B. Clay Moore
DC Comics has revealed the new lineup for its digital-first series Adventures of Superman that includes a two-part story by Chronicle screenwriter Max Landis and Eisner-winning artist Jock. The announcement of their collaboration, titled “The Sound of One Hand Clapping,” provides context for the page Jock tweeted last week (at right), featuring the Man of Steel and the Joker, the latter depicted in styles from different eras, artists and media.
Other creators in the January lineup are B. Clay Moore and Gabriel Rodriguez with the three-part “Exposed,” Fabian Nicieza and Phil Hester with “The Coming of … Sugar & Spike,” and Ron Marz and Evan “Doc” Shaner with the three-part “Only Child.”
The son of filmmaker John Landis, Max Landis made a splash last year with Chronicle, the found-footage sci-fi movie directed by Josh Trank (and based on a story by both of them). Since then, he’s become widely known for his 17-minute rant about, and recreation of, the death and return of Superman, and a much longer video in which he explains his elaborate idea for a reboot of the storyline that DC had reportedly considered for a weekly series he’d have co-written by Greg Pak. (Landis says because of his schedule and changes at DC regarding a weekly title, the project never went anywhere.)
The new Adventures of Superman lineup debuts Jan. 6 with Moore and Rodriguez’s “Exposed”; Landis and Jock’s “The Sound of One Hand Clapping” follows that storyline on Jan. 27.
This Halloween, DC Comics’ digital line is going to get broodier, bloodier and more dramatic, as Elena, Stefan and the rest of the residents of Mystic Falls make the leap to comics.
First announced in San Diego this summer with additional details shared today at the New York Comic-Con, The Vampire Diaries digital first anthology series will feature stories by B. Clay Moore, Colleen Doran, Leah Moore and John Reppion, Tony Shasteen and Cat Staggs, among others. Some of Shasteen’s character sketches can be seen below, and for more check out the official Vampire Diaries Facebook page.
Creators Alex Grecian, Jeremy Haun, B. Clay Moore and Seth Peck have launched a Kickstarter campaign forBad Karma, a 200-page anthology featuring comic-book stories, prose and illustrations by those four and their collaborators.
The assembled talent is impressive indeed, working on five main stories: “Middleton” by Grecian and Phil Hester; “Chaos Agent” by Haun and Mike Tisserand; “Old Dog” by Moore and Christopher Mitten; “Hellbent” by Peck and Tigh Walker; and “The Ninth Life of Solomon Gunn” written by Grecian, Haun, Moore and Peck, and illustrated by Haun. These strips, all stylistically different and set in various time periods, all threaten to coalesce into a larger narrative: “Each of these concepts is separate from one another, designed to stand on their own, but there are subtle threads that run through each. One of these threads is the presence of the Kraken Corporation, a mysterious organization whose activities play a part (whether large or small) in each story.”
DC Comics has announced the December debut of JSA: The Liberty Files — The Whistling Skull, a six-issue miniseries by B. Clay Moore, Tony Harris and Dave McCaig.
Set in the world introduced in JSA: The Liberty File, the 2000 miniseries by Harris and Dan Jolley, The Whistling Skull takes place in 1940s Europe, where, “with the Nazi war machine on the move, crimes are still committed even in the smallest hamlets.” No specific story details have been provided.
“For readers looking for a new spin on the DC Universe, combined with brand new headlining characters, I think the book will be a treat, and it’s just the first chapter in a much larger story,” Moore told DC’s The Source.” This initial offering introduces readers to the legacy of the Whistling Skull in a wartime, pulp-infused setting, and should provide something fresh for readers to sink their teeth into.”
Published under DC’s now-defunct Elseworlds banner, The Liberty File and its 2003 sequel The Unholy Three portrayed members of the Justice Society of America as covert government operatives rather than superheroes: Codenamed the Unholy Three, the Bat (Batman), the Owl (Dr. Mid-Nite) and the Clock (Hourman) are eventually joined by the likes of Mister Terrific, Clark Kent, Mercury (The Flash), the Huntress and the Hawk (Hawkman) in their fight against Nazi and KGB agents.
On the eve of the debut of its digital-first Batman comic, DC Comics has revealed the line-up for the first six chapters of Legends of the Dark Knight, along with art from Ethan Van Sciver.
Announced in April at Chicago Comic & Entertainment Expo as part of an expansion of the publisher’s digital-first slate — Ame-Comi Girls launched May 28 — the out-of-continuity series features standalone stories by different creative teams chronicling some of Batman’s cases.
The first chapter, by Lost co-creator Damon Lindelof and Jeff Lemire (Sweet Tooth, Animal Man), premieres Thursday and takes place early in the Dark Knight’s career when, as Lindelof recently told Comic Book Resources, Batman is “still working out the kinks, as it were.” “One of the things that I really like about Jeff’s writing that not a lot of people are doing right now in the industry is that it’s funny. It’s fun,” he said. “It’s not funny like a wink outside the panel where it’s broad humor. There is just a sense of amusement about everything.”
Ben Templesmith tweeted this sneak peek of his version of Batman featured in DC Comics’ digital-first Batman anthology series. B Clay Moore is writing the story. Now you’ll have to excuse me so I can go buy an iPad.
Joining Smallville, Justice League Beyond, Batman Beyond, Superman Beyond and Batman: Arkham Unhinged will be Ame-Comi Girls, based on the DC Collectibles line of Japanese manga-style statues, and an out-of-continuity Batman series.
Brian Truitt nails the lede here, saying “DC Comics aims to make every day a new comics day.” Ame-Comi Girls, written by Justin Gray and Jimmy Palmiotti, will come out on Mondays, while Batman–which will feature tales of the Dark Knight by Ben Templesmith, Steve Niles, B. Clay Moore, Nicola Scott, Joshua Hale Fialkov, Damon Lindelof and Jeff Lemire, among others–will come out on Thursdays. So the weekly line-up of digital-first series from DC looks like this:
Monday: Ame-Comi Girls
Tuesday: Batman: Arkham Unhinged
Wednesday: The Beyond comics
Friday: Smallville: Season 11
“Our goal has always been from the very beginning to have something for everyone. The opportunities that digital opens up, it really allows us to go for as wide an audience as possible,” Hank Kanalz, DC’s senior vice president for digital, told USA Today. “The Lindelof thing will really appeal to tons of fans who don’t read regular comics, obviously. Hopefully when they come, they’ll see what an amazing medium this is and stay.”
Update: Via press release, DC has announced more details on the Ame-Comi Girls series. “AME-COMI GIRLS, launching in May, is based on the best-selling product line from DC Collectibles that brings the distinct Japanese influence of anime and manga to DC Comics’ female heroines and their foes. In the new series, the heroines must unite to stop an invasion by the female Braniac, who is aided by a group of ‘bad girl’ super villains. Initially, there will be five individual character arcs with multiple chapters, leading up to united, Ame-Comi girl series. All stories are written by Jimmy Palmiotti and Justin Gray with Wonder Woman art by Amanda Conner and Tony Akins, Batgirl art by Sanford Greene, Duela Dent art by Ted Naifeh, Power Girl art by Mike Bowden and Supergirl art by Santi Casas.”
They also announced the creative pairings for the Batman digital comics: “BATMAN digital, launching in June, will take place outside of DC Comics – The New 52 continuity and feature a series of stand-alone stories by various creators that chronicle different cases handled by The Dark Knight. Confirmed creative teams include Damon Lindelof and Jeff Lemire; Jonathan Larsen and JG Jones; Tom Taylor and Nicola Scott; Ales Kot and Ryan Sook; B. Clay Moore and Ben Templesmith; Steve Niles and Trevor Hairsine; Joe Harris and Jason Masters; TJ Fixman and Christopher Mitten; Jeff Parker and Gabriel Hardman; Joshua Hale Fialkov and Phil Hester; David Tischman and Chris Sprouse; and many more!”
Like I said yesterday, we reached out to several comic creators this year to see what comics from the past or present left them with nightmares. Check some more responses out below, and check back tomorrow for another round.
When I was a child the comic books I bought came in four varieties; Disney comics, Turok: Son of Stone, Kamandi: The Last Boy on Earth and what passed for horror comics in the early 1970s. These consisted mostly of the Marvel giant monster titles like Where Monsters Dwell, but also extended to anything that was the least bit spooky looking such as a copy of Marvel Team-Up that featured Brother Voodoo alongside Spider-Man, or pretty much any copy of Batman, or Mighty Samson.
I also read other horror titles such as Tomb of Dracula and lots of the anthology comics. No single story really leaps out to me as scaring me in particular, but some of the covers were things I had a hard enough time looking at during the day, let alone at bedtime. The covers were far stronger to me than anything inside the comic books. I think buying some of these comics was almost like a dare, to prove to myself that I could handle it, that I wasn’t too scared to take this image home with me. having it in my bedroom was like inviting the monster out from the closet, or under the bed where you could see it, and it could see you as well.
On my last stint as guest blogger here at Robot 6, I brought up the time-honored tradition of themed sketchbooks. The mention of that brought suggestions out of the woodwork of creative goldmines inside the pages of sketchbooks collected by fans and even pros at conventions. This week I thought I’d highlight a few of those.
First up is writer B. Clay Moore’s Timely sketchbook.
Here’s what Moore has to say about his book:
The internet is rightfully rich with tributes to Al Williamson in recent days. When news of his passing got around, I decided to contact a variety of folks to find out their favorite Al Williamson work. Some were willing to single out certain works, others preferred to speak to his work as a whole. I loved the variety I was able to elicit from respondents, be it with replies to my request or directing me to previous statements they had made about Williamson since his passing. My thanks to the many folks who replied, as well as Dark Horse’s Jim Gibbons for gathering a couple of these perspectives for me (speaking of Dark Horse, be sure to read Dave Land’s Al Williamson recollection at the publisher’s new blog). In addition to these Williamson recollection/recommendations, it would be spectacular if you share your own favorite Williamson works in the comments section. Finally, please note that the Williamson family has suggested donations (in lieu of flowers) be made to:
Yesteryears Day Program (a program for frail, isolated, or impaired seniors)
2801 Wayne Street
Endwell, NY 13760
The Al Williamson Scholarship Fund
The Kubert School
37 Myrtle Avenue
Dover, NJ 07801
Wildstorm announced a new project today at C2E2 by B. Clay Moore and Tony Harris –”a pulpy 1940’s noir, wartime London story” called The Further Adventures of the Whistling Skull.
“The Further Adventures of the Whistling Skull is a thoroughly modern book with dark, twisted roots. Its pulp inspirations are buried in landfills with original copies of PHANTOM DETECTIVE and WEIRD MYSTERY, but the book digs a little deeper into its characters than your grandfather’s pulps ever did,” said B. Clay Moore. “And in our world, a guy who wears a skull for a face is the closest thing to normal you’ll find.”
On his own blog, Moore added, “This book has been in the works for over two years, so I’m jazzed to start getting the word out,” he said. “You can bet I’ll be talking this bastard up a lot before it drops. Creator-owned, introducing a brand new character that Tony and I would like to run with for a long time.”
No word yet on when the series is due.