PREVIEWS: "Mighty Thor," "Star Wars," & More Marvel Comics On Sale February 17, 2016
Auctions | A near-mint copy of Marvel Amazing Fantasy #15, featuring the 1962 first appearance of Spider-Man, is expected to sell for more than $400,000 at auction later this month. “We think this comic has the potential to realize the highest price ever paid at public auction for a Spider-Man comic book,” said Lon Allen, managing director of the comics department at Heritage Auctions. “It could soar well past our estimate.” [Fine Books & Collections]
Auctions | A rare drawing of Tintin by Hergé from the 1936 book The Blue Lotus was sold at auction Monday in Hong Kong for $1.2 million. The black-and-white illustration, which depicts Tintin and Snowy being pulled in a rickshaw through the streets of Shanghai, is the only original piece from the book that remains in private hands. [BBC News]
Comics | Issue 3800 of the British comic The Beano hit newsstands last week, making it officially, according to Guinness World Records, the longest-running weekly comic. Artist David Sutherland, who has been drawing the Bash Street Kids since 1961, unveiled the official plaque at Beano headquarters. [Down the Tubes]
Auctions | A copy of Suspense Comics #3, published in 1944, sold for $173,275 at auction last month, setting a new record for a non-superhero comic. The high price was probably due to the cover, by Alex Schomburg, which features a woman tied up and apparently about to be sacrificed by Nazis and the KKK, a crossover that would attract potential buyers from several groups of enthusiasts (this issue was described in an earlier auction as a ““Nazi/Bondage/Horror/War hybrid”). Plus it’s rare — the lurid cover may have suppressed sales when it was first published — and in good condition. [Observer]
If you’ve been hoping to jump-start Ragnarok or merely lay a smackdown on some supernatural foes, here’s your chance: Hellboy’s Right Hand of Doom is up for sale.
The replica from Guillermo del Toro’s 2004 adaptation Hellboy is just one of the items going on the block Friday in Los Angeles as part of the “Rick Baker: Monster Maker” auction. Organized by the Prop Store, the sale features more than 400 items from the Hollywood effects legend’s lengthy career.
Auctions | A page of original artwork from 1971’s Asterix and the Laurel Wreath sold at auction Sunday for more than $158,000, with proceeds going to benefit the families of those killed in the attack on Charlie Hebdo‘s offices. The art included a special dedication by Asterix co-creator Albert Uderzo, who came out of retirement in the days after the attack to draw tributes to the victims. The auction house Christie’s waived its commission for Sunday’s sale. [BBC News]
Political cartoons | Ecuadorean cartoonist Xavier Bonilla, who has been sued, threatened and reprimanded by his own government because of his political cartoons, revealed last week that he has also received threats from an Ecuadorean member of ISIS over a cartoon making fun of the extremist group. While he ultimately decided the threat wasn’t credible, Bonilla said, “It has to be understood within this climate of hostility and harassment that’s been created within the country. It’s gotten to the point where even humor is being persecuted and oppressed by the president.” Reporter Jim Wyss also looks at some other cases of government suppression of political cartoons in Latin America [Miami Herald]
Auctions | Sotheby’s auction of comics and comics art over the weekend in Paris brought in about $4.1 million for 189 works, including Hergé’s cover art for the 10th-anniversary issue of Le Petit Vingtième (the magazine where Tintin first ran), several Tintin pages, and pieces by Hugo Pratt, Charles Burns and Osamu Tezuka. An acrylic and crayon illustration by Dave Stevens created in 1988 for the first issue of The Rocketeer Adventure Magazine (at right) fetched $66,017, a record for the late artist’s work. [Paul Gravett, Artnet]
Creators | “Hobbes was as much my alter-ego as Calvin was”: In an excerpt from the new book Exploring Calvin and Hobbes, Bill Watterson talks about how he came to comics, how he developed the style and characters of Calvin and Hobbes, and the continuing popularity of the strip years after it stopped running in newspapers. [Comic Riffs]
The original cover for the 1942 Tintin book The Shooting Star sold at auction for more than $2.8 million, just shy of the record price paid last year for a piece of Hergé’s art.
Comic book dealers Petits Papiers-Huberty-Breyne told Agence France-Presse the yellowing art was purchased by a European investor who “is neither Belgian nor French.” No other details about the buyer’s identity were disclosed.
The Shooting Star cover is one of just five that remains in the hands of private collectors. Most of Hergé’s work is held by Moulinsart, the Brussels-based organization established in 1987 by the cartoonist’s widow Fanny Rodwell
The 10th volume of The Adventures of Tintin, The Shooting Star follows Tintin, his faithful dog Snowy and his friend Captain Haddock as they take part in a scientific expedition to the Arctic Ocean to find a meteorite before it’s uncovered by a rival team.
Auctions | A restored copy of Detective Comics #27, which marks the first appearance of Batman, is expected to bring in more than $100,000 in a Feb. 20 sale held by Heritage Auctions. According to the company, this would be only the second restored copy of that issue reach that milestone (several restored copies of Action Comics #1 have broken $100,000). A CGC-graded 4.5 copy of Batman #1 is expected to fetch more than $65,000 in the same auction. [Antique Trader]
Passings | Cartoonist Joseph Farris, whose work appeared in The New Yorker and other publications for almost 60 years, died last week at his home in Bethel, Connecticut. He was 90. Farris served in the Army during World War II, and he later wrote a memoir, A Soldier’s Sketchbook, that included drawings he did while on the front lines in France and Germany. He recently completed another memoir, Elm Street, about growing up in Danbury, Connecticut. Farris once described his work as “subtly political,” adding that his goal was to make the reader laugh, then stop and think “Wait a minute. What did he say?” [The News-Times]
Conventions | With the long-planned expansion of the San Diego Convention Center stalled indefinitely, the Los Angeles Times offers an overview of efforts to keep Comic-Con International in the city past 2016, and what suitors like Los Angeles and Anaheim, California, have to offer. “The proposals we’ve received are pretty amazing,” says Comic-Con spokesman David Glanzer. “It’s not an easy decision.” However, the San Diego Tourism Authority remains confident that convention organizers will sign a deal — possibly with a month — to remain in the city through 2018, based on an agreement for nearby hotels to offer their meeting space for Comic-Con programming. (The Tourism Authority has already asked hotels in the Comic-Con room block to freeze their rates at 2015 levels for the next two years.) [Los Angeles Times]
Analysis | Rob Salkowitz kicks off the new year with big-picture questions about “geek culture”: With the popularity of comics-based movies, will continuity and nostalgia become less important? And will comics themselves become less important? “Putting out comics is a relatively costly and troublesome process with limited revenue potential relative to other ways of exploiting the intellectual property. A fan base that buys licensed merchandise and watches entertainment programming without needing a monthly fix of new art and story is probably considered a feature of the new comics economy, not a bug.” [ICv2]
Creators | Chew artist Rob Guillory, who will appear this weekend at Wizard World New Orleans, talks about the strange comics that he read as a kid (The Adventures of Kool-Aid Man) and the unexpected success of Chew, which will end next year with its 60th issue: “In the beginning, John and I were kind of like, ‘Well, best-case scenario, we can go 60 issues. Worst-case scenario, we can do five and go our separate ways and never speak again.’ I don’t know if we’ve seen the peak of our reception. I don’t think we’ll see how popular we’ve been until it’s over. When it’s wrapped and it’s the complete thing, I think people will start missing us.” [Best of New Orleans]
Auctions | An original 1939 drawing of Tintin created by Herge for the cover of the weekly magazine Le Petit Vingtième sold Sunday for $673,468 at an auction of French and Belgian comics art held simultaneously in Paris and Brussels. The auction featured 101 works, of which 86 were purchased for a total of $2.4 million. [Agence France-Presse]
Auctions | A copy of The Hulk #181, featuring the first appearance of Wolverine, fetched $8,000 at an auction held Saturday at Back to the Past comics store in Redford, Michigan. [My Fox Detroit]
Retailing | System of a Down drummer John Dolmayan, who shuttered his online store Torpedo Comics in 2010 after about three years in business, is looking to open a brick-and-mortar shop. A brief story notes that while Las Vegas store Comic Oasis, owner Derrick Taylor is partnering with Dolmayan to open Torpedo Comics in January at 8775 Lindell Road, Building H, Suite 150. [Vegas Inc.]
The earliest known licensed Batmobile — a customized 1956 Oldsmobile 88 built in a New Hampshire barn — sold at auction over the weekend for a whopping $137,000.
As we noted last month, the vehicle has more humble origins than the iconic Lincoln Futura concept car created by George Barris for the 1966 Batman television series: Completed in 1963, it was built from the ground up by 23-year-old Forrest Robinson and his friend Len Perham simply to drive around.
Creators | In an interview to be published in Japan next Friday, Naruto creator Masashi Kishimoto says he plans to spend some time with his wife and child, and take a long-delayed honeymoon, before starting his next series. And as he is about to turn 40, he hints that he may not be up for another weekly series. [Anime News Network]
Comic strips | The first color Sunday funnies appeared on Nov. 18, 1894, in Joseph Pulitzer’s New York World. David Shedden observes the 120th anniversary of this innovation with a look back at some popular comic strips and footage of New York Mayor Fiorello LaGuardia reading the funnies over the radio during the newspaper strike of 1945. [Poynter]
The owners of Metropolis Collectibles and ComicConnect, who in August paid a record $3.2 million for a pristine copy of Action Comics #1, will display “the Holy Grail of comic books” on Thursday at their New York Comic Con booth (#2630). Alas it’s only on Thursday.
The first comic to fetch more than $3 million at auction, the issue is one of just two copies of 1938’s Action Comics #1 — featuring the first appearance of Superman — to be graded 9.0 by the Certified Guaranty Company (the other is the comic once owned by actor Nicolas Cage, which sold in 2011 for a then-record $2.16 million; however, its pages aren’t considered “pristine”). Only about 30 unrestored copies of Action Comics #1 are thought to exist.
This copy was acquired several years ago in a private sale by Darren Adams of Pristine Comics in Federal Way, Washington, and stored a temperature-controlled vault. He said the original owner bought the comic from a newsstand in 1938, and then kept in a cedar box for about four decades until a local dealer in West Virginia purchased it in an estate sale. The issue then passed to a third person, who held onto it for 30 years. Adams said he turned down an offer of $3 million, and instead opted to sell the comic in a highly publicized eBay auction.
Awards | The finalists for the inaugural Kirkus Prize literary awards include two graphic novels: Roz Chast’s Can’t We Talk About Something More Pleasant? is one of six nominees in the Nonfiction category, and Cece Bell’s El Deafo is one of the picks for the Young Readers award. The winners in all three categories, who will receive $50,000 each, will be announced during a ceremony held Oct. 23 in Austin, Texas. [The Washington Post]
Manga | A prequel to Osamu Tezuka’s classic Astro Boy manga is in the works for the Japanese magazine Monthly Hero’s. Tezuka’s son, Makoto Tezuka, is supervising the production of the story, which focuses on the time before the “birth” of the iconic robot boy. [Anime News Network]