Archie Comics Archives - Page 2 of 19 - Robot 6 @ Comic Book Resources
Archie Comics has launched what it calls its new app — it’s really an update of the publisher’s existing iOS and Android apps — with an offer of 100 free comics for those who download it. And there may be more: I asked Archie’s Alex Segura how long the promotion would be in effect and he said, “We’re looking to have this up for about a month, and if downloads reach a certain threshold, we’ll be unlocking more free books on a tiered basis to celebrate the new app launches on Android and iOS.”
There’s quite a range of free comics available on the app, including classics, recent releases and comics that feature the side characters Jinx, Sabrina (original and manga versions) and Cosmo the Merry Martian. Not present: Afterlife With Archie, which carries a teen rating as opposed to Archie’s standard all-ages rating. There are also no Sonic, Mega Man or New Crusaders freebies, although they are available for in-app purchase. Say what? Yes, this app is built on iVerse’s Comics Plus platform, so you can buy new comics in-app. The app also includes Archie Unlimited, an all-you-can eat subscription service that allows subscribers to read a ton of comics, both new and back issues; because it’s integrated into the app, you can then buy the ones you want to keep.
Here are my picks for six free Archie comics that make entertaining reading, especially on a lazy summer weekend.
If you asked me for a list of some of the best superhero comics of the past year or so, I’d be sure to mention one that comes not from DC Comics or Marvel, two companies synonymous with the genre, but from Archie Comics, a publisher popularly known for not making superhero comics.
That comic would be the one starring The Fox, a Golden Age superhero from MLJ Comics (which would eventually become Archie Comics) that was recently resurrected in a well-made, well-received miniseries, now available in the collection The Fox: Freak Magnet.
Archie’s approach to the book seems to have been somewhat Marvel-ous, in several respects.
First, the publisher appears to have allowed a talented creator, Dean Haspiel, to do pretty much whatever he liked with the relatively minor character, and he chose to stick with what came before, but to take it in his own, idiosyncratic direction, not unlike Marvel’s post-Hawkeye strategy for its secondary, non-franchise books.
Conventions | Image Comics content manager David Brothers explains why this year’s Comic-Con International was a great convention, pointing out that there’s a lot more to the event than movies and television, and there’s a lot more to comics than the Big Two: “Marvel and DC are comics, just like the other publishers, and they make some great ones when they let the creators do their own thing. But at this point? You can’t treat them like the entirety of the comics industry, or even two companies that can dictate the future of comics. They run the movies, and that’s cool, but running comics? It’s just not true any more. Image in particular outsells Marvel in the book market as far as trade paperbacks go, and that holds true in the comics market lately, too. That’s no coincidence. People enjoy Marvel and DC, but they want more than Marvel and DC.” [io9.com]
An Archie Comics collection was recently banned in Singapore because it features the marriage of gay character Kevin Keller, but Marvel’s Astonishing X-Men #51 managed to escape a similar fate and remains available.
Although that 2012 issue depicts the wedding of Northstar and Kyle Jinadu, Singapore’s Today reports the Media Development Authority determined it was a balanced depiction of same-sex marriage.
“The issue featured characters who objected to the wedding and this offered a balanced treatment on the issue of gay marriage,” an MDA spokesman told the website. In the comic, by Marjorie Liu and Mike Perkins, Warbird tells Northstar she “doesn’t recognize the validity of the ceremony vows,” and therefore won’t attend.
The MDA is tasked with both promoting and regulating Singapore’s media industries. Under the Content Guidelines for Imported Publications, those “that encourage, promote or glamourise sexually permissive and alternative lifestyles and deviant sexual practices are generally not allowed.”
[Editor’s note: Each Sunday, Robot 6 contributors discuss the best in comics from the last seven days — from news and announcements to a great comic that came out to something cool creators or fans have done.]
One has to assume the death of Archie was in the back of the publisher’s mind when it first conceived the Life with Archie relaunch (a series of the same name ran from 1958 to 1991). Like many people after the initial novelty of adult Archie getting married, I lost interest in the series. But reading Life with Archie #36 made me realize I likely missed out on some interesting storytelling.
Publishing | Archie Comics Co-CEO Jon Goldwater responds to Singapore’s ban of the third volume of Life With Archie, which features the wedding of Kevin Keller and Clay Walker: “Riverdale will always be about acceptance, equality and safety. I’m sad readers in Singapore will miss out on the chance to read such a pivotal moment in comics.” [The Hollywood Reporter]
Business | Devin Leonard looks at the possible effects of a Fox/Time-Warner merger on superhero movies; Time-Warner owns DC Entertainment, and Fox has the movie rights to some Marvel characters. The New York Times offers a broader overview. [Business Week]
Recalling reading his sister’s Archie comics as a child, an “upset” David Letterman last night delivered the news of Archie Andrews’ death to his Late Show audience.
“Archie is going to be shot dead,” Letterman said. “I don’t know what to say — the Archie people have grown up now, and as I understand it Archie, defending a friend of his who is gay, takes a bullet for his gay friend and is shot dead. He dies a hero, but he’s dead. […] What do we do? What’s next, Dagwood Bumstead chokes to death on one of those sandwiches?”
The move was discovered by Singapore-based cartoonist Sonny Liew (The Shadow Hero, My Life With Frankie), who searched for the collection in the Books Kinokuniya online catalog following the controversial decision by the National Library Board to removed and destroy copies of three gay-themed children’s books amid public pressure.
Finding volumes 1, 2, 4 and 5 but not the third — which contains Keller’s marriage to Clay Walker in Life With Archie #16 — Liew contacted the retailer, and received the following response: “We regret that Archie the Married Life 3 is deemed to breach the Content Guidelines for Imported Publications, and removed from sale by notice of MDA. We are not able to sell this title.”
Publishing | John Jackson Miller mines the circulation statements provided once a year to put together a 54-year sales history of Archie Comics’ flagship title Archie (the publisher is one of the few that still prints annual statements of ownership, allowing the numbers to be traced back, unbroken, to 1960). As he points out, Archie was a big newsstand title, selling almost 600,000 copies in the late 1960s, but it didn’t fare well when comics moved to the direct market — although Archie Comics has done well nonetheless with its digests, which far outsell its single-issue comics. [Comichron]
Publishing | Annie Koyama of Koyama Press talks with Dan Berry about how comics publishing works, and how she got into the field. [Make It Then Tell Everybody]
“Life With Archie presents a possible future for the character, and this issue is a fitting end to that story. Archie dies as he lived – a hero, representing the best in all of us. The fact that he’s saving Kevin, the most important new character in Archie lore since Archie, Betty & Veronica, Jughead and Reggie – is a metaphor for the rebirth this company has experienced over the last five years. This is truly a new Archie Comics: unafraid, daring, progressive and on the cusp of greatness.”
— Archie Comics Co-CEO Jon Goldwater, in a statement about Life With Archie #36, in which Archie Andrews sacrifices himself to save Kevin Keller, the openly gay military veteran newly elected to the U.S. Senate on a gun-control platform
Comic strips | The art from cartoonist Bill Watterson’s surprise return to the comics page earlier this month for a three-day stint on Pearls Before Swine will be auctioned Aug. 8 on behalf of Team Cul de Sac, the charity founded by Chris Sparks to honor Cul de Sac creator Richard Thompson, who has Parkinson’s disease. The proceeds benefiting The Michael J. Fox Foundation for Parkinson’s Research. A painting by Watterson of one of Thompson’s characters sold in 2012 for $13,000 as part of a benefit auction for Team Cul de Sac. [Team Cul de Sac]
Creators | The tech news site Pando has fired cartoonist Ted Rall, just a month after hiring him, along with journalist David Sirota. While Rall wouldn’t comment on the reason for his dismissal, he did say the news came “really truly out of a clear blue sky. I literally never got anything but A++ reviews,” and he added that editor Paul Carr gave him complete editorial freedom. While Valleywag writer Nitasha Tiku speculates that the two had rubbed investors the wrong way, Carr disputes that, as well as other assertions in the article. Nonetheless, both Rall and Sirota confirmed they were let go. [Valleywag]
The motion-comics platform Madefire announced this morning that four more comics publishers have signed on: Arcana, Archie Comics, Lion Forge and Seraphim.
There’s a definite skew toward horror in this announcement: The first Archie title to go on the platform is the zombie comic Afterlife With Archie, the Arcana title mentioned is The Intrinsic, and Seraphim is the publisher of horror writer Clive Barker’s work. The outlier is Lion Forge, which is best known as the creator of digital-first adaptations of 1980s TV shows; its first Madefire comic will apparently be Knight Rider.
That shouldn’t come as too much of a surprise, as Madefire seems determined to make motion comics for adult readers. The current lineup includes Tom Taylor’s dark Batman/Superman story Injustice: Gods Among Us, as well as Batman: Arkham Origins, Hellboy in Hell and Infinite Crisis.
Madefire is available as an iOS app and on DeviantART. It’s not unlike Thrillbent, although the Madefire comics I’ve read have more aggressive animation. On Thrillbent, each swipe makes one thing happen — a panel is revealed, a word balloon appears, the background shifts somehow. Madefire also works on swipes (or page turns on DeviantART), but several things may happen with each page turn, so the reader is a little less in control of the timing. That may be a plus in horror comics, because it allows the creator to surprise the reader in a way that can’t really happen on the printed page.
“I have a fleece that I wear that has an Archie patch on it, and everywhere I go people will stop me and say ‘Archie, I love Archie!’ I think the teen years are such a universal experience — people are either going through it, looking forward to going through it, not looking forward to going through it, went through hell in high school, loved their high school experience — and somehow Archie and his adventures capture all that. I went to an all-boys prep school and had a pretty good high school experience, I would say, but there’s always something about those stories where I always wished I went to Riverdale High. And I wish I was part of that kind of gang of friends. I don’t know why. But there was something really comforting about it. I also always thought there was something subversive about the brand. I always felt like there was stuff happening right to the right or the left of the panels, and I was always interested in what those stories were.”
– Archie Comics Chief Creative Officer Roberto Aguirre-Sacasa,
on the enduring appeal of the Riverdale gang
Passings | Maine cartoonist Jeff Pert, best known for his cartoons and illustrations of lobsters and moose, died Friday on his way to the hospital with chest pains. He was 55. His cartoons adorned souvenir postcards and coffee cups, but he was also an active part of the local comics community in Brunswick, Maine, a regular at Casablanca Comics, and a participant in the Maine Comic Arts Festival. Pert created his first comic when he was in fifth grade and sold copies to local comic shops. “They probably gave us the money and then threw them in the garbage, but we were happy,” said his collaborator (and best friend) Jon Dumont. Pert was known for supporting other artists and even persuaded his local state representative, Maggie Daughtry, to start drawing her own comics: Daughtry knocked on Pert’s door when she was campaigning for office, and, she said, “Within an hour of meeting him, he literally changed my life.” When Daughtry told Pert that she had dreamed of being a cartoonist as a child, he encouraged her to start drawing again, which she did. [Portland Press Herald]
Archie Comics is in an unusual position among North American comics companies, as not only is a majority of its titles geared toward younger readers, but a majority of that audience is female.
Curious to learn how Archie maintains that readership, I reached out to President Mike Pellerito to discuss how he envisions the market for the company’s core kids line, and how he seeks to expand what it offers. Of course, the recent hiring of Roberto Aguirre-Sacasa as chief creative officer and his potential impact on the line became central to the discussion.
In the comments section, please be sure to answer Pellerito’s question to Robot 6 readers.