Apple

Comics A.M. | The comics Internet in two minutes

One Piece, Vol. 59

One Piece, Vol. 59

Publishing | The 59th volume of Eiichiro Oda’s wildly popular pirate series One Piece will set a manga record with a 3.2-million copy first printing from Japanese publisher Shueisha. The previous record of 3.1 million copies was held by the 58th volume of the series. [Anime News Network]

Publishing | Mary Ann Gwinn spotlights the partnership between Fantagraphics Books and Rosebud Archives to publish archives of vintage comics. [The Seattle Times]

Comic strips | Craig Schulz, son of Peanuts creator Charles M. Schulz, discusses the “Peanuts on Parade” public art project, David Michaelis’ controversial book Schulz & Peanuts: A Biography, and caring for his father’s legacy: “Our biggest fear has always been somebody buying up the rights and us not having any control. We’d rather have this property make $10 million a year for 50 years, than make $100 million in one year and walk away from it.” [The Press Democrat, via Journalista]

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Ulysses ‘Seen’ goes to print

Ulysses "Seen"

Ulysses "Seen"

It has been quite an odyssey, so to speak, for Rob Berry, Mike Barsanti, Josh Levitas and Chad Rutkowski, the partners in Throwaway Horse and the creators, in one sense or another, of the webcomic Ulysses “Seen.” Berry and Levitas started out doing a fairly straightfoward adaptation of James Joyce’s Ulysses, with extensive notes and translations by Mike Barsanti just a click away from each page. Then the iTunes store picked up their comic for the iPad, but Apple asked them to censor some of the content (ironic, in light of the novel’s history) and then reversed itself after the issue drew public attention. And now the creators are closing the circle by bringing the comic into print: They have signed a deal with independent publisher Atlas & Co. to bring out a print edition of Ulysses “Seen,” which will hopefully be on bookstores shelves by BloomsDay (June 16) 2011.

I talked to Berry, Atlas and Rutkowski about the new project and the challenges involved in bringing an interactive webcomic into print.

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SDCC ’10 | Apple likes comics, plan your Comic-Con online and more booth schedules

applecomics

• Apple is getting in on the Comic-Con pre-show hype by highlighting all their comic book applications within iTunes. In their “App Spotlight” newsletter, they wrote: “We’re dusting off our Klingon costumes — it’s time for Comic-Con. From Marvel Comics favorites to more recent releases such as Twilight: The Graphic Novel, you can now enjoy comics and graphic novels from past and present right on your iPad, iPhone, or iPod touch.”

• The Comic-Con International site this year introduced a scheduling feature that allows you to pick and choose the panels, films, etc. you’d like to attend, and then export them to your mobile device of choice. In addition, it also shows you how many people have indicated which panels they plan to attend, which is a fun way to see how popular certain panels are.

My wife used it over the weekend; it took her about half an hour to set up, browse the extensive schedule, make her selections and subscribe to it so she gets updates directly on her iPhone calendar (the bulk of that time was going through the schedule and deciding what she wanted to attend). At the time, it looked the Glee and Joss Whedon panels were the most popular.

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Buffy the Vampire Slayer Season Eight motion comic, trailer debut

Buffy the Vampire Slayer Season Eight

Buffy the Vampire Slayer Season Eight

A free trailer has debuted on Apple’s iTunes store for the motion-comic adaptation of Dark Horse’s Buffy the Vampire Slayer Season Eight. The first episode apparently will be available later today; a “season pass” costs $14.99.

The motion comic will cover the first 19 issues of Season Eight, a canonical continuation of Joss Whedon’s cult-hit television series. The comic, which debuted from Dark Horse in 2007, has featured work by Whedon, Georges Jeanty, Brian K. Vaughan, Drew Goddard, Jane Espenson, Brad Meltzer, Jeph Loeb and others.

You can read the iTunes Store description for Season Eight after the break:

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Comics A.M. | The comics Internet in two minutes

Apple

Apple

Technology | Apple said it is adding new security measures to its iTunes store after a developer reportedly hacked into numerous customer accounts to boost the ranking of his comic apps, which briefly dominated the book category. The company claims the weekend incident was an isolated — about 400 of its 150 million iTunes users were affected — but customers tell The Wall Street Journal that hackers have hijacked accounts before, with Apple doing little to stop them. [The Wall Street Journal]

Conventions | Heidi MacDonald looks at the tug of war between San Diego, Los Angeles and Anaheim for Comic-Con International, and the tough decision facing event organizers. “This has been by far the most challenging thing we’ve ever done,” said David Glanzer, the convention’s director of marketing and public relations. “Nobody thought we wouldn’t have a decision by June.” The board hopes to make a decision before this year’s event kicks off in two weeks. “If we don’t [make an announcement],” Glanzer said, “a lot of the focus is going to be on that.” [Publishers Weekly]

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Comics A.M. | The comics Internet in two minutes

Iron Man on the iPad

Iron Man on the iPad

Publishing | Within a day of DC Comics’ entry into digital distribution, one commentator declares that “DC and Marvel Are Killing Digital Comics.” Aaron Ting points to pricing, the lack of “3D page-turning interactivity,” and the use of separate applications: “There should be one unified store, like iTunes or iBooks. Having separate digital stores makes sense if you’re just trying to reach your individual loyal fans — they’ll download anything you ask them to. But digital comics needs to be about reaching out to people who don’t currently read print comics, and those people aren’t going to intuitively know that they should download an app put out by this ‘DC’ company — even if that company owns Batman and Superman.” [WordsFinest]

Retailing | A bailiff changed the locks on Toronto independent bookstore This Ain’t the Rosedale Library on Friday because the store’s owners owe their landlord more than $40,000. Owners Jesse and Charlie Huisken explain their situation, and ask for donations, at the store’s blog. Chris Oliveros comments on the store’s early support of Drawn & Quarterly, and stresses the importance of independent booksellers. [The Globe and Mail, via Rory Seydel]

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Take a tour of the new DC Comics App

Comic Book Resources has a brief-yet-handy demonstration of the newly announced DC Comics App for the Apple iPad.

Comics A.M. | The comics Internet in two minutes

All-Star Superman #1

All-Star Superman #1

Publishing | The big news of the day, obviously, is DC Comics’ entry into the digital-distribution arena with its comiXology-developed application for the iPad, iPhone and iPad Touch. CBR’s Kiel Phegley gets the details from Co-Publisher Jim Lee and John Rood, executive vice president of sales, marketing and business development. (ComiXology is already updating the app to fix a bug that apparently caused early iPhones and iPods to crash.)

David Brothers has early analysis, looking as day-and-date digital release for Justice League: Generation Lost, and a tiered pricing structure. Meanwhile, Matthew Maxwell writes: “… This does mean that both of the Big Two are now officially putting pinkie toes, if not entire feet into the pool. But who will jump in along with them?” We’ll round up more reactions later today. [Comic Book Resources]

Organizations | Mark Waid has joined the board of directors of The Hero Initiative, replacing Guillermo del Toro. [press release]

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Comics A.M. | The comics Internet in two minutes

Neil Gaiman

Neil Gaiman

Legal | Neil Gaiman addresses some of the news coverage of his continuing legal dispute with Todd McFarlane, which was punctuated this week by an evidentiary hearing regarding the characters Dark Ages Spawn, Domina and Tiffany: “There are some knock-offs of the characters I’ve co-created that Todd published and made toys of over the years, and I felt they were derivative of the characters I’d created (or in one case, one actually was the same character I’d created). Todd didn’t want to pay anything at all on them so he (not me/my lawyers) took it back before the judge. Nobody ‘stole characters’ and there’s no argument over ‘ownership of characters’ going on. We’re now waiting for a ruling on if those characters are (in my opinion) derivative or (Todd’s opinion) not of the characters I co-created and have an established copyright interests in. It’s not an ‘epic battle.’ The epic battle was fought and won in 2002.” Gaiman and McFarlane have until July 25 to submit additional arguments. [Neil Gaiman's Journal]

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Comics A.M. | The comics Internet in two minutes

DrunkDuck

DrunkDuck

Business | Platinum Studios has sold webcomics community DrunkDuck to e-book publisher WOWIO for an undisclosed sum. WOWIO was purchased in 2008 by Platinum and then sold in July 2009 to a holding company formed by Platinum President and COO Brian Altounian.

The DrunkDuck acquisition follows the announcement last week that WOWIO has raised $1.7 million in private financing and purchased WEvolt.com, an online community for creators to share and promote their work. Established in 2002 by Dylan Squires, DrunkDuck provides free hosting for webcomics, as well as forums and a feedback/review system. The site was purchased in December 2006 by Platinum. [press release]

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Talking Comics with Tim: Molly Crabapple

"The Puppet Makers" character designs, by Molly Crabapple

"The Puppet Makers" character designs, by Molly Crabapple

Back in mid-May, Molly Crabapple and John Leavitt launched their latest project, Puppet Makers, at Zuda Comics. When Crabapple gave me the head-up about the project a few weeks back, I immediately recalled our enjoyable last interview (August 24, 2009), and decided to go for another round of questions. Here’s the official synopsis on the project: “Versailles 1685, France has industrialized centuries before her neighbors but focuses on creating exquisitely ornate robotic shells for the aristocracy called, DOLLIES. Towering, lavishly expensive, and run on electricity provided by damming the Seine. Only the court elite wears Dollies, but their upkeep is beginning to bankrupt France. During the king’s birthday party, his Dolly explodes but is found to be empty. Rumors fly, blaming THE SMASHERS, a ring of Luddite terrorists who may lurk within the palace. The church’s cardinal sends a neophyte priest, JEAN JAQUES, to uncover Smashers at court. Amidst the contrary, conniving and self-indulgent upper class, Jean is thwarted at every turn. As he begins to uncover the truth behind the king’s disappearance, he finds that decadence and deceit may be a greater threat to the throne of France and his own life than her missing monarch.”

Tim O’Shea: What is the core appeal of steampunk fiction for you as a creator?

Molly Crabapple: I started drawing steampunk pictures in college. A teacher assigned me to design a skateboard deck, and, rebellious thing that I was, I thought it would be hilarious to imagine kateboarding as the sport of trussed Victorian ladies. I drew a board titled “Lady Etheldrina’s Wheeled Conveyance”, which shows a bouffant haired aristocrat on a skateboard, which is then being hauled by her maid.

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Comics A.M. | The comics Internet in two minutes

Stephen Perry

Stephen Perry

Crime | Florida authorities are trying to determine whether human remains discovered Wednesday in Pasco County are those of Stephen Perry, the 56-year-old ThunderCats writer who’s been missing for more than three weeks and presumed murdered. Zephyrhills police are still awaiting the results of DNA testing on the severed arm found in a trash bin on May 16 near Perry’s abandoned van.

Tampa Tribune reporter Howard Altman, who’s been covering the Perry case from the beginning, notes police revealed the latest discovery on the same day that Warner Bros. Animation announced it is producing a new version of ThunderCats. [The Tampa Tribune]

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Ulysses and the road to the iPad

Ulysses on the iPad: Somewhat cleaner than the original

Ulysses on the iPad: Somewhat cleaner than the original

Note: The following story contains images intended for an adult audience.

Earlier this year, Rob Berry and Josh Levitas launched an ambitious project: Adapting James Joyce’s Ulysses into webcomic form. Their Ulysses “Seen” is more than just a graphic novelization; readers can click on the images to a reader’s guide that translates the parts in foreign languages, explains the obscure references, and notes how Berry and Levitas had to improvise to put the text into graphic novel form. So when Buck Mulligan hoists his shaving bowl and intones “Introibo ad altare Dei,” readers who did not grow up with the Latin Mass will know what he is talking about.

Yesterday, Berry and Levitas unveiled their free Ulysses “Seen” iPad app. In order to meet Apple’s standards for the iTunes Store, they had to tone down some of their art—specifically, the nudity—and since fig leaves and pixelation weren’t allowed by Apple, they had to reframe some of the panels. Below is their description of why they undertook the project and what it took to get it accepted, as well as a panel (NSFW) from the webcomic, the original version of the art reproduced above.

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Comics A.M. | The comics Internet in two minutes

Mark Fiore's NewsToons

Mark Fiore's NewsToons

Digital comics | Michael Cavna reports that Apple CEO Steve Jobs essentially accused cartoonist Mark Fiore of lying about the rejection of his iPhone app, telling attendees at a tech conference the Pulitzer Prize winner “never resubmitted” NewsToons after the company’s initial brush-off. “We’re doing the best we can, we’re fixing mistakes,” Jobs is quoted as saying. “But what happens is — people lie. And then they run to the press and tell people about this oppression, and they get their 15 minutes of fame. We don’t run to the press and say ‘this guy is a son of a bitch liar!’ — we don’t do that.”

Fiore seems baffled, telling Cavna: “My NewsToons app was, in fact, rejected. … The reason I never resubmitted the app was because I wasn’t about to make the changes Apple sought and remove any ‘content that ridicules public figures.’ Ridiculing public figures is what I do and is an essential part of journalism.” Tom Spurgeon offers some commentary, pointing out how strange Jobs’ accusations are. [Comic Riffs]

Legal | The Democratic Party of Japan, which holds 54 of the 127 seats in the Tokyo Metropolitan Assembly, and several smaller groups are threatening on June 14 to vote down a bill to tighten restrictions on the sexual depictions of minors in comics, animation and video games. Gov. Shintaro Ishihara said Tokyo could come up with a new bill if the current one is defeated. [The Japan Times]

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That ol’ double standard

The Importance of Being Earnest, as seen on the iPad

The Importance of Being Earnest, as seen on the iPad

At the Prism Comics website, Charles “Zan” Christensen takes a look at the maybe-we-will-maybe-we-won’t world of the Apple app store.

The iPad has been getting plenty of raves as a comics reader, and yet, as Jason Snell points out in his recent exhaustive look at the device’s comics capabilities, the technology may be great but the content is spotty, with some comics available for in-app purchases, others available only as single apps, and quite a few unavailable altogether.

Christensen’s story explores why that is, and it’s an important question. Remember, print comic distribution is already a near-monopoly, at least when it comes to comics stores, and with Diamond refusing to carry books that don’t reach a minimum number of orders, the market has become bleak indeed for new and niche publishers. Webcomics seemed like the logical alternative, but no one wants to pay for webcomics. But iPod/iPhone/iPad users have been trained from the beginning to pay for their content, so these are logical outlets, and Apple’s terms are actually quite good for publishers.

Except that Apple is being very selective about which comics it will carry, and that selectiveness seems to go not only to content but also to how large and established the publisher is. As Christensen points out, Apple shut down a swimsuit catalog app because it had pictures of women clad only in bathing suits but left Sports Illustrated alone.

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