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Japanese clothing brand A Bathing Ape has debuted its new collection, inspired by Osamu Tezuka’s beloved robot creation Astro Boy.
Titled, appropriately enough, A Bathing Ape x Astro Boy, the capsule collection includes the company’s signature Shark Face hoodie, now sporting the boy robot’s face and trademark hair, and glow-in-the-dark accents, and a half-dozen T-shirts.
Chicago artist Alex Solis cleverly pulls back the curtain on 16 famous characters in a series of illustrations titled “Icons Unmasked.”
Like cast members at Disney World, the pop-culture icons remove the heads of their costumes to reveal what lurks beneath. In the case of some of the characters — Batman and Robin, for instance — it’s a literal representation of their names. For others, like Kermit and the Beast, it’s a bit more playful.
Artist Clementine Campardou challenged herself to paint a new picture each day that she’d share through an e-newsletter “Colour Up Your Day.” Over the course of two years, she’s produced more than 500 paintings, mostly beautiful watercolors, featuring an eclectic mix of subjects, ranging from birds and flowers to movie characters and superheroes. A lot of superheroes.
Superman, Wonder Woman, Silver Surfer, Wolverine, Supergirl, Gambit — they’re all there, in some cases multiple times, alongside the likes of Goku, Totoro, R2-D2, Astro Boy and Ken from Gatchaman. Oh, and Prince.
An Astro Boy-inspired robot designed to recognize and respond to human emotions sold out within a minute of its launch on Saturday.
SoftBank Robotics announced that 1,000 units were snatched up, and no more will be available until next month.
Manga | Dark Horse has announced the September release of Astro Boy Omnibus Volume 1, an oversized collection featuring nearly 700 pages of Osamu Tezuka’s most popular creation, billed as the first in a series. The news follows the recent announcement of the publisher’s oversized editions of The Kurosagi Corpse Delivery Service. [Dark Horse]
Publishing | David Carter takes a hard look at Vertigo as part of his analysis of DC Comics’ December sales. He notes that most of the series are selling poorly (under — often well under — 15,000 copies) and speculates that the reason may be that creators, even those who do work for DC, are taking their creator-owned books to Image Comics. He also thinks Vertigo’s trade policy isn’t working, as releasing the trades early and pricing the first one low encourages readers to skip the monthly comics — but then there’s a high probability they will forget about a new series altogether. [The Beat]
Combining two loves — professional basketball and video games — graphic designer Mark Avery-Kenny has created a series of logos that mash together classic characters like Pac-Man, Pikachu and Mario with NBA franchises.
While some of the combinations make perfect sense — King Hippo and the Sacramento Kings, for instance — others aren’t nearly as logical. But they’re all fun and well-executed. Check out just some of them below, and the rest on Avery-Kenny’s Instagram page.
Awards | The finalists for the inaugural Kirkus Prize literary awards include two graphic novels: Roz Chast’s Can’t We Talk About Something More Pleasant? is one of six nominees in the Nonfiction category, and Cece Bell’s El Deafo is one of the picks for the Young Readers award. The winners in all three categories, who will receive $50,000 each, will be announced during a ceremony held Oct. 23 in Austin, Texas. [The Washington Post]
Manga | A prequel to Osamu Tezuka’s classic Astro Boy manga is in the works for the Japanese magazine Monthly Hero’s. Tezuka’s son, Makoto Tezuka, is supervising the production of the story, which focuses on the time before the “birth” of the iconic robot boy. [Anime News Network]
Toronto residents may have noticed a host of classic heroes, from Wonder Woman to Astro Boy to the Fantastic Four, are now protecting the city’s streets. At least that’s what many of the neighborhood watch signs insist.
According to CBC News, an artist calling himself Andrew Lamb has “hacked” as many as 70 of the signs, pasting over the familiar houses-with-eyeballs icons with the even more familiar figures from comic books, television and movies (Mr. Rogers, Cliff Huxtable and Dale Cooper, among them).
“I walked by and thought those signs would be much better with a superhero up there,” he told CBC News. “The first one was a splash page — a common thing in comic books, a bunch of superheros popping out at you. Then came Batman and Robin, RoboCop, Beverly Hills Cop, and then it snowballed.”
Lamb acknowledges his project is “technically illegal” — he’s received just two vandalism complaints — but he doesn’t believe it’s “ethically or morally wrong.”
You can see more photos of his handiwork below, and on Lamb’s Instagram account.
Here’s a treat for fans of both Astro Boy and Katsuhiro Otomo: The creator of Akira drew Osamu Tezuka’s robot for the cover of the third volume of the industry magazine Anime Busience as only Otomo can.
Crunchyroll notes that Neon Genesis Evangelion character designer and manga author Yoshiyuki Sadamoto took on Akira for the cover of the magazine’s second volume (below), while Evangelion creator Hideaki Anno depicted Space Battleship Yamato for the first.
Legal | The Bombay High Court had sharp words for the Mumbai Police regarding the arrest of cartoonist Aseem Trivedi on a sedition charge. “How can you (police) arrest people on frivolous grounds? You arrest a cartoonist and breach his liberty of freedom of speech and expression,” said justices DY Chandrachud and Amjad Sayyed during a hearing in the case. The court will issue guidelines for the application of the sedition law, said the justices, who called the arrest of Trivedi “arbitrary.” “We have one Aseem Trivedi who was courageous enough to raise his voice and stand against this, but what about several others whose voices are shut by police.” [The Economic Times]
Creators | Grant Morrison talks about the guy who (literally) ate a copy of Supergods, why he is moving away from superheroes, and his upcoming Pax Americana, which is based on the same Charlton characters as Watchmen: “It’s so not like Watchmen. In the places where it is like Watchmen people will laugh because it’s really quite … it’s really faithful and respectful but at the same time satiric. I don’t think people will be upset by it, in the way that they’ve been upset by Before Watchmen which even though it’s good does ultimately seem redundant … This one is its own thing but it deliberately quotes the kind of narrative techniques used in Watchmen and does something new with them.” [New Statesman]
Hello and welcome to What Are You Reading? Our special guest today is Joey Weiser, creator of Cavemen in Space, The Ride Home and Tales of Unusual Circumstance, and a contributor to SpongeBob Comics.
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