INTERVIEW: "Batgirl and the Birds of Prey" Hunt Rebirth's Oracle
Saturday was the birthday of actress Elsa Lanchester, so to celebrate, John Rozum posted an amazing gallery of art inspired by her most famous role, the Bride of Frankenstein. A ton of comics artists are included and you can see many of them below the break. Be sure to visit Rozum’s site for even more, including additional pieces by Mike Mignola, Kevin Nowlan and Bruce Timm, as well as art by Basil Gogos, William Stout, and Mike McKone. Continue Reading »
I’ve seen people make little statues out of empty aluminum cans, but Makaon takes it to a whole other level. Her Batman is probably my favorite, but hit the jump to see a Smurf, Pikachu, Ultraman, and an Imperial Stormtrooper. And of course, there’s lots more at her website.
Veteran artist Arthur Suydam is seeking help in recovering artwork recently stolen from his New York City studio. Among the pieces are Suydam’s own gouche painting “Alien Genocide” and a “Little Devil” ink drawing by the late Frank Frazetta. Images of both — the latter drawn by Suydam from memory — are shown in this post.
The artist is asking that anyone who might have been approached to buy the stolen works, or know of their whereabouts, to please contact him at email@example.com or (212) 475-4840. Tips will be kept confidential. Suydam’s message mentions a reward, but no additional details are offered.
Cartoonist Mattias Adolfsson’s sketch blog is always amazing, but I was especially tickled by his doodles of literal interpretations of author’s names. In addition the two above, he also drew Oscar Wilde, Günter Grass, Richard Scarry, Norman Mailer and Shakespear (sic). Go, click!
[Update: I don’t know how I forgot to mention it earlier, but I’ve been reminded that Adlofsson’s sketchbook, Mattias Unfiltered: The Sketchbook Art of Mattias Adolfsson is available from Boom!. That’s very much worth checking out.]
Chinese artist Jian Guo makes incredible, digital paintings in the style of stained-glass windows. This Avengers one is amazing, but my favorites are his Lord of the Rings designs, each of which includes multiple, related vignettes from the story. See some of those below, then head to Guo’s deviantART page for more, including ones inspired by World of Warcraft.
(via Who Designed It?)
Last weekend I was supposed to speak at the Kidlit Blogger conference in New York, but I had to bow out shortly beforehand because of scheduling problems. However, in preparing for the panel, I pulled together some notes on reviewing graphic novels that I thought might be of interest to writers, and maybe to readers as well. And because a good writer wastes nothing, here you go!
Types of reviews: Most of my reviews are written for the mildly interested reader, a group that could include casual readers, fans of any genre and librarians, and the aim of the review is to help that reader determine whether he or she would like that book. That’s different from me liking the book. There’s always a large measure of taste involved in any review, and if a book is solid but somehow done in a style or genre I don’t care for, that doesn’t mean someone else won’t like it. Having had the experience of totally trashing a book that other people love, and loving a book most people hated, I don’t even try to believe that my taste is universal.
So, in this type of review I give an indication of what the story is about, who the characters are, what the art is like, and how the story is told, then discuss what worked particularly well or don’t work at all. If I have a physical copy of the book, I might note the presentation, particularly if the production values are especially good (or especially bad). I seldom do an entirely positive or entirely negative review of a book, because most books have flaws and high points. I generally avoid spoilers in those types of reviews.
Occasionally a book is so bad I just pull out the sledgehammer and trash it. The book has to be spectacularly, offensively bad for me to do that—if it’s merely boring, the muse won’t come. So that doesn’t happen too often. Actually, my favorite kind of review is the one where I think a book is going go to be awful and I am pleasantly surprised when it turns out to be good.
Designer/photographer David A. Reeves has been posting some great paper cutouts on his Tumblr, including a couple of Batman pieces like the one above. You can see his take on The Dark Knight Returns and The Walking Dead below, then head to his blog to see how he made them as well as cutouts featuring samurai, cowboys, and stuff from the video game Limbo.
Like a lot of kids who grew up reading Savage Sword of Conan, I knew I liked the art, but wasn’t aware of how much true greatness Marvel’s black-and-white magazine packed into its pages. It wasn’t until later that I started paying attention to artists’ names and learned about people like Neal Adams, John Buscema and Walt Simonson. And it wasn’t until this week that I learned Alex Toth was one of the Savage Sword artists as well. The legendary cartoonist and animation designer drew ten pin-ups for the magazine, nine of which have turned up on the Michael Sporn Animation blog. See some highlights after the break (including a Justice Society piece too nice not to share) and the whole awesome gallery in the link.
There have been other steampunk Avengers, but with the Hulk in suspenders and a bowler? I’d read a comic just about him.
Anyway, Brian Kesinger is awesome and you should check out his blog and DeviantArt page. He also does steampunk other things, like Transformers, G.I. Joe, and Star Wars. But if steampunk’s not your thing, his Hip Hop Boba Fett and Pooh vs. Voldemort are cool, too. I posted bunch of my favorites below.
I love these alternative designs that Fabio Castro came up with for four Batman graphic novels. Seriously, I want to trade in my current editions of Batman: Year One and The Dark Knight Returns for these. And I’d buy The Killing Joke and Under the Red Hood just to complete the set.
But it got me wondering; especially Under the Red Hood, which doesn’t seem to belong in the same collection as those others. I suspect that Castro included it simply because he wanted something to fit a red cover. I’m not picking on him. Maybe I’m wrong and Under the Red Hood is absolutely a classic, but even if it’s not, I still love Castro’s cover. It just got me thinking about what the truly great Batman stories are. Year One and The Dark Knight Returns are no-brainers, and while I don’t especially care for The Killing Joke, I understand how its writer and the effect it had on Barbara Gordon make it “important.” But what other Batman stories deserve to go next to those? Hush? A Death in the Family? Knightfall?
I’m genuinely asking. What’s the Batman canon? Sound off in the comments.
I know nothing about The Sword, other than that the Austin, Texas-based heavy-metal band has great taste in choosing comic artists to provide album art: Batwoman artist/co-writer J.H. Williams III has revealed a host of design work for the group’s new release Apocryphon on his blog. More art from the project can be found below.
And not just any Dungeons & Dragons, but the ’80s cartoon version, which never looked this good.
Monster Brains has a whole gallery of Sienkiewicz featuring Judge Dredd, Conan and a ton of art from his out-of-print 1985 Vampyres portfolio.
It’s all there in the headline. Artist Melissa Smith has taken a Pollock-like approach with these superhero paintings and the result is amazing. I’ve posted Black Widow, Spider-Man and Pikachu below, but visit Smith’s DeviantArt page to see other Avengers, Batman villains and video game characters.
So you’re in a low-budget play and the script requires a treasure map. If you’re like me, your best bet is to hit Long John Silvers and pray that they have a placemat or something that you can make do with. If you’re Mattias Adolfsson‘s daughter, on the other hand … oh, wow, are you in luck.
I was trying to decide which of these robot drawings to share and decided that I couldn’t decide. So here they both are.
Film and animation artist Sam Filstrup was commissioned to create an awesome drawing of Atomic Robo about to have a dino-bomb dropped on his head; artist Gavin Spence (Hero Happy Hour) came up with an equally groovy robot in much more joyful circumstances. I don’t know which I like better, but I sure know which I’d rather be.