5 All-New, All-Different Marvel Titles We're Most Excited to Read
Stan Lee was reportedly rushed to the hospital Sunday, but that certainly didn’t stop the 92-year-old from appearing last night at the Hollywood premiere of Ant-Man.
According to TMZ, Lee called 911 Sunday morning, complaining that he didn’t feel well, and was taken from his Hollywood Hills home to Cedars-Sinai Medical Center in Los Angeles. A representative for Lee wouldn’t confirm the report, but pointed EW.com to the comics legend’s attendance at the movie premiere.
Following a couple of waves of Avengers: Age of Ultron stylized figures, Hot Toys has revealed the next release in its Artist Mix line: Marvel’s Ant-Man.
Designed once again by Touma, this series of 13-centimeter-tall bobbleheads features Ant-Man and the villainous Yellowjacket. The Deluxe Set will include a special third figure, Ant-Man (Black Out Version).
On the teeny-tiny heels of Hasbro’s Comic-Con International-exclusive Ant-Man box set, Marvel and Diamond Select Toys have unveiled a new Scott Lang action figure, available only from MarvelShop.com and Disney Store.
Sculpted by Gentle Giant Studios, and based on the upcoming Marvel Studios film, this Marvel Select Ant-Man kinda-sorta looks like star Paul Rudd. Standing 7 inches tall and featuring 16 points of articulation, it comes with two interchangeable heads (helmted and unmasked), six interchangeable hands, a 1.75-inch shrunken version, and a display stand.
Hasbro is gearing up for the July 17 release of Ant-Man by unveiling its final two Marvel exclusives for Comic-Con International in San Diego, both featuring the shrinking hero.
The first is a .75-inch non-articulated Ant-Man figure, based on Paul Rudd’s Scott Lang. Priced at $9.99 (yeah, I know), it comes in a Pym Technologies matchbox.
Funko, always at the ready with Marvel movie merchandise, has revealed its Pop! Vinyl figures of Ant-Man and his nemesis Yellowjacket from the upcoming film.
The company also announced Ant-Man Wacky Wobblers, which are those bobblehead statues, but no images are available. Both lines arrives in June.
Superheroes sprang from the era of pulp icons like The Phantom and Doc Savage, and now cartoonist Chris Schweizer has some of today’s most popular costumed characters back to their roots.
In a project undertaken just for fun, the creator of The Crogan Adventures imagined some of the Avengers and X-Men as they might’ve appeared in the 1920s and 1930s in a series called “Marvel Pulp.”
By and large, people outside Japan can’t fully understand how big Mobile Suit Gundam is. In some ways, it’s a cultural equivalent to American superheroes — and now one artist has melded the two.
Aburaya Tonbi created renditions of Marvel’s Avengers (including Spider-Man) in the style of Mobile Suit Gundam, albeit in a chibi style. Robot versions of Avengers have been made before — even ones loosely inspired by Gundam — but Campbell’s renditions hit at authenticity, while also being cute.
Inspired by the release of the trailer for Marvel’s Ant-Man, designer Stefanos Anagnostopoulos set out to design a helmet like the one Paul Rudd wears in the film, and to do it in a day. What took him 10 hours to design required a staggering 50 hours to print on 3D prints, but you can’t really argue with the results.
This weekend’s New York Toy Fair has become a breeding ground not just for superhero toys but realms within realms of niche toys. And when it comes to specific toy sets, none inspires more fervor than LEGOs.
Super Hero Hype shared a first look at the initial LEGO playset for Marvel Studios’ incoming Ant-Man film. The “Ant-Man Final Battle” set includes figures for Paul Rudd’s title hero, the mysterious Yellow Jacket and a Hank Pym figure for every little kid who wants to fantasy play as Michael Douglas in wise mentor mode. The set also includes a ridable ant, “giant” screws and obstacles for the miniaturized hero and a new “super jumper” feature on Ant-Man that will soon become a regular feature in LEGO’s heroic lines.
While these toys aren’t exactly ant-sized, they’re close enough that both the real insects and the figures will inspire the same cries when parents step on them without shoes on. Check out the full set below the jump.
Considering the histories of Hank Pym and Scott Lang, there’s probably a deeper meaning to be gleaned from Matt Kiel‘s animated video of Ant-Man dancing like no one’s watching to Taylor Swift’s “Shake It Off.”
However, I prefer to simply enjoy the tiny hero’s uninhibited moves that, alas, come to an end when he realizes (too late!) that someone is watching.
Publishing | In a three-part interview, First Second Books Editorial Director Mark Siegel talks about 2014, the upcoming year, and the emergence of a “new mainstream.” In Part 1 he discusses the 2014 releases and ends with some numbers (print runs rather than sales); the imprint’s top books are Ben Hatke’s Zita the Spacegirl and Jillian and Mariko Tamaki’s This One Summer, both of which have 30,000 copies in print. In Part 2 he looks at the importance of the library market and support from librarians, especially for children and teens, as well as the emergence of a new category of graphic novels that he calls “new mainstream.” Part 3 focuses on First Second’s planned releases for 2015, including Scott McCloud’s The Sculptor, which will have a print run of 100,000. [ICv2]
(Time once again for ROBOT 6 contributors Tom Bondurant and Carla Hoffman to email each other about the year in DC and Marvel superhero comics. This year’s exchange took place between DEc. 26 and Dec. 30. And be sure to check out Part 1 of the conversation.)
Tom Bondurant: One of the more pleasant surprises this year was the extent to which the Big Two started going after a different audience. New books like Ms. Marvel and Gotham Academy, and makeovers for Batgirl and Catwoman, have found success with distinctive, unconventional approaches. How long can they keep this up? Will digital distribution help these books, if it’s not doing so already? Are the Big Two really committed to branching out?
Carla Hoffman: Branching out is such a double-edged sword. It sounds weird to say that, because diversity is so championed online, but when a book can alienate old readers, you really have to draw in a lot of new readers to make up for it. Believe it or not, there were some who complained that Kamala Khan took the Ms. Marvel name rather than getting her own moniker. The good news is that Ms. Marvel is such a quality book and so important to the next generation of comic readers, not to mention Marvel Comics itself, I couldn’t care less if a (pardon my use) grumpy old fan can’t change with the times. Marvel published about 40 new titles this year — everything from Deadly Hands of Kung-Fu to Rocket Raccoon. Not all of the titles stuck (R.I.P. She-Hulk, try again later), but that’s still a lot of new stuff to try that isn’t just another variation of a Wolverine comic.
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In a move that we can only presume is tied to Marvel’s upcoming television and movie plans, the publisher has announced the addition of some of its Season One graphic novels to the Marvel Unlimited digital library — specifically, Ant-Man, Daredevil and Doctor Strange.
Launching in 2012 with Fantastic Four: Season One, the line features current creators retelling, and expanding, the origins stories of some of Marvel’s most popular characters. Neither Fantastic Four nor Season One titles devoted to the X-Men, Spider-Man, Wolverine, Iron Man, the Hulk and Thor are mentioned in the announcement.
The past few weeks have given us drips and drabs of drama regarding two movies on Marvel’s amazing slate of cinematic wonders: Ant-Man lost long-attached director Edgar Wright and hunted down a new one (successfully, I might add; Peyton Reed’s indie-comedy cred is solid with Mr. Show and Upright Citizens Brigade, plus Down With Love is a personal favorite), and Doctor Strange now has Scott Derrickson directing and a slew of casting rumors. It’s made my Twitter feed abuzz with opinions and fancasts and denouncements of studio interference in the creative efforts of the auteur. It seems everyone wants to talk about the next Marvel breakthrough hit.
But not the comics. God forbid we ever talk about the comics. Ant-Man and Doctor Strange are absent from the shelves, outside of cameos in Original Sin, a canceled gig on the FF for Scott Lang and … well, something odd going on with Doctor Strange in New Avengers. As I scroll through Tumblr and Twitter demands about how Doctor Strange and Ant-Man should be presented, no one seems all that keen on picking up a comic with either character in a starring role. When contradicting someone’s fancast, I offered my own choice for Doctor Strange as a Ming Doyle sketch, and was told that “drawings are not good actors.” Oh, man, I hope they were joking …
Scoop reports that a CGC-certified 9.2 copy of Tales to Astonish #27, featuring the first appearance of Hank Pym, was sold last week by Pedigree Comics for a record $65,000. That same copy fetched a then-record $45,000 in May 2010.
Cover-dated January 1962, the 10-cent comic boasted the seven-page story “The Man in the Ant Hill!,” by Stan Lee, Larry Lieber, Jack Kirby and Dick Ayers,” in which Dr. Henry Pym invents a shrinking serum but ends up trapped in an ant hill when he tests it. Once free, he destroys the serum because it’s too dangerous.
Pym returned as eight issues later, becoming the title’s regular star, first as Ant-Man and then as Giant-Man; his socialite girlfriend/lab assistant Janet Van Dyne, aka The Wasp, was introduced in Tales to Astonish #44.
The issue sold Dec. 15 is considered the third-best copy of Tales to Astonish #27, behind two that are CGC-certified 9.4. According to Pedigree Comics CEO Doug Schmell, the comic has “unbelievable color strike, near-perfect centering, tight staples, razor sharp edges and corners and off-white pages.”
As we noted Monday, another copy of Tales to Astonish #27 sold last week for $40,000 as part of a larger auction of Silver Age comics that brought in a total of $570,000.