In-Depth on Marvel's "Divided We Stand" and The Latest Hydra Cap Twists
After the falling out between Ashes writer Alex de Campi and artist Jimmie Broxton, de Campi decided to pursue having multiple artists draw the sequel to the 2005 series Smoke. This week in an update to the project’s backers on Kickstarter, de Campi said the line-up of artists is now complete.
Joining A Distant Soil creator Colleen Doran and Smoke artist Igor Kordey are:
De Campi said she plans to begin serializing it digitally in June and publish the graphic novel in December.
Last month writer Alex de Campi’s Ashes, the sequel to the 2005 IDW series Smoke, hit a major pothole on the road to publication when de Campi and artist Jimmy Broxton split “over creative differences.” The writer offered refunds to anyone who contributed to the well-funded Kickstarter project and said she would look for a replacement artist.
Today de Campi posted an update that should make fans of Smoke happy–Smoke artist Igor Kordey “is coming back to do a 20-page flashback sequence that literally I know he will draw better than anyone else in the world (sorry, everyone else, but it’s true),” de Campi said on Kickstarter. She also said that A Distant Soil creator and Orbiter artist Colleen Doran has agreed to draw a sequence for the graphic novel as well.
De Campi said she decided to pursue multiple artists for the project while on a road trip from New York City to Mexico City. “I did a lot of thinking on I-81 about how to proceed with the book, and decided to go back to my original plan of having different artists draw different sections of the book,” she said. “Ashes breaks down really nicely into 20-50 page chunks (and a couple really small sections, 3 or 4 pages) based on location, time and secondary characters.”
She said she has reached out to “a ton” of other artists and will develop a new production and printing timeline once she’s nailed down artists for the entire book.
Internet | Sandman co-creator Neil Gaiman joined with Trent Reznor, Aziz Ansari, OK Go and 14 other members of the creative community in signing an open letter to Congress against the PROTECT IP Act and the Stop Online Piracy Act. “We fear that the broad new enforcement powers provided under SOPA and PIPA could be easily abused against legitimate services like those upon which we depend. These bills would allow entire websites to be blocked without due process, causing collateral damage to the legitimate users of the same services – artists and creators like us who would be censored as a result,” the letter states.
Warren Ellis and Fantagraphics have also come out against the bill, while Peter David, who is against the bill in its current form, takes aim at those who “endorsed the piracy, supported the piracy, enabled the piracy, felt their own actions weren’t piracy, and now refuse to accept the consequences of their own actions.” ComicsAlliance has posted an editorial against the bill and rounded up webcomic reactions to the blackout. [NeilGaiman.com]
Ashes, one of the highest-profile and most successful comics projects to emerge from Kickstarter, hit a stumbling block over the weekend with the announcement by writer Alex de Campi that she and collaborator Jimmy Broxton “have had an irreconcileable split over creative differences,” leading her to ask the artist to leave the graphic novel.
On his Facebook page, Broxton (aka James Hodgkins) was more blunt, writing, “Jimmy Broxton has been fired, and his services are no longer required on the Ashes Kickstarter graphic novel project. I’m incredibly sorry that this has happened, and feel strongly that a lot of people who have shown tremendous support (to say nothing of actually giving money to pre order the book) are being let down. I acted in good faith, you all acted in good faith, this is a mess, make no mistake.”
That of course raises the question of what happens when a crowd-funded comic — Ashes exceeded its goal with pledges of $32,455 — loses one of its creators. De Campi was quick to address that, writing in an update to backers that she would refund money to those who donated because of Broxton’s involvement, or to anyone who has been soured by their split.
“Likewise, once I find a new artist, if his or her work is not a style you like, you may also contact me and be immediately refunded for your pledge,” she continued. “Folks, I am so committed to making this book. I am so sorry for this drama, and I hope you will find it in your heart to bear with me for a little longer while I straighten this out. Please be aware that the money you have pledged is still YOUR money (none of it was ever going to me anyway, it was all for art and print/reward fulfilment) and I will be respectful of your wishes as to where it will go.”
In a later update, de Campi also addressed specific questions about the amount of completed art for the project (“only what you see here on the Kickstarter”), whether Broxton will be compensated for his work (“Absolutely”), and the search for his replacement (“I haven’t even begun to look”).
A sequel to de Campi’s 2005 IDW series Smoke, Ashes is described as “a bullet ride through the brain of a dystopian Britain into the dark heart of the American psyche,” with soldier Rupert Cain and journalist Katie Shah reuniting five years after they brought down a government and seeking to escape punishment.
Creators | Watchmen writer Alan Moore responds to recent comments made by The Dark Knight Returns creator Frank Miller: “I think that the Occupy movement is, in one sense, the public saying that they should be the ones to decide who’s too big to fail. It’s a completely justified howl of moral outrage and it seems to be handled in a very intelligent, non-violent way, which is probably another reason why Frank Miller would be less than pleased with it. I’m sure if it had been a bunch of young, sociopathic vigilantes with Batman make-up on their faces, he’d be more in favour of it. We would definitely have to agree to differ on that one.” [Honest Publishing]
In 2005, writer Alex de Campi burst into the comics world with the IDW series Smoke. Illustrated by then-recent New X-Men artist Igor Kordey, it burst through the sea of work that year to earn an Eisner nomination — no small feat for such a new entry into comics. Since then she’s done a handful of OEL manga and BD comics but has largely fallen off the grid in favor of directing music videos. But now she’s coming back, and she’s coming back with a sequel to the book that made her name in the industry.
de Campi is working with artist Jimmy Broxton on Ashes, a graphic novel sequel to Smoke that she’s aiming to fund via Kickstarter. Described by the author as “a bullet ride through the brain of dystopian Britain into the dark heart of the American psyche,” it follows Smoke leads Rupert Cain and Katie Shah as the retribution for bringing down a government comes calling.
And they’re offering not only the typical incentives that come with a Kickstarter campaign, but also have listed the European trade rights, North American trade rights and film rights for it as incentives as well. “You can buy the trade rights and the film rights, right there on Kickstarter. Why not? The few book-to-film agents for comics that I’ve come across really have not added any value to the process. I’ve had agents at two of the major agencies as well as having worked with independents and nobody really did anything. Publishing and filmmaking will only continue to decentralise from their legacy past as groups of elite insiders based in NY and LA who required an agent to gain you access.,” de Campi told Bleeding Cool.
Aiming for a goal of $27,000, de Campi and Broxton have raised over $3,000 in just one day into the drive with just under two months to go. Notable backers at this point including comics creators Kieron Gillen and Dean Haspiel as well as editors Janelle Asselin and Tim Beedle. If you see something you like, add your name to the list.