X-POSITION: Phoenix, Upstarts & More Tear Up Bowers & Sims' "X-Men '92"
Apparently we misunderstood: The New 52 doesn’t refer to the number of titles DC Comics publishes each month but rather the number of times each title changes creative hands. That’s what it seems like sometimes, what with firings by email, quitting on Twitter, rehirings and more. The general impression from behind-the-scenes tales is that the New 52 is in chaos. However, the end product might suggest DC is actually somewhat holding it together.
Creative changes are nothing new; turnover is inevitable. The key is how that turnover is managed. The ideal is to have a long and satisfying run by a cohesive team smoothly transitioning to a new team. Lord knows that doesn’t always happen, and we’ve certainly been hearing about it not happening recently.
With all of the news of creators coming and going, or going before they even get there, it’s easy to get distracted from the results of the finished product. So, I decided to take a look at a sampling of DC’s New 52, from its launch in late summer 2011 to today, and see how the stability of various titles was affected by creative changes. For my survey, I looked at the Justice League family of books, which includes the flagship Justice League, as well as Wonder Woman, Aquaman, Green Arrow and others generally associated with the JLA that haven’t had a big Hollywood movie.
Hello and welcome to What Are You Reading?, where the Robot 6 crew talks about the death of … oh, wait, we already did that. In fact, nobody brought up [REDACTED] in their write-up this week. But they did talk about a bunch of other comics.
Our guest this week is cartoonist and teacher Ben Towle, creator of Oyster War, Midnight Sun, Amelia Earhart: This Broad Ocean and much more. Check out his website for all kinds of fun art and pin-ups (Alien Legion!).
To see what Ben and the Robot 6 crew have been reading, click below.
The big new Justice League of America #1 is kind of a mess. It asks a lot of its readers without delivering much right away.
This is something of a mixed result where JLA writer Geoff Johns is concerned. He tends to start well, at least for me. I liked his first issues of Blackest Night and Flashpoint, the introductory volume of Batman Earth One, and his recent work on Green Lantern Simon Baz and the just-concluded “Throne of Atlantis” storyline. However, JLA #1 (drawn by David Finch) either takes a fairly counterintuitive approach to its own premise, or is playing some sort of long game which isn’t readily apparent, and (again) doesn’t quite flow from the book’s Justice League lead-in. More successful is (Justice League of America’s) Vibe #1 (written by Johns and Andrew Kreisberg, pencilled by Pete Woods, and inked by Sean Parsons), which grounds its hero so solidly in League lore it almost overshadows its fellow spinoff.
SPOILERS FOLLOW for JLA #1, Vibe #1, and the conclusion of “Throne of Atlantis” in Justice League #17.
Whether due to use-it-or-lose-it legal concerns about trademarks, or simply to remind everyone of exactly what it owns, DC Comics has come up with a variety of ways to recycle old titles, ranging from the 1997 Tangent event to the anthologies Mystery in Space and Ghosts to the short-lived National Comics revival.
This week the company brought back Young Romance, the title of the Joe Simon/Jack Kirby-created comic that was published from 1947 to 1975, as a Valentine’s Day special featuring a half-dozen stories of romance in the New 52 DC Universe.
An interesting mix of creators are involved, an interesting enough mix to merit a look at what they might do with some of these characters and couples in eight pages. So join me for mini-reviews of every story in Young Romance: The New 52 Valentine’s Day Special.
Geoff Johns always starts strong, and “Throne of Atlantis” is no exception. The only two New 52 books DC Comics put out this week were the first two parts of this crossover, in the 15th issues of Justice League and Aquaman. That suggests something significant, so they dare not disappoint.
Ivan Reis and Joe Prado take over JL’s art with this issue, while Paul Pelletier and Art Thibert (with an inking assist from Karl Kesel) start on Aquaman. I’ve liked Pelletier’s work for years, but his characters aren’t as lean as Reis’s, and I wondered how well the styles would mesh. In fact, here they mesh pretty well, since Pelletier and company seem to have adapted to blend more seamlessly with Reis and Prado. Giving a big assist is colorist Rod Reis, who handles both books with the same basic blue-green palette.
I mention the art upfront because these two issues combine to establish “Throne of Atlantis” as a big crossover, both in terms of its implications and its threat level. While the plot so far is pretty straightforward, Johns and company hang on it a few impressive set-pieces, and a couple of nice bits of characterization. It’s the kind of high-stakes story I expect from the Justice League, and I hope it bodes well for the book’s future.
So without further ado, SPOILERS FOLLOW:
While I was enjoying my time at APE up in San Francisco, the New York Comic Con was raging on with announcements and such. Before I get into a rundown of the comic-related news coming out of the East Coast today, let’s jump back to yesterday real quick so I can update one of the items from my Friday round-up. I mentioned that Dark Horse would publish a comic based on the upcoming video game The Last of Us, but I didn’t know at the time the most important part — the always awesome Faith Erin Hicks is co-writing AND drawing the comic. That’s a “Stop the presses” moment if I’ve ever seen one.
Ok, now on to Saturday …
• Apparently space is the place at NYCC … following DC’s announcement of Threshold yesterday, Marvel officially announced the return of two of their cosmic titles — Guardians of the Galaxy and Nova. Guardians, written by Brian Michael Bendis with art by Steve McNiven, comes out in February and apparently will feature Iron Man, or at least someone in his armor. Jeph Loeb and Ed McGuinness are the creative team for Nova, which features Sam Alexander, the Nova from Avengers vs. X-Men.
Aquaman has been the
caudal fin butt of jokes since at least the 1970s, when the mighty King of the Seven Seas was depicted as the weak link of the animated Super Friends, relying on his teammates for a ride to the nearest body of water. Since then he’s been mocked by everyone from Craig Ferguson and Jeff Dunham to the writers of The Big Bang Theory and Robot Chicken.
And now the Aquatic Ace has been drawn into the 2012 presidential campaign — oh, the humanity! — by none other than Stephen Colbert. On last night’s Colbert Report, the
conservative pundit political humorist took a look at Fox News’ efforts to downplay the meaning of Mitt Romney’s foundering battleground-state poll numbers, saying, “The Romney campaign is only on their third reboot since the convention. We’ve had Businessman Romney, Foreign Policy Romney, Latino Romney. But we still haven’t seen Aqua-Romney. … He uses his mental powers to tell fish that 47 percent of them are just lampreys.”
Longtime Legion Academy student Lamprey could not be reached for comment. Watch the full segment below.
A day after Diamond Comic Distributors informed direct market stores that it won’t ship products the week of Dec. 24 because of the holiday, DC Comics has announced it will deliver three issues early, allowing retailers to offer new merchandise during the “skip week.”
Other publishers and manufacturers are expected to follow suit.
In an email sent this morning to store owners, Diamond said Aquaman #15, Before Watchmen: Nite Owl #4 and Justice League #15, described as “three key titles,” will be included in the Dec. 19 delivery to go on sale Wednesday, Dec. 26. DC similarly provided Blackest Night #6 to retailers a week early in 2009, the last time the distributor experienced a holiday-triggered skip week. On that occasion, some stores broke the Dec. 30 embargo date, with scans appearing online within hours of delivery.
While the three titles being offered this year may not be the hot commodity that Blackest Night was in 2009, Justice League #15 and Aquaman #15 are the first two parts of the “Throne of Atlantis” crossover (and the former marks the debut of new art team Ivan Reis and Joe Prado), while Before Watchmen: Nite Owl #4 is the conclusion of that miniseries.
Hello and welcome to What Are You Reading? Today our special guests are the creative team behind the upcoming self-distributed indie comic LP, Curt Pires and Ramon Villalobos. You can read more about the comic in the interview Tim O’Shea did with Curt earlier this week.
And to see what they’ve been reading lately, click below.
Because it’s the first week of the New 52 Year Two, the time has come to review where I stand at the end of Year One. It also happens to be the week I’m away on a bidness trip, unable to react to whatever dern-fool thing DC did on Wednesday.
That would probably take a back seat anyway, because I’m a little curious myself to look back at these books. In terms of reading habits, it’s been a rather funky year. Some weeks I wouldn’t have time to read everything I bought, and sometimes that meant books just dropped off my radar. I caught up with a few of these, but a few I just didn’t miss — which, of course, is never a good thing.
You’ll remember that last year I bought all 52 first issues, and talked about each as September proceeded. Of those which remain, I am reading 27: Action Comics, All-Star Western, Animal Man, Aquaman, Batgirl, Batman, Batman & Robin, Batwing, Batwoman, Blue Beetle, Catwoman, DC Universe Presents, Demon Knights, Detective Comics, Firestorm, Flash, Frankenstein, Green Lantern, GL Corps, I, Vampire, Justice League, Justice League Dark, Stormwatch, Supergirl, Superman, Swamp Thing and Wonder Woman.
Additionally, I was reading six titles that have since been canceled: Blackhawks, JLI, Men of War, OMAC, Resurrection Man and Static Shock. For a while I also read Grifter, Red Lanterns, and Superboy. Filling in some of those holes are second-wave titles Batman Incorporated, Earth 2, Worlds’ Finest and Dial H.
To keep your eyes as glaze-free as possible, this will be a two-part survey. Today we’ll look at the Superman and Batman families, the “historical” titles, the main-line Justice League books, and a few others.
Happy Labor Day, Americans, and welcome, everybody, to What Are You Reading? Today our special guest is Paul Allor, writer of IDW’s Teenage Mutant Ninja Turtles spinoff, Fugitoid, as well as his own anthology Clockwork.
To see what Paul and the Robot 6 crew have been reading, click below:
So what, exactly, does a chief creative officer do? Well, if the chief creative officer in question is Geoff Johns, then one of the most obvious answers is “write a whole heck of a lot of comic books.”
Johns is writing three ongoing monthly books for DC Comics, all of which happened to ship this week. While reading them all doesn’t exactly give one a copy of his job description, it does give one a sense of what he’s doing at DC, what he’s not doing and what’s different from his role at the publisher than when he was merely its most popular and prolific writer.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
I don’t know quite why, considering I’ve been feeling cynical and disinterested in the DC Universe over the past couple of weeks, but I find myself tempted by both Flash Annual #1 and Justice League International Annual #1 (both DC Comics; $4.99) this week; something even more surprising considering I haven’t been following the JLI series past trying out the first issue. And yet, if I had $15 this week, I suspect I’d be using a chunk of it for that. I’d also grab Joe Hill and Gabriel Hernandez’ Locke & Key: Grindhouse (IDW Publishing, $3.99), because, well, Locke & Key is a very, very good comic book.
If I had $30, I may find myself picking up the first collection of Peter Panzerfaust (Vol. 1: The Great Escape; Image Comics; $14.99) because I like the high concept behind it even if I managed to miss the single issues. People who did pick it up in singles: Is it the kind of thing I’d like, do you think?
Should I find the money and ability to splurge, I find myself surprisingly drawn to Dark Horse’s Star Wars Omnibus: Clone Wars Vol. 1 ($24.99); I blame people in my Twitter feed talking about Star Wars Celebration last week, and my thinking, “I haven’t really kept up with Star Wars in ages” in response. Does that count as peer pressure?
College basketball season starts back up in November, so that makes thinking about bracketology only a little less premature. Looking at the various discrete (and, occasionally, indirect) crossovers happening throughout November’s New 52 solicitations, I couldn’t help but picture the field of 68, with each individual game a step along the way to … “Trinity War,” I guess …?
Green Lantern’s “Rise of the Third Army” occupies the four GL titles, of course, but it also brings in Justice League, where the solicit for issue #14 wonders where Hal is. (After reading this week’s GL #12, I have a better idea about that.) Likewise, GL #14 guest-stars the League.
From the solicits I wonder if “ROT3A” takes place mainly in GL (with a little JL on the side). “Night of the Owls” was advertised that way (you only need to read Batman, because the other Bat-books dealt with ancillary stories) and it kind-of fits with the way the New-52 books have hyped their creative teams. Johns, Scott Snyder, and Jeff Lemire are responsible for a total of seven books (GL, JL, Aquaman, Batman, Swamp Thing, Animal Man, JL Dark), and each writer has at least one book in some sort of crossover this month.
This post is about world-building. Ideally (and at the risk of being too cute), world-building would be what you made of it. The notion of a shared superhero universe implies a certain level of consistency, which at best offers a rich, textured backdrop and at worst becomes a tangled thicket of details. Naturally, each reader’s level of involvement will vary, and these days readers have quite a few options. Today I’m trying to sketch a general picture of how those options affect the stories themselves, and vice versa.
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Over the years — over the decades, really — it has been suggested that I read too many comic books. These concerns are not insignificant, and over the decades I have tried to deal with them appropriately.
However, while talking about DC’s Big Events with a friend on the way to the movies, I got a new perspective on the way these stories are received. Basically, my friend had seen Identity Crisis on a list of all-time worst comics and wanted my thoughts, because he had enjoyed it. Similarly, he liked Blackest Night not so much for the nonstop carnage, but for the sense that there were consequences.