publisher of Aw Yeah Comics Publishing! and blogger at Creator-Owned Comics. Aw Yeah Comics, of course, is the all-ages comics series being created by Art Baltazar and Franco, with help from folks like Mark Waid, Brad Meltzer, Jason Aaron and many others … including Chris. If you’d like to get your hands on the adventures of Awesome Bear, Daring Dog, Polar Cycle, Marquaid, Action Cat and more, then let me point you to their Kickstarter campaign, which has hit its goal but you can still get in on the fun (and the comics!)
And to see what Chris and the Robot 6 crew have been reading, click below.
Retailing | Diamond Comic Distributors has announced it will return to Chicago April 24-26 for its annual Diamond Retailer Summit, held in conjunction with the April 26-28 Chicago Comic & Entertainment Expo . The three-day event includes presentations from sponsoring publishers, focus groups, and retailer workshops and roundtables. [Diamond Summits]
Awards | Johanna Draper Carlson has resigned as a judge for the 2012 Glyph Comics Awards following a disagreement over which works are eligible for the annual honors. Carlson believed judges should be able to nominate comics (as is the case with the Eisners), but the organizers limited the pool to comics that were submitted to them, which resulted in a smaller group of nominees. [Comics Worth Reading]
“When I wrote Typhoid Mary, there were some strong female protagonists in comics, but I didn’t like the gender garbage bins that female extras went into: wife, bimbo, good girl, slut, witch etc. But men were often disposable in the same way: lunkheads, etc. Now I see plenty of strong females in comics. But both men and women in comics still get used as ‘cannon fodder’ (I am guilty of this myself) where a one-dimensional male or female is needed to play a stereotype and disposed of. But the female leads in their own books, the ones I’ve read, like Batgirl and Wonder Woman and Batwoman are very strong characters.”
Whether due to use-it-or-lose-it legal concerns about trademarks, or simply to remind everyone of exactly what it owns, DC Comics has come up with a variety of ways to recycle old titles, ranging from the 1997 Tangent event to the anthologies Mystery in Space and Ghosts to the short-lived National Comics revival.
This week the company brought back Young Romance, the title of the Joe Simon/Jack Kirby-created comic that was published from 1947 to 1975, as a Valentine’s Day special featuring a half-dozen stories of romance in the New 52 DC Universe.
An interesting mix of creators are involved, an interesting enough mix to merit a look at what they might do with some of these characters and couples in eight pages. So join me for mini-reviews of every story in Young Romance: The New 52 Valentine’s Day Special.
Publishing | Heidi MacDonald reports that shareholders of Platinum Studios held a conference call Wednesday, with President Chris Beall sending a letter to founder Scott Rosenberg suspending him indefinitely as the company’s chief executive officer. Rich Johnston posted the press release announcing the call, and some of the topics on the agenda were fairly jaw-dropping. [The Beat]
Publishing | Andrews McMeel Publishing and Universal UClick (which are different divisions of the same company) are collaborating on a new line of digital comics, Udig, which collects themed newspaper strips into short e-books (the one I checked had 55 comics) for $2.99 each. [Good E-Reader]
It’s time once again for our monthly trip through Previews looking for cool, new comics. We’ve each picked the five comics we’re most anticipating in order to create a list of the best new stuff coming out two months from now.
As usual, please feel free to play along in the comments. Tell us what we missed that you’re looking forward to or – if you’re a comics creator – mention your own stuff.
G.I. Joe #1: As if G.I. Joe wasn’t entirely in my guilty pleasure wheelhouse already, IDW Publishing relaunches the title with Fred Van Lente as writer and the tease of social and media commentary as the team is forced to go public in its fight against Cobra. Seriously, that’s just unfair, people. (IDW, $3.99)
Hawkeye, Vol. 1: My Life As A Weapon TP: One of the best-looking comics around, thanks to David Aja (and Javier Pulido, on a couple of the issues contained herein), and something that I suspect I’m going to want in a collected edition to give to friends wanting some fun, fast-moving action stuff to read. Best thing Matt Fraction’s done in a long time, too. (Marvel, $16.99)
New Tales of Old Palomar HC: Continuing my Love and Rockets education, a chance for me to pick up Gilbert Hernandez’ return to Palomar in this new collected edition of his Ignatz series. This is definitely my favorite of Beto’s work, so I’m happy to see more. (Fantagraphics, $22.99).
The Sixth Gun: Sons of The Gun #1: A new spin-off series from Cullen Bunn and Brian Hurtt’s spectacular horror western? Why, I really don’t mind if I do, thanks very much. For added benefit, having Brian Churilla show up for art duties is pretty sweet, as well. (Oni Press, $3.99)
Young Romance: A New 52 Valentine’s Day Special #1: Even if I’m feeling less than enthused about the majority of DC’s superhero line lately, I have to admit, the idea of a Valentine’s Day special one-off is just far too tempting for me to ignore. (DC Comics, $7.99).
Legal | Marvel has sued a Jerusalem retailer for $25,000, claiming the well-known Kippa Man store is infringing on its trademarks by selling unlicensed yarmulkes bearing Spider-Man’s likeness. “A reasonable consumer could be fooled into thinking that the infringing product is manufactured and/or sold by the plaintiff with the knowledge and/or approval of the defendant,” Marvel said in its complaint. Kippa Man owner Avi Binyamin notes the yarmulkes are manufactured in China, and that he only sells them. “There are 20 stores on this street, they all sell the same thing,” he told The Jerusalem Post, theorizing that he’s being targeted because his store is well known. The Times of Israel characterized the lawsuit as “the first move by Marvel against what it perceives as widespread copyright infringement in Israel, where products featuring its copyrighted superheros are commonly sold.” [The Jerusalem Post, The Times of Israel]
Steve Cook, U.K comics designer/colorist/renaissance man, has a new iteration of his “Secret Origins” photo exhibition running at the Renoir Cinema. from July 20 to Aug. 17. You can see some more examples of the work below, and many more on his website.
The exhibition is craftily timed to coincide with the release of some movie about Batman, apparently. I remember seeing Bisley in his pomp at UKCAC 1988, when he looked just like the above image — biker boots, leather trousers, leather jacket. He looked pretty much exactly like Joe Pineapples of the ABC Warriors, the strip he’d just recently made his reputation on.
July’s a great time to anticipate October: football; temperatures on the brisk side; the crisp smell of falling leaves; the cold rains that somehow aren’t depressing. I also like that DC Comics seems to be settling into its own seasonal patterns, using the fall to set up a slew of new creative teams and launch big new storylines. Having all those #13 issues in the run-up to Halloween doesn’t hurt either.
Of course, now we get to judge them all harshly, based on a few sentences and a photo for each….
COMINGS AND GOINGS
John Layman and Jay Fabok come aboard Detective Comics, replacing Tony Daniel. Daniel leaves regular Bat-work after several years writing and penciling in various combinations. I was never really enthralled with his writing, which seemed content mostly to approximate what a Batman story should be; but if Detective’s sales are any indication, I am in the minority. Daniel moves over to Justice League for two issues, so that likely eases the pain.
Continue Reading »
Madelyne Pryor, the Jean Grey lookalike introduced in Uncanny X-Men #168, was put through the ringer by writers over the years, as she went from being Scott Summers’ wife and Cable’s mother to a clone of Jean Grey and eventually a supervillain. You’ve gotta love any Wikipedia entry that comes with the caveat, “Madelyne’s biography has been rendered particularly complicated because of the many retcons involved in the publication history of both her character and that of Jean Grey.”
But that wasn’t always the plan for the character, as legendary X-Men writer Chris Claremont notes in the video below. The footage is from an interview conducted for the upcoming documentary Comics in Focus: Chris Claremont’s X-Men. Filmmakers were able to reunite Claremont, writer Louise Simonson and editor Ann Nocenti for a discussion of their time working on the X-franchise.