Axel Alonso Archives - Robot 6 @ Comic Book Resources
Manga | Attack on Titan is as much of a manga juggernaut in its native Japan as it is the United States, and the 13th volume had a print run of 2.75 million copies, a new record not only for the series but for publisher Kodansha. [Crunchyroll]
Comics | Tom Risen has a thoughtful piece, which includes an interview with Axel Alonso, on how superhero comics have changed since the War on Terror began: “Superheroes since the 2000s have increasingly held up a mirror to controversies like mass surveillance, remote killings using drones and the ‘with us or against us’ mentality espoused by former President George W. Bush. Misuse of military technology also played a key role in recent movie adaptations featuring Batman, Spider-Man, Captain America and Iron Man, showing how fighting dirty to defeat evil can make America its own worst enemy.” [U.S. News & World Report]
Legal | The creator of the Islamic superhero comic The 99 says he hasn’t been officially notified of a reported ban of the animated adaptation of his comic in Saudi Arabia. “Nobody ever contacted me, nobody ever asked me any questions,” Naif Al Mutawa says. There have been numerous Twitter campaigns against me for a while now and so for me it’s not new. Maybe it is true this time, but I find it very difficult to believe that a group as influential and high profile as them [Saudi Arabia’s Permanent Committee for Scholarly Research and Ifta] wouldn’t recognize the good that The 99 has done for Muslims around the world.” He adds that the comic has been available in Saudi Arabia for seven years, while the cartoon has been airing for two and a half years, making the timing of a ban “a bit weird.” [Gulf Business]
To help promote its All-New Ghost Rider, which introduces a new Spirit of Vengeance with a new vehicle, Marvel is turning to some folks who know a little bit stylish rides: the editors of Lowrider Magazine.
As part of a new partnership, new Robbie Reyes Ghost Rider (and a scantily clad friend) will grace the cover of the magazine’s special April issue, “Marvelous Mayhem,” with an illustration by series writer Felipe Smith. Inside, readers will find an interview with Smith and Marvel Editor-in-Chief Axel Alonso, as well as artwork by Tradd Moore from All-New Ghost Rider #1.
“While we don’t have any market research, the eyes don’t lie. If you go to conventions and comic book stores, more and more female readers are emerging. They are starved for content and looking for content they can relate to.”
– Marvel Editor-in-Chief Axel Alonso, discussing comics’ shifting demographics
If there are Marvel fans who aren’t following Editor-in-Chief Axel Alonso on Twitter, they’re missing out on a lot of previews of upcoming comics in various states of production. For instance, on Wednesday he unveiled a first look at a colored page from the first issue of Moon Knight, by Warren Ellis, Declan Shalvey and Jordie Bellaire.
Launching in March, the series returns Marc Spector to the streets of New York City, and places the focus on the character’s horror roots.
“The book is filled with oddities,” Shalvey told Comic Book Resources last month. “It starts with a man in a white suit and mask with big moon on his forehead, remember. I will say this: Moon Knight investigates the strange and dark corners of the Marvel Universe, and boy, there are weird things there.”
While much of the comics industry is caught in that bubble between Christmas and New Year’s Eve, Marvel Editor-in-Chief Axel Alonso is busy tweeting sneak peeks at art from a handful of titles, including the debut issue of Moon Knight by Warren Ellis and Declan Shalvey.
Among the other offerings are pages from All-New Ghost Rider #2 by Felipe Smith and Tradd Moore, Winter Soldier: The Bitter March #1 by Rick Remender and Roland Boschi, and All-New Invaders #2 by James Robinson and Steve Pugh. Check them out below.
Publishing| Marvel Editor-in-Chief Axel Alonso talks about bringing more Latino characters — and more diversity in general — to the Marvel lineup: “People out there reading our comic books are of all sizes, creeds and colors and it’s our responsibility to make them feel included. This isn’t some PC initiative, this is capitalism. This is about supply and demand.” [Fox News Latino]
Creators | Grant Morrison discusses winding up his run on Action Comics: “Symbolically I’m not a big fan of dealing with politics in superhero comics because I think it diminishes both sides of the argument, but I do have my own take on things. I’ve got my own politics and so they do tend to find their way in. And really for me, its more symbolic, the way story winds up to tackle all those issues and looks at them through the perspective of Superman and Red Kryptonite and weirdness. So it’s gone underground. I think the early Superman was very much more aligned with the anti-establishment, anti-authoritarian current, because I think when Superman started out that he was what entered into.” [Comics Alliance]
Publishing | More than 4,000 new comic titles were released in the European Francophone market in 2012, marking the 17th consecutive year of growth. According to the Association des Critiques et journalistes de Bande Dessinée, the French association of comic strip critics and journalists, more comics were produced in the Francophone market than in the United States. [RFI]
Comics | The death of Spider-Man hits the mainstream media, with Marvel Editor-in-Chief Axel Alonso asserting, “We didn’t make this move lightly.” Stan Lee called it “a helluva birthday present” but added “But then, a little voice in my head whispered, ‘never say never. Just go with it while you can because Marvel, the House of Ideas, will always have a surprise up its creative sleeve for you and the rest of Marveldom Assembled!’” Entertainment Weekly’s Geoff Boucher said the ongoing deaths of superheroes are starting to feel “a little gimmicky” but he also nailed why the publishers do it: “if you look at who’s buying Marvel and DC, it’s long term fans and those readers are going to complain about this and debate about it — but are going to buy two copies.” [New York Daily News]
Comics | Ahead of Joe Quesada’s appearance tonight on ABC’s Jimmy Kimmel Live, and the debut Wednesday of Uncanny Avengers, Marvel unpacks its Marvel NOW! initiative for the national press. “This ain’t a reboot, we’re simply hitting the refresh button. ‘Marvel NOW!’ simply offers a line-wide entry-point into the Marvel Universe that you’re already reading about,” Editor-in-Chief Axel Alonso says. Tom Brevoort, senior vice president of publishing, calls it “a game of musical chairs” for creators, who will be switched around to make things interesting. [The Associated Press]
Creators | Writer Gail Simone discusses the coming battle between Batgirl and Knightfall in Batgirl #13, as well as the impending return of The Joker: “The Joker is really the Elvis of comic-book villains. There’s no one with his primal star power, there’s no one else anywhere who has sent more chills up the spines of readers, because there genuinely is something terrifying about him.” [USA Today]
Nearly lost amid all the media attention over the upcoming wedding of Northstar and Kyle Jinadu in Astonishing X-Men #51, and the response by One Million Moms, is the revelation that the event was originally planned for another Marvel series — albeit one canceled almost five months ago.
Responding on his message board to news of the impending nuptials, former Alpha Flight artist Dale Eaglesham wrote, “This drives me absolutely crazy: Greg [Pak], Fred [Van Lente] and I do all the work of bringing the series back and they cancel it on us. Why didn’t they let US do the wedding ‘event’ which is clearly garnering attention, to stimulate readership [and] perhaps keep Alpha Flight going? This pisses me off. Oh no, let the ‘X’ books do it, as if they don’t get enough attention. Sigh. … This wedding was in the works on AF.”
Marvel has not yet responded to Robot 6′s request for comment.
Publishing | Jennifer de Guzman announced that, after 10 years, she has left her position as editor-in-chief of SLG Publishing: “My decade SLG was, I suspect, like no other decade anyone has spent working anywhere. I had great co-workers and got to work with fantastic creators, all of whom I will miss very much. (Though because this is comics and a community like no other, we will always stay in contact.)” [Possible Impossibilities]
Retailing | Chris Powell, current general manager and chief relationship officer for Texas-based comic chain Lone Star Comics, has accepted the newly created position of executive director of business development for Diamond Comic Distributors. The Comic Book Legal Defense Fund board member will start his new position in March. [ICv2]
CM Punk is currently on top of the wrestling world; he’s not only the current WWE champion, but he’s also one of the WWE’s most popular and most talented performers, both on the microphone and in the ring. So where do you go when you’ve conquered the squared circle? Movies? TV? Disneyland? In Punk’s case, it might be comics.
Punk is no stranger to comics, as he talks about them on Twitter and was the subject of one of Marvel’s Fightin’ Fanboys segments. He also sometimes quotes the Thing’s “It’s clobberin’ time!” on his way to the ring. Earlier today a series of tweets took the idea of Punk actually writing comics right to the top of Marvel Comics, ending with Editor-in-Chief Axel Alonso saying, “…let’s make it happen.”
Legal | Cartoonist Susie Cagle, who was arrested last month while covering Occupy Oakland, says she has been cleared of all charges by the Oakland Police Department. The Society of Professional Journalists sent a letter to the Oakland police condemning the arrest, which ultimately assisted in getting the charges dropped. The letter called out the department’s crowd management policy, which says, “Even after a dispersal order has been given, clearly identified media shall be permitted to carry out their professional duties in any area where arrests are being made, unless their presence would unduly interfere with the enforcement action.” [Fishbowl LA]
Conventions | San Diego City Council approved a plan to have San Diego hotels pay for a $520 million convention center expansion. The plan moves to a second hearing in January and requires a vote of two-thirds of the hotels that cast ballots for approval. [NBC San Diego]
Say the name “Scarlet Spider” to a longtime Marvel reader and you’re bound to get a range of reactions. But come the new year, Marvel is hoping all the reactions will be positive and numerous when the new Scarlet Spider series launches on January11. As recently confirmed in Marvel’s Point One one-shot, the new Scarlet Spider is none other than Kaine, the Peter Parker clone recently cured during the Spider Island event. Unlike many of Marvel’s series set in New York, Scarlet Spider will enjoy the unique cityscape of Houston, Texas — one of many factors that has me looking forward to reading it. Before the series gets started though, series artist Ryan Stegman stepped away from his drawing table to take part in this Q&A. In addition to this interview, CBR also is offering a preview of the first issue. After reading this (and enjoying the preview), be sure to check out the recent installment of Comic Book Resources’ “Axel-in-Charge,” where Alonso interviewed Stegman.
Tim O’Shea: How did Marvel approach you about joining the Scarlet Spider creative team? Was getting to work with [series writer] Chris Yost a deciding factor in joining the project?
Ryan Stegman: I had been working on an issue of Amazing Spider-Man and I made it clear as I could to editorial that this is the type of stuff I wanted to be doing. I practically begged. And Steve Wacker said that he would love to have me back and but that ASM was booked up artist-wise for the foreseeable future. I couldn’t argue this, because the artists that they have are fantastic. So one day, out of the blue he called me up and told me about this idea and I was sold. No offense to Chris, but that wasn’t a selling point because I think I was hired before him! Chris turned out to be the icing on the cake.
In a just-published interview with Comic Book Resources, Marvel Editor-in-Chief Axel Alonso revealed Daken: Dark Wolverine will be coming to an end, following a wave of cancellations that includes X-23 and Ghost Rider.
Although he didn’t indicate when the series will conclude, February’s Issue 21 is billed as “Issue one of the story the series has been leading up to,” suggesting the beginning of the final arc.
Addressing recent cancellations in this week’s “Axel-in-Charge” column, Alonso told CBR’s Kiel Phegley, “It’s always disappointing when a title comes to an end. I’ll bet everyone reading this column still mourns the death of a title or two they loved – and wonder why the book didn’t stick. And I guarantee you that as frustrated as a fan might be, there’s a writer, artist and an editor who are even more disappointed. That’s just the way things go sometimes. The market won’t support it.
“That said, I’m proud of X-23’s run,” he continued. “Two successful limited series and an ongoing series ain’t bad. Ditto for Daken [who is also ending his series]. From a supporting role in Wolverine: Origins to the lead of ongoing series that included him slicing Frank Castle to bits – enter Franken-Castle. Both were characters that gained traction in a market that, well, doesn’t really have a great track record of supporting new stuff. And both characters anchored legitimate monthly titles. We don’t do R&D at Marvel. We’ll stick by a title for a while – like we did with Spider-Girl – but there comes a point where that title has to earn, usually sooner than later.”