PREVIEWS: "Daredevil," "Uncanny X-Men," & More Marvel Comics On Sale August 3, 2016
Today is Guy Fawkes Day, and what used to be an occasion for bonfires and begging pennies from the neighbors has become a day of protest thanks to Alan Moore and David Lloyd’s graphic novel V for Vendetta; the Guy Fawkes mask worn by their anonymous revolutionary V has become a symbol of protest worldwide. The protest group Anonymous plans a march on the British Parliament this evening to re-enact the final scene from the graphic novel. The event, dubbed “Operation Vendetta,” will be live-streamed here.
Meanwhile, Moore will be marking the occasion with the release date of his first single “The Decline of English Murder.” The song can be downloaded from Occupation Records, the record label that came out of the Occupy movement; it’ll set you back a quid, but he also released a video, which features clips of Occupy protests. (Ironically, it starts with an ad.) The Guardian calls the song “a gloomy and at times opaque ballad that likens the stark economic inequities challenged by Occupy to the work of a killer … The song, with Moore half-speaking, half-singing his words to a musical backing by Joe Brown, is as mournful as you might expect from something that namechecks a motorway service station near Preston in its first line.”
The Daily Cross Hatch talks to cartoonist Susie Cagle, who was at Occupy Oakland on Tuesday gathering material for her graphic series about the history of Occupy Oakland, when things turned ugly and the police threw flash grenades and tear gas canisters into the crowd. “As I crouched down to protect myself, a teargas canister rolled right under my face and exploded,” she said. She was helped at the scene by a medic from Anonymous, and she plans to go back; she was shooting a video at the time, which you can view at the site.
The tear-gassing has changed Cagle’s plans:
It was going to be a five-part piece about how different Occupy Oakland is from the rest of the occupation. When the camp was up, it was very different. They were primarily concerned with creating this functional mini-city, rather than doing focused protests and actions, which is very different than the other ones
But as so often happens in the journalism biz, the story has changed out from under her, and she’s going to stick around to see how it plays out. Stay tuned.
Infamous for its protests against the Church of Scientology and website attacks on Sony, Visa and, most recently, Bay Area Rapid Transit, the loose-knit hacker group Anonymous is perhaps best known for a single image that’s become a symbol of its anarchic movement: The V for Vendetta-inspired Guy Fawkes mask worn by its members in public protests.
However, as The New York Times notes this morning, each of those masks purchased by the largely anti-government, anti-corporation activists puts money in the coffers of Time Warner, one of the world’s largest media conglomerates. The parent company of DC Comics, which published the Alan Moore-David Lloyd miniseries in the United States, and Warner Bros., which released the film adaptation in 2006, owns the rights to the image, and receives a licensing fee for each mask sold.
And there are a lot sold, thanks largely to the Anonymous movement. Rubie’s Costumes, the New York company that produces the masks, sells more than 100,000 a year; by comparison, it sells only about 5,000 of each of its other masks.
But it wasn’t until recently that Rubie’s knew why Guy Fawkes was a bestseller. “We just thought people liked the V for Vendetta movie,” Rubie’s executive Howard Beige tells the newspaper. “Then one morning I saw a picture of these protesters wearing the mask in an online news article. I quickly showed my sales manager.”