X-POSITION: Nicieza Body-Slides From "Age of Apocalypse" to "Deadpool & Cable"
Steve Cook, U.K comics designer/colorist/renaissance man, has a new iteration of his “Secret Origins” photo exhibition running at the Renoir Cinema. from July 20 to Aug. 17. You can see some more examples of the work below, and many more on his website.
The exhibition is craftily timed to coincide with the release of some movie about Batman, apparently. I remember seeing Bisley in his pomp at UKCAC 1988, when he looked just like the above image — biker boots, leather trousers, leather jacket. He looked pretty much exactly like Joe Pineapples of the ABC Warriors, the strip he’d just recently made his reputation on.
July’s a great time to anticipate October: football; temperatures on the brisk side; the crisp smell of falling leaves; the cold rains that somehow aren’t depressing. I also like that DC Comics seems to be settling into its own seasonal patterns, using the fall to set up a slew of new creative teams and launch big new storylines. Having all those #13 issues in the run-up to Halloween doesn’t hurt either.
Of course, now we get to judge them all harshly, based on a few sentences and a photo for each….
COMINGS AND GOINGS
John Layman and Jay Fabok come aboard Detective Comics, replacing Tony Daniel. Daniel leaves regular Bat-work after several years writing and penciling in various combinations. I was never really enthralled with his writing, which seemed content mostly to approximate what a Batman story should be; but if Detective’s sales are any indication, I am in the minority. Daniel moves over to Justice League for two issues, so that likely eases the pain.
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Madelyne Pryor, the Jean Grey lookalike introduced in Uncanny X-Men #168, was put through the ringer by writers over the years, as she went from being Scott Summers’ wife and Cable’s mother to a clone of Jean Grey and eventually a supervillain. You’ve gotta love any Wikipedia entry that comes with the caveat, “Madelyne’s biography has been rendered particularly complicated because of the many retcons involved in the publication history of both her character and that of Jean Grey.”
But that wasn’t always the plan for the character, as legendary X-Men writer Chris Claremont notes in the video below. The footage is from an interview conducted for the upcoming documentary Comics in Focus: Chris Claremont’s X-Men. Filmmakers were able to reunite Claremont, writer Louise Simonson and editor Ann Nocenti for a discussion of their time working on the X-franchise.
Hello and welcome to What Are You Reading?, our weekly look at what the Robot 6 crew has been reading lately. Today our special guest is Jamaica Dyer, creator of Weird Fishes and Fox Head Stew, which can be read over at MTV Geek. She also recently did a concert report in comic form from San Francisco’s Noisepop for Spin Magazine.
To see what Jamaica and the Robot 6 crew have been reading, click below.
Comics | As part of an Associated Press article about comics addressing real-world issues, it’s revealed that the glamorous Cheryl Blossom, an Archie Comics character who has appeared throughout the years, often as a fourth player in the traditional Archie/Betty/Veronica love triangle, will battle breast cancer in a new storyline. According to Editor-in-Chief Victor Gorelick, Cheryl feels fortunate she can afford treatment, which “opens the door that there are a lot of people who cannot afford this kind of treatment and we have to see where that’s kind of going to lead.” [The Associated Press]
Conventions | Paul Gravett files his report on the Angoulême International Comics Festival. [Paul Gravett]
Since the March solicitations kick off the back half of the New 52’s first year, it’s probably worth noting that the whole line remains unchanged: no “midseason replacements” like Justice Society, but no cancellations either. If I hear relieved sighs from OMAC and Men of War, certainly Dan DiDio and Jim Lee have to be pleased generally that they’ve gotten this far with the 52 intact.
Well, pleased or stubborn, I suppose. Sometimes it’s hard to tell the difference.
Ahem. Away we go…!
One of my pet peeves about the New-52 is the sense that it lacks a meaningful “history.” For at least the last few decades, a reader might not have known exactly what had happened or when, but s/he could tell that these characters hadn’t just fallen off the turnip truck. I say this because the solicits for Justice League #7 and Flash #7 both allude to their books’ untold backstories. With Justice League, we’ll learn about membership turnover and other details of the five years between the League’s debut and today. (To be sure, some of that has already been alluded to in the League’s previous present-day appearances, like JL Dark #1.)
I was going to open with some snotty Wow, the holidays went by super-quickly! comment, but then I read the first issue of Justice League in seven weeks. Sometimes DC gets ahead of itself; sometimes it’s a little behind. Happens to the best of us — sometimes you do two solicitation roundups in three weeks….
Anyway, with the January solicitations, the New-52 books each turn five issues old. Series wrapping up their first arcs this month include Blackhawks, Batwoman, Animal Man, and the Deadman feature in DC Universe Presents. (Not to worry about the latter, because there is a lot of Deadman in these solicits.) I’m not sure why five issues is such a wonky number for story arcs — there are five-issue miniseries all the time and they collect just fine. Still, I expected most of the New-52 books to take six issues for their introductory stories, and most of them may yet do that. Only a few books look to finish their first arcs after December’s issue #4s (Hawkman and Frankenstein, probably OMAC, maybe Batgirl), and those plus this month’s are barely an eighth of the relaunched line. It makes next month’s solicits more intriguing, I suppose.
Regardless, we live in the now (as it were…) so — onward to January!
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The New York Comic Con officially opened its doors this afternoon, but comics publishers and distributors have been releasing announcements leading up to it all this week. Here’s a round-up of news from today, as well as some that hit earlier this week.
• DC Comics, who were having a pretty good week already, announced two creative team changes for the New 52. Ann Nocenti of Daredevil and Longshot fame will write Green Arrow starting with issue #7. She spoke to Comic Book Resources about her approach to the series: “I have a particular way of writing a comic. Comics are short. They are only twenty pages, so you can take a year of comics and that can be your opera, and the opera can have a lot of different passages in it. I kind of believe every issue should be a single story, just a complete story. But there is a momentum that forms like triptychs over it, and then it forms your big overtures, and then the whole thing ends up kind of operatic. I also want a beginning, middle and end, a classic short story approach to every single comic. What I do is I try to figure out, what is the kick in this comic, what is the main feeling I want to get, and everything in the comic has to serve that.”
• And Marc Bernardin (Monster Attack Network, The Highwaymen, The Authority) will take over the writing duties on Static Shock beginning with issue #7. “As a fan and as a writer, one of the great things about Static isn’t just that he’s a new hero, it’s also that he’s a young hero,” Bernardin told CBR. “He will make the mistakes of youth and, even though the New 52 is resetting a lot of heroes to their early days as do-gooders, there’s nothing quite like the fumblings of a teenager.”
There’s anthologies. Then there’s Womanthology.
Designed to showcase the works of female comic creators “of every age and experience level,” the short stories in Womanthology center around the theme “Heroic.” In addition to comics, the book will also have interviews and “how-to” tutorials by female creators to encourage the next generation of talent. All proceeds from the book will be donated to the charity Global Giving Foundation.
To bring this all together, the women behind Womanthology are turning to Kickstarter.com to raise money to print the book. With a release date tentatively set for December 2011, the Kickstarter campaign has already generated $18,000 of its $25,000 goal with just under a month to go.
The list of contributors reads like a who’s who of comic creators, including the likes of Ann Nocenti, Camille d’Errico, Ming Doyle, Colleen Doran, June Brigman, Fiona Staples, Barbara Kesel, Gail Simone, Trina Robbins and more.