Avatar: The Last Airbender Archives - Robot 6 @ Comic Book Resources
With April sales numbers released from Diamond Comic Distributors, a subtle pattern has revealed itself: Dark Horse has reclaimed its position as fourth-largest publisher from IDW Publishing for three months straight. It’s a streak of growth in market and dollar share that hasn’t happened for Dark Horse since fall 2011.
It’s great news for an industry mainstay that seemed to be getting eclipsed by the younger IDW at its own game of mixing licensed properties with creator-owned titles. Whether it’s temporary or not, digging into the sales charts, it’s clear there’s more stability in Dark Horse’s catalog than there might first seem.
Obviously Star Wars is the property many know the company for, and when it was announced the license would move at the end of this year to Marvel, some worried how Dark Horse would carry on. However, most publishers realize that no license is forever, so Dark Horse has built a diverse library that seems to be lifting it up now. Despite such diversifying, Star Wars is still the big seller at comic shops, but it’s only the beginning. The back-to-back launch of The Star Wars, a comics adaptation of an early draft of George Lucas’ screenplay, and a back-to-basics Star Wars by Brian Wood provided two accessible titles; if you’d ever seen the original Star Wars trilogy, you’re all set. The last issue of The Star Wars comes out later this month, with a collection in both hardcover and softcover to follow in July.
Graphic novels | Two volumes of The Walking Dead Compendium topped BookScan’s list of the Top 20 graphic novels sold in bookstores in March, and Vol. 60 of Naruto was No. 3, but ICv2 thinks the new Avatar: The Next Airbender graphic novel premiering at No. 4 is headline-worthy. [ICv2]
Awards | With his duties complete, Charles Hatfield describes what it was like to be an Eisner judge. [See Hatfield]
Creators | Gilbert Hernandez talks about his childhood and that influences, from Dennis the Menace to Steve Ditko, that shaped his latest graphic novel, Marble Season. [The Chicago Tribune]
Following Thursday’s announcement of the gold titles for Free Comic Book Day 2013, Dark Horse has revealed the rest of its lineup, which includes the long-awaited debut of The True Lives of the Fabulous Killjoys, by Gerard Way, co-writer Shaun Simon, artist Becky Cloonan and colorist Dave Stewart.
Announced in 2009, the follow-up to the acclaimed Umbrella Academy originally was described by the frontman of My Chemical Romance as “almost like a strange kind of love letter to the really great comics of the ’90s that kind of pushed things.” However, in the three years since the announcement, a lot changed.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
It’s an odd one for me this week; if I had $15, I’d probably just grab two of DC’s Zero Month books (Batman Incorporated and Flash, both $2.99) and then skip straight to the $30 portion of the week so that I could pick up the Showcase Presents Amethyst, Vol. 1 collection (DC, $19.99), if only to reassure me that the original series was good after last week’s revival.
If I were to splurge, I’d step outside of DC’s purview and go for IDW’s Joe Kubert Tarzan Artist Edition. I was one of the many people who didn’t really “get” Kubert as a kid, but his linework won me over as I got older, and the chance to see some of his best-looking art in “real size” is something that I’d love to be able to embrace.
If I had $15, I’d get Batman Incorporated #0, probably the only DC zero book I’ll get, and Vol. 11 of Yotsuba&!, because I could use some irrepressibly cute manga about an adorable green-haired girl right about now.
If I had $30, I’d put away Yotsuba&! and get Barbara, Osamu Tezuka’s manga about a would-be artist who takes in a lovely but strange homeless woman, only to become convinced that she is his personal muse. I know there was a bit of grumbling that DMP went the Kickstarter route in getting this published, but honestly, I’m just happy to have more Tezuka in print.
What constitutes a splurge purchase? How about six, hardcover, slipcased volumes of Robert Crumb’s sketchbook work, priced at about $1,600, courtesy of the fine folks at Taschen? Yeah, I think buying that would be a “splurge purchase.” It would also constitute sheer madness and a one-way trip to the poorhouse, but at least you’d have all those nice Crumb books to keep you company. I’m sure they’d make a fine pillow.
Publishing | DC Comics’ Batman: Earth One, by Geoff Johns and Gary Frank, topped the Nielsen BookScan list of graphic novels sold in bookstores in July, one of five Batman books to populate the Top 20. The remainder of the chart was dominated by manga — five spots, with the newest volumes of Sailor Moon and Naruto claiming Nos. 2 and 3 — The Walking Dead — three volumes, with the latest slipping from No. 1 to No. 4 — and Dark Horse’s two Avatar: The Last Airbender books, by Gene Luen Yang, both of which remain in the Top 10. [ICv2]
Publishing | Archaia CEO PJ Bickett talks about some new planned digital products and the current Archaia strategy for its books: “As of right now for 2012 we’ve really focused on some key titles and in building those out as real brands. In the past we’ve taken more of a throwing it out there and hoping for the best [approach] and now we’re taking a more strategic, targeted and strategic approach. We’re seeing a lot of great efforts as a result of it.” [ICv2]
With The Legend of Korra, the new sequel to Avatar: The Last Airbender, hitting screens last week, the folks at Tor.com asked Faith Erin Hicks to draw a comic about her feelings toward both series. She obliged, with the combination of professionalism and fangirlishness that we have come to expect from her. Go, read, laugh.
As an animator on Avatar: The Last Airbender and the supervising director of Star Wars: The Clone Wars, Dave Filoni is the perfect person to draw a mash-up of those two universes. And so he’s accommodated us.
(via Leigh Walton)
Publishing | Single-issue comics sales last month were up 22.26 percent over February 2011, and graphic novels were up 15.6 percent, making for a good month for publishers and retailers. (Of course, there were five Wednesdays in February, which may have something to do with it.) As in previous months, DC sold the most comics but Marvel, with higher cover prices, topped its competitor in terms of dollar share. [ICv2]
Publishing | The top-selling graphic novel in bookstores last month was part one of Avatar: The Last Airbender: The Promise, written by Gene Luen Yang (American Born Chinese). The Walking Dead books took four of the top 20 spots, or a healthy 20 percent of the list, and 13 of the bestsellers were manga. [ICv2]
Publishing | Marvel is cutting costs on its $2.99 comics by going with “self covers,” which just means that the covers are the same paper as the inside of the comic, rather than heavier stock. As the insides are glossy paper anyway, Todd Allen feels the difference is barely noticeable—and that the real news is that Marvel is finding it necessary to cut costs once more. [The Beat]
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.
If I had $15, I’d try something new first with the Xeric-winning Fantastic Life GN (Big If, $9.95) by Kevin Mutch. I’ll always give Xeric winners a second look, and this looks built for me: slackers, punk rock, zombies. Next up I’d get the ongoing adventures of Butcher Baker – the Image one – with Butcher Baker Righteous Maker #8 ($2.99). I’ll admit that the series went off a little bit around #5, but I’m still holding on for hopes it’ll right itself or I’ll figure out what I’d been missing. Lastly, I’d get Secret Avengers #21.1 (Marvel, $2.99). Seriously, is Rick Remender becoming the writer of all-things secret in the Marvel U? I’m not complaining though, as he’s bringing his Uncanny X-Force mojo and, from what it looks like, a lot of new cast members.
If I had $30, I’d get my usual pull of The Walking Dead #93 (Image, $2.99) and a Hickman two-fer, Fantastic Four #602 (Marvel, $2.99) and FF #14 (Marvel, $2.99). If you would have told me two years ago I’d be seeing two Fantastic Four titles (and two I’d be reading, no less) I would have been gobsmacked. Hickman does it again. And that’s it.
What, you say I didn’t spend my full $30? It’s a light week for me, so I’d spending the remaining on bags and boards or, *gasp*, food as it says in the title. Tijuana Flats, Taco Tuesday, be there.
Coming back if I could splurge, and I’d put down my tacos and pick up the ADD HC (Vertigo, $24.99) by Douglas Rushkoff, Goran Sudzuka and Jose Marzan Jr. From the outside it looks like The Hunger Games meets Ender’s Game, and Rushkoff looks to be just the one to make that mash-up more than, well, a mash-up.
It’s time once again for our monthly trip through Previews looking for cool, new comics. As usual, we’re focusing on graphic novels, collected volumes and first issues so that we don’t have to come up with a new way to say, “Batwoman is still awesome!” every month. And we’ll continue letting Tom and Carla do the heavy lifting in regards to DC and Marvel’s solicitations.
One cool change this month and for the foreseeable future: I’m joined by Graeme McMillan who’ll also be pointing out his favorites.
Finally, please feel free to play along in the comments. Tell us what we missed that you’re looking forward to or – if you’re a comics creator – mention your own stuff.
The Art of Daniel Clowes: Modern Cartoonist – I admit, I tend to run hot and cold on Clowes’ output, but I’m a sucker for coffee-table career retrospectives, so the idea of taking 224 pages to look back at his career to date (with, of course, the traditional little-seen artwork and commentary) seems like a must-look at the very least. [Graeme]
Rachel Rising, Volume 1: The Shadow of Death – Terry Moore’s latest series gets its first collection and I love the premise of a woman’s waking up in a shallow grave with no memory of how she got there and needing to figure out who tried to kill to her. [Michael]
On the Dark Horse blog, editor Dave Marshall shares the cover process for Avatar: The Last Airbender — The Promise Part 1, from writer Gene Luen Yang’s rough ideas to art duo Gurihiru’s cover sketches to Avatar co-creator Bryan Konietzko’s notes to the final product.
The 80-page graphic novel, the first in a series of digests continuing the adventures of Aang and his friends, arrives Jan. 25.
Legal | Authorities in Clinton Township, Michigan, tracked down two men mentioned in police reports by comics retailer Michael George after his wife’s 1990 murder who were never questioned. The judge gave police 48 hours to locate and question them. One of the men passed away, while the other, John Fox, will be questioned Friday about a family car that is similar to one seen near the comic book store where Barbara George was killed. [Detroit Free Press]
Digital comics | Heidi MacDonald talks to SLG Publisher Dan Vado about plans to release the company’s serialized comics digitally rather than in print. Vado reveals SLG’s popular Johnny the Homicidal Maniac by Jhonen Vasquez will be released in digital format. [The Beat]
Comics | Lisa Fortuner notes that this week’s Green Lantern Corps #1 story shares a title with a Nazi propaganda film: “That’s a beheading, followed by cutting a woman in half, followed by the loss of a finger, followed by a reference to an infamous Leni Riefenstahl film. For those of you who are new to the Internet and it’s population of history snobs, Leni Riefenstahl was an early 20th Century pioneer who made inroads for women in the field of Evil. She did a Nazi propaganda film called ‘Triumph of the Will’ which to this day is still inspiring horror of authoritarian power in film classes and museums. It is probably not the best choice of titles for a book where the main heroes are fueled by willpower.” [Written World]
It’s time once again for our monthly trip through Previews looking for cool, new comics. As usual, we’re focusing on graphic novels, collected volumes, and first issues so that I don’t have to come up with a new way to say, “ Dark Horse Presents is still awesome!” every month. And I’ll continue letting Tom and Carla do the heavy lifting in regards to DC and Marvel’s solicitations.
Also, please feel free to play along in the comments. Tell me what I missed that you’re looking forward to or – if you’re a comics creator – mention your own stuff.
Puss in Boots Movie Prequel – I don’t care for movie prequel comics as a rule, but swashbuckling cats are awesome in any incarnation. As long as these are fresh gags and not just ones warmed up from Shrek, I expect to enjoy this.
Jim Henson’s The Dark Crystal: Creation Myths, Book 1 - I just introduced my son to The Dark Crystal and Labyrinth a couple of weeks ago, so this is great timing. He had the same questions about The Dark Crystal‘s world that I always do, so I’m looking forward to seeing Archaia’s take on answering those. Totally feel like the world’s in good hands with this publisher and these creators.
The Sigh - If Archaia’s snagging Marjane Satrapi’s (Persepolis, Chicken With Plums) new book has been reported already, I missed it. I’m surprised that wasn’t bigger news.
Siegfried, Volume 1 – I’ve been meaning to read P Craig Russell’s Ring of the Nibelung adaptation for years, so I think this might be what pushes me to finally do it. It would be fun to read Russell’s and compare it to this version by Alex Alice.
Gene Luen Yang, creator of American Born Chinese and The Eternal Smile and writer of Level Up, announced on his blog Tuesday that he is undertaking a new project: He will be writing the upcoming Avatar: The Last Airbender graphic novel, The Promise. Yang is working closely with Michael DiMartino and Bryan Konietzko, the creators of the original cartoon series, on the book, and the artwork is being handled by the Japanese duo Gurihiru, who illustrated some of the earlier Airbender comics and have done work for Marvel as well.
As Yang points out in his blog, this is not quite his first Avatar comic: When the movie came out last year, he drew a webcomic protesting the casting of Caucasians in roles that were clearly derived from Asian traditions. This book is based on the television series, not the movie, though, and Yang says he hasn’t seen the movie and doesn’t want to see it: “the only A:TLA universe I want inside my head as I’m writing these comics is the animated one. The real one.”
Oh, and don’t get too excited about an Avatar-Monkey King crossover—that’s just a bit of fan art that Gene drew to celebrate the occasion.
Although beans were spilled when this year’s Free Comic Book Day comics were announced, Dark Horse officially announced yesterday that it is collaborating with Nickelodeon to publish a series of comics and graphic novels based on the animated series Avatar: The Last Airbender. The series will launch with a 240-page graphic novel collecting the Avatar stories that ran in Nickelodeon Magazine as well as 70 pages of new material. The stories are set in the Airbender universe but outside the continuity of the series, and some of the creators also worked on the cartoon.
Dark Horse will follow up, starting in 2012, with a line of digest-sized graphic novels about the Airbender characters that will pick up where the animated series left off. It’s a logical program for Dark Horse, which has several lines based on popular movies and television series, and produced the Avatar: The Last Airbender art book, but it’s also interesting that the Avatar franchise seems to have moved away from Del Rey, which published a prequel to and a novelization of the movie last year.
The new series kicks off on Free Comic BOOK Day with a free comic featuring two stories, the unpublished “Relics” and the already-seen “Dirty Is Only Skin Deep…” The Airbender comic will be packaged as a flipbook with a Star Wars: The Clone Wars comic, giving readers plenty of licensed goodness in a single hit.