Archie Comics Archives - Page 2 of 18 - Robot 6 @ Comic Book Resources
Retailing | The rental chain Tsutaya and the bookstore chain Yurindo have returned Kuroko’s Basketball books and DVDs to their shelves after “X-Day,” Nov. 4, passed without incident. Someone has sent hundreds of threatening letters to convention sites, bookstores, the media and Sophia University (the alma mater of Kuroko’s Basketball creator Tadatoshi Fujimaki), over the past year, and the most recent batch of letters said that “X-Day will be on the final day of the [Sophia University] school festival.” Meanwhile, police are checking security cameras near all the mailboxes in the districts from which the letters were mailed, looking for suspicious people. [Anime News Network]
Comics | Brian Steinberg looks at Archie Comics’ most radical move yet: the relatively adult Afterlife with Archie, which literally turned America’s most iconic teenagers into zombies. Steinberg talks to Archie CEO Jon Goldwater, writer Roberto Aguirre-Sacasa, artist Francesco Francavilla and others about the significance of this comic, which sold almost 65,000 copies to the direct market. [Variety]
It’s little surprise that the editorial board of the conservative Washington Times didn’t embrace the announcement that the new Ms. Marvel is a 16-year-old Muslim from New Jersey, but the newspaper’s actual response is a bit … bewildering. One might even describe it as eerie.
Beginning a Sunday editorial with a declaration that “diversity and quotas are more important than dispatching evil” — because, as we all know, heroes can’t be diverse and fight villains! — the writer engages in a little concern trolling, warning that Ms. Marvel, and by extension Marvel, will have to be careful not to anger “militant Islam” if there’s any hope for newsstand sales in Muslim nations. Of course we’re told in the very next paragraph that, “Ms. Marvel probably won’t appear in comic books in Saudi Arabia, anyway,” which apparently takes care of that problem.
Once we slog through the bumbling writing and odd aside involving Secretary of State Kerry, however, we arrive at the crux of the Washington Times’ argument, such as it is: that diversity is strange and frightening.
Last year, Archie Comics Editor-in-Chief Victor Gorelick and comics historian Craig Yoe compiled The Art of Betty and Veronica, the first art book ever released by the nearly 75-year-old publisher. Now they’re back with another deluxe, oversized volume, The Art of Archie: The Covers.
Like their previous book, this is more than just a series of pretty pictures. They kick it off with a look at how a cover is created, contrasting an original sketch by writer George Gladir with a finished cover, then showing the different states of another cover — line art, proofs, and finished product. They also include sections focusing on the individual artists, with a photo of each artist, a brief bio and a sample of his work.
I talked to Gorelick and Yoe about what went into compiling the book — and what went into creating the Archie covers in the first place. Gorelick, who’s been with the company for more than 50 years, drew on his own reminiscences about the way things used to happen behind the scenes.
Brigid Alverson: I’m going to start with the obvious question: Why covers?
Victor Gorelick: All of our covers tell a story. It’s not just some superhero flying around in some poses; you get a gag on the cover. It’s a little bit extra for your money.
Craig Yoe: They are closer to a New Yorker cartoon than a typical comic book cover that is maybe just a scene of action. These do have a nice little scenario and setup and payoff.
Gorelick: And also, we didn’t just paste in a bunch of covers. I have seen other cover books where you just see one cover after another. There’s a little more background on the covers. There are covers that were chosen by our fans — we put something up on the internet and we asked them to let us know what their favorites are.
Crime | Three armed men invaded the home of comics collector Antonio Jose da Silva in Sao Paolo, Brazil, and held him and two employees at gunpoint while they stole more than 7,000 comics from his collection of about 200,000. The robbers seemed to know exactly what they were looking for, as they went straight for the most valuable books. Their haul included more than 200 first editions of O Lobinho and O Gibi, which reprinted translations of American comics in the 1930s and 1940s. The value of the thieves haul is estimated at $150,000, and the loss will be borne by da Silva, who was unable to get insurance for his collection. [The Comics Reporter]
Comics | Dana Jennings looks at the renewed interest in EC Comics, once reviled in the popular press as mind-destroying trash that would lead youths astray, now revered by the comics cognoscenti as subversive graphic literature. Locke & Key writer Joe Hill and EC Archives editor Russ Cochran weigh in, as does Fantagraphics President Gary Groth, editor of that company’s EC Library, who says, “They were arguably the best commercial comics company in the history of the medium, and their list of artists and writers between 1950 and 1955 represents a Who’s Who of the most accomplished craftsmen working in comics at that time.” [The New York Times]
Stage | Dancer Daniel Curry, who was seriously injured during an Aug. 15 performance of the Broadway musical Spider-Man: Turn Off the Dark, made his first appearance since the accident at a benefit concert held Monday that raised $10,000 for his medical bills. Curry was injured when his leg was pinned by an automated trap door — he blames malfunctioning equipment, producers say it was human error — resulting in fractured legs and a fractured foot; he has undergone surgeries and unspecified amputations. The Occupational Safety and Health Administration and Actors’ Equity have launched investigations into the accident, and Curry’s lawyers are exploring a possible lawsuit against the $75 million show and the equipment suppliers.
During previews of Spider-Man: Turn Off the Dark — before the March 2011 firing of director Julie Taymor and the sweeping overhaul that followed — no fewer than five performers were injured, the most serious previously being aerialist Christopher Tierney, who fell about 30 feet in December 2010, breaking four ribs and fracturing three vertebrae. He returned to rehearsals four months later. There have been no major accidents since the show opened in June 2011. [The New York Times]
Conventions | Declaring this weekend’s inaugural Lakes International Comic Art Festival in Kendal, Cumbria, England, a success, organizers have already announced the dates for next year’s event: Oct. 17-19. “Our first year has been everything we could have wished for,” said festival director Julie Tait. “There was a huge buzz right through Kendal – from The Brewery Arts Centre right to The Box on Wildman Street, as well as at the shopping centre and the library. The town has really got involved and there has been art work on every street. It feels like the weekend has involved everyone – from adults following their passion for Viz humour to kids learning how Peppa Pig was created.” This year’s festival featured guests ranging from Charlie Adlard and Ed Brubaker to David Lloyd and Trina Robbins. [Cumbria Live]
Afterlife with Archie started out for me with a couple of potential negatives: I’m not a fan of horror comics, and I firmly believe the zombie subgenre has played itself out. But if there’s one factor that could make me enjoy a zombie comic, it’s the art of Francesco Francavilla.
The ongoing series, written by Roberto Aguirre-Sacasa, marks a significant departure for Archie Comics, in large part because it’s the publisher’s first direct market-only release. One has to wonder how much this will benefit the publisher, whose audience is found primarily outside of specialty stores, and whether its potential success will lead to more direct market-only titles.
But enough about the business aspects of Life with Archie; let’s focus on what makes its debut issue such a must-read. As much as the Archie line has redefined itself in recent years (the marriage storyline/titles, the introduction of gay character Kevin Keller, etc.), the use of an artist like Francavilla represents another leap. I count him among my favorite current artists for much the same reason I rave about Gabriel Hardman; When reading a story by either creator, the experience is like having a film playing in my head.
“I’ve never read Pride and Prejudice and Zombies, although I certainly know what that is. And what I love about that concept is as much as it’s a zombie story, it’s also Pride and Prejudice. It’s the exact same thing with Afterlife: As much as this is a hardcore horror zombie book, it’s still an Archie book. Who is Archie going to take to the Halloween dance? Betty or Veronica? Why does the zombie apocalypse start? Because Sabrina the Teenaged Witch messed up a spell, which she is constantly doing in the comic book. Who but Reggie would be the guy who runs over Hot Dog? If anybody has a dark secret like ‘I killed Hot Dog!’ it’s going to be Reggie Mantle.”
– writer Roberto Aguirre-Sacasa, talking with Vulture about Afterlife With Archie, which debuts today. Deadline also has the exclusive New York Comic Con trailer for the series, which is illustrated by Francesco Francavilla
I first became aware of colorist Steve Downer due to his work on MonkeyBrain Comics’ Edison Rex. But as I quickly learned, he serves as colorist on a variety of projects, as well as artist on Dracula the Unconquered. Given the variety of Downer’s projects, I thought it would be insightful to discuss his craft with him.
Tim O’Shea: How long have you been a colorist?
Steve Downer: I’ve been working full-time as a colorist since 2009, though I started coloring as a side job much earlier, in 2007, while I worked as a T-shirt graphic designer.
Welcome to “Report Card,” our week-in-review feature. If “Cheat Sheet” is your guide to the week ahead, “Report Card” is a look back at the top news stories of the previous week, as well as a look at the Robot 6 team’s favorite comics that we read.
So read on to find out what we thought about Lazarus and Earth 2, as well as to review the news of the week!
Publishing | ICv2 has Nielsen BookScan’s Top 20 graphic novels for September, which reveals an interesting month for bookstore sales. First of all, there are five volumes of Attack on Titan on the list, which means 25 percent of September’s list comes from one series — and that series is not The Walking Dead. It sort of looks like the old days, with nine volumes of manga on the chart. What’s more, the non-manga side is dominated by older titles: Watchmen, Batman: The Dark Knight Returns, Batman: The Killing Joke, Fun Home… and a Garfield book. Once again, no Marvel releases — and no new DC Comics books — charted. [ICv2]
Conventions | ICv2 explains the significance of the partnership between Stan Lee’s Comikaze Expo and Diamond Comic Distributors, and the article gives some background on the Expo, which started in 2011 and has grown quickly into a solid regional event. [ICv2]
Passings | Roy Peterson, editorial cartoonist for the Vancouver Sun, died Sunday at the age of 77. During his 40-year career, Peterson won more National Newspaper Awards than any other Canadian creator, but he was remembered by his peers chiefly for his sense of humor and his mentoring of younger artists. [Vancouver Sun]
Publishing | CNN contributor Bob Greene profiles Victor Gorelick, the editor-in-chief and co-president of Archie Comics who began working for the publisher at age 17, in 1958. [CNN.com]
Creators | Craig Thompson talks about the short story he wrote and drew for First Second’s Fairy Tale Comics anthology, and he reveals an interesting fact: “For six years or so, my entire income was based on drawing kids’ comics for [Nickelodeon] magazine. Later on my career shifted to drawing ‘serious’ graphic novels aimed at adult readers, but I’ve always wanted to revisit my more fun and cartoony style.” Former Nickelodeon editor Chris Duffy is the editor of Fairy Tale Comics. [Hero Complex]
The new zombie Archie serie, Afterlife With Archie will debut Oct. 9, the day before NYCC kicks off, and the Archie folks are inviting everyone to celebrate by dressing up as a zombified version of their favorite character. Cosplay as zombie Jughead, Sabrina, even Katy Keene, and stop by the Archie Comics booth (#1936) during the convention for a copy of the comic with a special, cosplayer-exclusive cover by Robert Hack. You can also enter for a chance to win one of three grand prizes: a year’s worth of Archie comics.
Announced earlier this year, Afterlife With Archie will be penned by former Glee writer Roberto Aguirre-Sacasa and illustrated by Francavilla.
Premiering Oct. 30, The Fox follows photojournalist Paul Patton Jr. as he dons to a costume to make news to take pictures of, only to be drawn into something far stranger than he’d initially thought when he investigates a social-media mogul.
The series, part of a Red Circle revival that includes the digital-first New Crusaders, will feature “The Shield” back-up stories by J.M. DeMatteis and Mike Cavallaro.
Creators | Garry Trudeau is extending his hiatus from the daily Doonesbury strip until November, although new Sunday strips will begin running this weekend. “I have hit the wall,” Trudeau explained in a letter to newspapers that carry Doonesbury, saying that the demands of writing and producing Amazon Studios’ Alpha House are keeping him from returning to the daily strip on schedule. [The Daily Cartoonist]
Creators | Mary and Bryan Talbot discuss their work in a short video shot at the Edinburgh International Book Festival. [Forbidden Planet]