Martin Freeman Joins "Captain America: Civil War" Cast
In Archie Vs. Predator, the unstoppable killing machine of the sci-fi horror franchise that’s previously taken on such comic book tough guys as Batman, Tarzan and Judge Dredd sets his triangular laser sighting mechanism on all-American teen Archie Andrews.
The title, and the premise it suggests, is this comic’s very best gag. Really, the only thing funnier than the thought of an Archie vs. Predator miniseries is knowing that it actually exists.
But is there anything to it, beyond the central joke that’ so wonderfully told on artist Fernando Ruiz’s cover to the first issue?
Passings | MAD Magazine writer Lou Silverstone has died at age 90. Silverstone was the writer of many of MAD‘s movie and television satires in the 1960s and 1970s, starting with “Bananaz,” a parody of Bonanza. Later he went to work for Cracked, MAD‘s chief competition, and he also wrote for the Jackson 5 animated series and the T.H.U.N.D.E.R. Agents comic, a gig that he got through former MAD artist Wally Wood. The MAD website also pays tribute to Silverstone. [News From ME]
Conventions | Oregon’s Cherry City Comic Con has a new owner and a new attitude. The con fell on hard times last year, and at one point this year’s show was canceled. New owner John Roache bought the show when he heard that news; he and his wife, artist Nicole Brune, had been to last year’s show and enjoyed it. He’s keeping the name but changing the format to more of a pop-culture convention, with a long list of entertainment guests, and he has expanded the number of slots available for vendors. The show is scheduled for April 11-12. [Statesman Journal]
The tagline for one1990s wrestling promotion was “Where the Big Boys Play!” Wonder what they’d think of Archie Andrews?
Following a recent uptick in pro-wrestling appreciation by the comics industry, Archie Comics has released a digital collection of its wrestling-themed stories. Given the cover image and title, Archie & Friends Wrestle Maniacs, Archie gives a bit of a nod to WWE’s Wrestlemania and Hulk Hogan (whose fans are “Hulkamaniacs”).
Archie: The Married Life Book Six (Archie Comics): This is a phone book-sized collection of the final seven issues of Life With Archie, the series set in a possible future where Archie is married to Betty … and Veronica, in two alternate timelines. The narrative jumps between those parallel realities in a way that can be downright confusing when read in such a huge chunk as the collections offer.
While the stories feature the same fairly sprawling cast — and the character designs and are style are, as usual, in perfect harmony no matter whose names are in the credits — there’s more differences between the two timelines than just which girl Archie settled down with. In one timeline, Jughead is dating Ethel; in the other he’s having a baby with Midge. Likewise, Reggie is either a newspaper reporter or a mechanic with a reality show, and Moose is either Riverdale’s mayor or Riverdale High School’s janitor. And so on.
There are a few things both universes share, however, like Kevin Keller having been elected to the U.S. Senate, campaigning on gun control, an issue driven home by a mass shooting in the nearby Southport Mall. And, of course, in the final two issues, the “Death of Archie” and the epilogue that follows, the story is carefully, delicately crafted so that every line and every panel can be read so they’re the conclusions of both storylines, despite all the differences between the two.
[Editor’s note: Each Sunday, Robot 6 contributors discuss the best in comics from the last seven days — from news and announcements to a great comic that came out to something cool creators or fans have done.]
A couple of weeks ago, my husband and I went to Meredith, New Hampshire, for a quiet weekend Away From It All. I had never heard of Meredith before, but my last-minute search on Expedia turned up a little inn there that had a reasonable price and good ratings, so off we went.
I wasn’t really expecting to have any comics experiences there, other than reading the stack I brought with me, but comics just seem to follow me around. We spent a pleasant hour in a bookstore in the center of town, and as we headed for the cash register, I noticed a biography of Bob Montana, the original artist for Archie. I grabbed it and added it to the stack, and the cashier said to me, “Did you know he lived here?” I didn’t, but it turns out that he not only lived in Meredith for most of his adult life, he owned an art gallery that was just steps away from the bookstore (although according to the minutes of this January meeting of the Meredith Planning Board, it may not be there for much longer—a developer is planning to tear it down and replace it with a new structure).
On Thursday, Mondo will offer six posters by Alex Ross, Francesco Francavilla and Jay Shaw that were previously only available at MondoCon, held last month in Austin, Texas. So if you’re a fan of those artists, or of The Iron Giant, Afterlife With Archie or Deadpool, you’ll probably want to keep an eye on Mondo’s Twitter account for the on-sale announcements.
Check out the prints, and the details, below.
Archie Comics has launched what it calls its new app — it’s really an update of the publisher’s existing iOS and Android apps — with an offer of 100 free comics for those who download it. And there may be more: I asked Archie’s Alex Segura how long the promotion would be in effect and he said, “We’re looking to have this up for about a month, and if downloads reach a certain threshold, we’ll be unlocking more free books on a tiered basis to celebrate the new app launches on Android and iOS.”
There’s quite a range of free comics available on the app, including classics, recent releases and comics that feature the side characters Jinx, Sabrina (original and manga versions) and Cosmo the Merry Martian. Not present: Afterlife With Archie, which carries a teen rating as opposed to Archie’s standard all-ages rating. There are also no Sonic, Mega Man or New Crusaders freebies, although they are available for in-app purchase. Say what? Yes, this app is built on iVerse’s Comics Plus platform, so you can buy new comics in-app. The app also includes Archie Unlimited, an all-you-can eat subscription service that allows subscribers to read a ton of comics, both new and back issues; because it’s integrated into the app, you can then buy the ones you want to keep.
Here are my picks for six free Archie comics that make entertaining reading, especially on a lazy summer weekend.
Editorial cartoons | The public-relations consultant hired by the city of Murrieta, California, after residents protested the arrival of refugee children to be processed there, told cartoonist Lalo Alcaraz that referring to Murietta as “Hate City USA” was “actionable.” “There IS a fine line between your constitutional right to draw cartoons and expressed (sic) your opinions,” Hermosillo wrote in a comment on Alcaraz’s Facebook page, “and falsely, deliberately, and maliciously labeling and attacking an entire community as racist or as ‘Hate City.’ You are working overtime to damage Murrieta and such a false premise is actionable. There’s a fine line between humor and stupidity. You may have crossed that line at your own peril.” Murrieta spokesperson Kim Davidson walked that back, however, saying the city has no plans to sue Alcaraz. [The Press Enterprise]
Publishing | Archie Comics Co-CEO Jon Goldwater responds to Singapore’s ban of the third volume of Life With Archie, which features the wedding of Kevin Keller and Clay Walker: “Riverdale will always be about acceptance, equality and safety. I’m sad readers in Singapore will miss out on the chance to read such a pivotal moment in comics.” [The Hollywood Reporter]
Business | Devin Leonard looks at the possible effects of a Fox/Time-Warner merger on superhero movies; Time-Warner owns DC Entertainment, and Fox has the movie rights to some Marvel characters. The New York Times offers a broader overview. [Business Week]
Recalling reading his sister’s Archie comics as a child, an “upset” David Letterman last night delivered the news of Archie Andrews’ death to his Late Show audience.
“Archie is going to be shot dead,” Letterman said. “I don’t know what to say — the Archie people have grown up now, and as I understand it Archie, defending a friend of his who is gay, takes a bullet for his gay friend and is shot dead. He dies a hero, but he’s dead. […] What do we do? What’s next, Dagwood Bumstead chokes to death on one of those sandwiches?”
Publishing | John Jackson Miller mines the circulation statements provided once a year to put together a 54-year sales history of Archie Comics’ flagship title Archie (the publisher is one of the few that still prints annual statements of ownership, allowing the numbers to be traced back, unbroken, to 1960). As he points out, Archie was a big newsstand title, selling almost 600,000 copies in the late 1960s, but it didn’t fare well when comics moved to the direct market — although Archie Comics has done well nonetheless with its digests, which far outsell its single-issue comics. [Comichron]
Publishing | Annie Koyama of Koyama Press talks with Dan Berry about how comics publishing works, and how she got into the field. [Make It Then Tell Everybody]
Legal | At the request of a state-owned distributor, the Russian media watchdog Roskomnadzor is investigating charges that Marvel comics are “propaganda of a cult of violence,” specifically, violence against Russian targets. The agency will review Avengers #1, due out in Russia in August, “regarding the use of Soviet symbols, the presentation of the characters as Russian service personnel, and the incitement of violence and cruelty,” according to the the Russian Legal Information Agency. This seems to be about the Winter Guard and specifically about Vanguard, who wears a hammer-and-sickle logo; the European publisher, Egmont, plans to remove the logo for the Russian release. Roskomnadzor has the option of issuing an official warning; a publisher who gets two of these in a year may have its license revoked. [CNET]
Publishing | Spurred by the GoFundMe campaign launched last week by Dan Vado to get SLG Publishing “back on its feet,” Comic-Con and the Business of Pop Culture author Rob Salkowitz wonders whether a nonprofit model might make sense for some indie/niche publishers: “Contrary to popular perception, however, being a non-profit doesn’t mean you can’t make money. Lots of successful non-profits generate revenues in the millions and pay their staff, executives and contributors salaries comparable with those in the private sector. They can also pay contractors and contributors like performers or creators full market rates. They just don’t pay shareholders, and they plow any excess revenues back into their operations.” [ICv2.com]
Passings | Tom Medley, creator of the comic Stroker McGurk, which ran in Hot Rod magazine for many years, died on March 2 at the age of 93. Medley was a hot-rodder himself, which is how he got his big break: He used to post his cartoons at a local hot-rod builder, and the publisher of Hot Rod, which was just getting off the ground at the time, spotted them and hired Medley as his comics and humor editor. Medley’s son Gary said his father’s humor sometimes foreshadowed reality: “Stroker’s — or Medley’s — inspired genius came up with a host of crazy ideas that appeared impractical at first, but were later adopted by everyday car builders and racers. Multi-engine dragsters, wheelie bars, and drag chutes all sprung from Stroker’s fertile mind before they were embraced in the real world.” [AutoWeek]
Creators | Jeff Smith, who was named last week to the board of the Comic Book Legal Defense Fund, talks briefly about the importance of the organization, and the 2010 challenge to his all-ages graphic novel Bone in a Minnesota school. [Comic Riffs]
Comics | Archie Co-CEO Jon Goldwater, writer Roberto Aguirre-Sacasa and artist Francesco Francavilla have a few things to say about the new zombie series Afterlife With Archie. “We are taking a series of characters known to be lighthearted and young adult-oriented and doing a horror comic with them, so the mood, atmosphere, and setting are very important to make this a believable horror and not a comedy horror,” says Francavilla, who’s also the creator of The Black Beetle. “Fortunately, I am really good at making things dark and ominous.” [The Associated Press]