Of the myriad artists working at Marvel in recent years, Valerio Schiti, who kicks off a two-issue stint this week on Avengers A.I., stands out as one of those deserving a great deal more attention. I’m hard pressed to define what most appeals to me in terms of his work, but Schiti’s knack for distinctive facial reactions ranks high on the list. It’s also an element he and I discuss in this interview (be sure to also peruse the preview of Avengers A.I. #5 on Comic Book Resources). I hope Schiti’s boundless enthusiasm for his craft, which is reflected in his work, comes across in this interview.
Tim O’Shea: The first issue of your two-issue stint (Avengers A.I. #5-6) leaps right into the deep end, as detailed in the solicitations, as Issue 5 tackles the “mind-bending origin of Alexis.” How excited were you when you learned you got to tackle that in your first issue?
Valerio Schiti: It’s great to have the chance to work on such a defining moment for a new character. We don’t know anything about Alexis yet, even if Sam [Humphries] and André [Araùjo] introduced her. We already know what she looks like, some of her abilities but we still don’t know who she really is, what’s her purpose. Usually a normal writer would use a flashback sequence to answer such questions, but Sam is not a “normal” writer. He decided to take advantage of the artificial nature of Alexis to reveal something new about her in an original way, which means that is also a visually original way! I had a great fun drawing this scene and Frank [D’Armata], with his amazing talent for colors, made it spectacular.
Welcome to “Cheat Sheet,” ROBOT 6′s guide to the week ahead. While many Americans are counting the hours until Independence Day, and what for some will be the beginning of a four-day weekend, others are packing their Mighty Morphin Power Rangers costume for Florida Comicon.
Still others are simply casting an eye over the list of titles shipping this week from Diamond Comic Distributors. Keep reading to see what books caught our contributors’ attentions.
Every so often, public opinion shifts and popular culture gets a craving. Remember when everything was all about pirates? Then we all got on this huge kick about vampires and the supernatural, and we had a variety of different television shows to slake our thirst? The remnants of those yearnings still linger (well, not so much the pirates), and now the masses have all lined up for zombies.
Zombies play into so many metaphors for the fears that plague us (death, communities turning against us, a loss of identity and so on), and they can even reflect economic shifts with consumerism and political-mob mentalities. That latter point is probably why Game of Thrones (a fantasy political drama) and The Walking Dead (a morality play on humanity versus its corrupted self) are TV-ratings gold.
Sadly, this cannot last. I’m not saying zombies are on their way out, just that the cultural craze is reached a peak and is moving toward something new — and Marvel comics has your back.
With robots! They’re fantastic and a personal favorite of my science fiction-loving heart, so the announcement of Avengers A.I. left me looking past our zombie-filled present with a hope for a new future-craze. We should be looking forward to what comes after our old rotten selves, pushing forward with our fiction to better understand the human condition. There is no better metaphor than that of the robot to help us grasp our own humanity and morality by looking through mechanical eyes; the future of our pop culture might not be full of artificial men, because who can really predict the public’s taste for fantasy or fiction? But Marvel seems primed and ready to try to take us into a new age of androids.