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Food or Comics? | Tales Designed to Sizzlean

Parker: The Score

Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.

Check out Diamond’s release list or ComicList, and tell us what you’re getting in our comments field.

Graeme McMillan

While the offerings on show at my local comic store this week won’t compare with those available at Comic-Con International, if I had $15 this week, I’d pick up Sean Murphy’s Punk Rock Jesus #1 (DC/Vertigo, $2.99), the new Bloodshot #1 (Valiant, $3.99) and the final issue of the enjoyable Kirby: Genesis #8 (Dynamite, $3.99); the first for the art alone (I know very little about the story, but Murphy’s art is always worth checking out), the second for the high concept, and the third for the payoff that I know is coming from Kurt Busiek, Alex Ross and Jack Herbert’s resuscitation of the King’s concepts after following the series thus far.

That said, if I only had $30, I’d put both Punk Rock Jesus and Bloodshot back on the racks for another week, and add Darwyn Cooke’s new Parker adaptation, Richard Stark’s Parker: The Score (IDW, $24.99) to my pile, instead. Cooke’s Parker books are consistently must-buys, and I can’t see why this one would be any different.

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Chain Reactions | AvX Vs. #1

AvX: Vs. #1

The very first trip my dad ever made to a comic book store–and, in fact, it may have even been the only time he ever took us to a comic shop as kids, as that duty usually fell to my mom–was one Saturday afternoon when John Byrne was appearing at Lone Star Comics in Dallas. The store was fairly crowded, as Byrne was a big draw at the time, and I remember there was a long line snaking through the store. Anyway, we stood in line behind two guys discussing comics–or as my dad put it, “Two grown men arguing over whether the Hulk could ever get mad enough to break through Dr. Doom’s force field.”

We ended up leaving without ever having met Byrne, as my dad grew impatient and didn’t like the answer given to him by the clerk. “He’s too busy drawing sketches to sign comics,” he said as we left the store. In reality, we were probably only in the store and the line for a very short time, and I’m sure my dad’s interpretation of my brother’s request to get some of his Fantastic Four issues signed by the creator was that it would be quick 10-minute trip, with us running in to get an autograph and then running back out and getting on with the day.

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