awards Archives - Page 2 of 26 - Robot 6 @ Comic Book Resources
The GLAAD Media Awards are traditionally a fairly mainstream affair, with the Gay & Lesbian Alliance Against Defamation recognizing outstanding portrayals of the gay, lesbian, bisexual and transgender communities in works that reach a wide audience. Although in the past, the organization has honored the likes of Fun Home, Luba and Strangers in Paradise, the outstanding comic book category is typically heavy on superhero titles released by Marvel and DC Comics.
However, with the announcement this morning of the nominees for the 26th annual GLAAD Media Awards comes a couple of big surprises: Just one superhero series is singled out, and, for the first time since the comic book category debuted in 2003, there are no titles published by DC or its imprints.
Passings | Acclaimed sci-fi novelist and manga writer Kazumasa Hirai passed away Jan. 17 at age 76. Hirai was the co-creator of several manga that spawned anime, prose and television franchises, including Genma Taisen and the classic cyborg superhero story 8 Man. He also collaborated with Ryoichi Ikegami on the Spider-Man manga, serialized from 1970 to 1971 in Monthly Shonen Jump, succeeding Kōsei Ono as writer. [Anime News Network]
Legal | The Bombay High Court heard arguments Monday on a public interest litigation petition challenging India’s sedition act. The petition stems from the 2012 arrest of cartoonist Aseem Trivedi on sedition charges, which were dropped after national and international protests. “It [sedition charge] can be misused any time,” said Chief Justice Mohit Shah. But Advocate-General Sunil Manohar, arguing for the state, said they only acted on the Trivedi case after receiving a dozen complaints: “The cartoonist [Aseem Trivedi] ran perilously close to borderline. He is not absolutely innocent. It is not the case that the state vindictively slapped charges on him.” The court did not immediately hand down a decision but has reserved judgment. [The Hindu]
Crime | Sigolène Vinson, a writer for Charlie Hebdo, gives her account of the Jan. 7 shootings that killed 12 at the French satire magazine’s headquarters. Vinson was in the kitchen and heard brothers Chérif and Saïd Kouachi shoot her coworkers; she hid in a colleague’s office but came face to face with Saïd Kouachi, who told her “Don’t be afraid, calm down. I won’t kill you. You’re a woman, we don’t kill women. But think about what you do, what you do is bad. I’m sparing you and because I’ve spared you, you will read the Qur’an.” (However, Chérif killed writer Elsa Cayat, the only female victim of the attack.) [The Guardian]
Awards | This year’s grand prix de la ville d’Angoulême, the lifetime achievement award given every year at the Angoulême International Comics Festival, won’t be given to the staff of Charlie Hebdo, despite a petition started by jury president Gwen de Bonneval that garnered 1,200 signatures plus significant support on Twitter and Facebook. Two Charlie Hebdo cartoonists, Wolinski, who was killed in the Jan. 7 attack, and Willem, who wasn’t in the office that day, have been awarded the grand prix in previous years. The festival has announced a special Charlie Hebdo award that will go to a cartoonist whose work embodies resistance to oppression and censorship, and organizers will also publish a special album of cartoons drawn in response to the attacks. [France Inter]
It’s deja vu all over again for the Diamond Gem Awards: Voted on by comics retailers, the winners this year look a lot like the 2013 lineup, with Image Comics and BOOM! Studios once again taking honors as top publishers in their divisions. Marvel was named top dollar publisher, DC Comics as top backlist publisher and Viz Media as top manga publisher — just like in 2012 and 2013.
The first issue of the widely acclaimed Ms. Marvel was honored as comic book of the year in the under $3 division, and Thor #1 was the choice among pricier comics. The Amazing Spider-Man #1 brought in the most dollars, however. My Little Pony: Friendship Is Magic was named the best all-ages comic of the year, Batman: Earth One took the honors as best original graphic novel, and Box Brown’s Andre the Giant was the best indie comic.
In terms of who got what, DC Comics won seven awards, Marvel won six and Dark Horse won three, including best anthology for Dark Horse Presents, another three-peat.
Here’s the full list of winners:
The shortlist has been announced for the 2015 Stan Lee Excelsior Award and the new Stan Lee Excelsior Award Junior, whose winners are selected by students at secondary and primary schools, respectively, across the United Kingdom.
Established in 2011 by Paul Register, a school librarian in Sheffield, the Stan Lee Excelsior Award is designed to promote comics and to encourage children and teenagers to read. The Stan Lee Excelsior Award Junior is being introduced this year.
The winners — first, second and third place — will be announced in July. The nominees are:
Stan Lee Excelsior Award
- All-New Ghost Rider: Engines of Vengeance, by Felipe Smith and Tradd Moore (Marvel)
- Barakamon, by Satsuki Yoshino (Yen Press)
- Rocket Girl, Vol. 1, by by Brandon Montclare and Amy Reeder (Image Comics)
- Red Baron: The Machine Gunners’ Ball, by Pierre Veys and Carlos Puerta (Cinebook)
- Superman/Wonder Woman: Power Couple, by by Charles Soule and Tony S. Daniel (DC Comics)
- Moonhead and the Music Machine, by Andrew Rae (Nobrow)
- Alone: The Vanishing, by Bruno Gazzotti and Fabien Vehlmann (Cinebook)
- Ms. Marvel: No Normal, by G. Willow Wilson and Adrian Alphona (Marvel)
Publishing | Keiko Yoshioka explains how Japanese publisher Kodansha is getting into the Chinese market, not by selling Japanese products but by publishing a magazine in China that’s geared toward Chinese audiences — and using Chinese creators as well. The article puts a special focus on the two-woman team known as Navar, whose suspense series Carrier: Xiedaizhe now runs in Japan as well. [The Asahi Shimbun]
Academia | Northwestern University Prof. Irving Rein discusses why superheroes have secret identities, ticking off several superhero comics tropes and then going a bit deeper: “The usual script of a superhero episode revolves around a threat occurring in which the superhero is the victim of the decision making of the criminals. The hidden identity is a standard form of the superhero narrative and it allows the creators to use the formula and still deviate from the script. Throughout the comic book or movie there are a series of fundamental questions. Will the superhero be identified? When and under what circumstances will the superhero become a superhero? How will the superhero get back into his civilian identity without being identified?” [Daily Herald]
Graphic novels | The long-running Belgian comic Blake and Mortimer, created by Herge contemporary Edgar P. Jacobs and currently the work of Yves Sente and Andre Juillard, will get a prequel. The series launched in Tintin magazine in 1946, and when they re-read the first episode, Sente and Juillard found themselves asking a lot of questions — so they answered them in their latest volume, The Staff of Plutarch. [Agence France-Presse]
Creators | Kelly Sue DeConnick discusses her new Image Comics series Bitch Planet. [Paste]
Creators | HOW magazine interviews artist Kody Chamberlain (Punks, Sweets). [HOW]
The winners of the third annual British Comic Awards were announced Saturday at the Thought Bubble Festival in Leeds, England. Two of the four awards went to titles published by Image Comics; all four of the winning works are readily available in the United States. Here are the winners:
Best Comic: The Wicked + The Divine #1 by Kieron Gillen, Jamie McKelvie, Matt Wilson and Clayton Cowles (Image Comics)
Best Book: The Encyclopedia of Early Earth by Isabel Greenberg (Jonathan Cape)
Young People’s Comic Award: Hilda and the Black Hound by Luke Pearson (Flying Eye Books)
Emerging Talent: Alison Sampson for her artwork on Genesis (Image Comics) and “Shadows” from the In The Dark anthology (IDW Publishing)
Hall of Fame: Posy Simmonds
Two years ago, when the first awards were announced, there was some discussion about the gender balance of both the committee that chose the books and the nominations themselves. Last year’s awards all went to men. This year, there were more women on the committee and more women on the shortlist, and the awards were split, with Simmonds giving the women the edge.
Creators | A U.K. researcher argues that Marie Duval was the real creative force behind the wildly popular 19th-century British comic Ally Sloper, which is largely credited to her husband Charles Ross. Duval, the pen name of French cartoonist Emilie de Tessier, drew the character at the height of his popularity in the 1860s and ’70s, but historian David Kunzle now questions what role Ross actually played in his creation. [The Guardian]
Commentary | Chase Magnett pushes back on Chris Suellentrop’s statement, made in a column about GamerGate, that comics are “a medium that has never outgrown its reputation for power fantasies and is only very occasionally marked by transcendent work (Maus, or the books of Chris Ware) that demands that the rest of the culture pay attention to it.” [Comicbook.com]
Awards | Alexis Deacon has won the 2014 Observer/Cape/Comica graphic short story prize for “The River,” “a luscious, tangled, whispering kind of story” that earned him £1,000 (about $1,611 U.S.). The runners-up were Fionnuala Doran’s “Countess Markievicz” and Beth Dawson’s “After Life.” The short-story competition has been held annually since 2007 by London’s Comica Festival, publisher Jonathan Cape and The Observer newspaper. [The Observer]
Publishing | Mark Peters spotlights Archie Comics’ recent transformation from staid to startling, with titles like Afterlife With Archie and the new Chilling Adventures of Sabrina. [Salon]
Awards | The winners of the first Kirkus Prize were announced last night, and Roz Chast took top honors in the nonfiction category for her graphic memoir Can’t We Talk About Something More Pleasant? Chast is also a finalist for the National Book Award, marking the first time a graphic novel has been nominated in one of the adult categories. [The Washington Post]
Legal | A Turkish court acquitted cartoonist Musa Kart on charges of insulting President Recep Tayyip Erdoğan, stemming from a cartoon Kart drew last year portraying the then-prime minister as complicit in covering up government corruption. “Yes, I drew it [the cartoon] but I did not mean to insult,” Kart said. “I just wanted to show the facts. Indeed, I think that we are inside a cartoon right now. Because I am in the suspect’s seat while charges were dropped against all the suspects [involved in two major graft scandals]. I need to say that this is funny.” If convicted, Kart could have faced nearly a decade in prison. [Today’s Zaman]
The finalists have been announced for the third annual British Comic Awards, culled from a longlist of eligible titles submitted by creators, publishers and readers. From here, the judging panel will select the winner in each of the four categories, to be announced Nov. 15 in a ceremony during the Thought Bubble Festival in Leeds.
In addition, the judges named Gemma Bovery and Tamara Drewe creator Posy Simmonds to the British Comic Awards Hall of Fame, where she joins previous entrants Leo Baxendale and Raymond Biggs.
Here’s the 2014 shortlist:
• Dangeritis: A Fistful of Danger – Robert M Ball and Warwick Johnson-Cadwell (Great Beast)
• In The Frame – Tom Humberstone (New Statesman)
• Raygun Roads – Owen Michael Johnson, Indio!, Mike Stock and Andy Bloor (self-published)
• Tall Tales & Outrageous Adventures #1: The Snow Queen & Other Stories – Isabel Greenberg (Great Beast)
• The Wicked + The Divine #1 – Kieron Gillen, Jaime McKelvie, Matt Wilson and Clayton Cowles (Image Comics)
Awards | The finalists for the inaugural Kirkus Prize literary awards include two graphic novels: Roz Chast’s Can’t We Talk About Something More Pleasant? is one of six nominees in the Nonfiction category, and Cece Bell’s El Deafo is one of the picks for the Young Readers award. The winners in all three categories, who will receive $50,000 each, will be announced during a ceremony held Oct. 23 in Austin, Texas. [The Washington Post]
Manga | A prequel to Osamu Tezuka’s classic Astro Boy manga is in the works for the Japanese magazine Monthly Hero’s. Tezuka’s son, Makoto Tezuka, is supervising the production of the story, which focuses on the time before the “birth” of the iconic robot boy. [Anime News Network]
The winners of the 10th annual Joe Shuster Awards were announced Saturday in Toronto. Named in honor of Toronto-born artist Joe Shuster, co-creator Superman, the awards recognize the best of the Canadian comics world.
In addition to the traditional awards, this year’s event included the introduction of the T.M. Maple Award, which honors “someone (living or deceased) selected from the Canadian comics community for achievements made outside of the creative and retail categories who have had a positive impact on the community.” The first recipients were the late Jim Burke, aka T.M. Maple, who wrote more than 3,000 letters to comic book letter columns between 1977 and 1994, and the late Debra Jane Shelly, longtime volunteer at Toronto conventions and comics events.
The winners are listed in bold below. The Beat has photos and audio from the ceremony, held at Back Space Toronto.
Legal | The estate of Arthur Conan Doyle has petitioned the U.S. Supreme Court seeking to overturn a June decision by the Seventh Circuit affirming that the 50 Sherlock Holmes stories published before Jan. 1, 1923, have entered the public domain. The estate had long insisted licensing fees be paid for the characters and story elements to be used in movies, television series and books, but author, editor and Holmes expert Leslie Klinger refused to fork over $5,000 for an anthology of new stories. In a series of legal defeats, the Doyle estate not only lost any claim to the stories but had to endure stinging public reprimands by Judge Richard Posner, who labeled the licensing fees as “a form of extortion” and praised Klinger for performing a “public service” by filing his lawsuit.
In its petition to the high court, the Doyle estate continues to cling to its argument (gleefully dismantled by Posner) that Holmes is a “complex” character that he was effectively incomplete until the author’s final story was published in the United States; therefore, the entire body of work remains protected by copyright. Hoping to draw the interest of the justices, the estate points to a circuit split on the matter of extending copyright. The lawyers also repeat the unsuccessful argument that Klinger’s case shouldn’t have been heard until after his book was published. In June, Supreme Court Justice Elena Kegan refused to issue a stay to prevent the Holmes stories from officially entering the public domain. [TechDirt]