Back To Brooklyn
Jimmy Palmiotti has been a lot of things in the world of comics: inker, publisher, editor, writer and even journalist and interviewer at times. A veteran inker who transitioned to writing and editing, back in the late 90s and early 2000s he and Joe Quesada helped turn around then-beleaguered Marvel Comics giving the publisher a new style and swagger. But when Quesada became Editor-In-Chief, Palmiotti famously decided to jump back into the freelance world and carved out a niche for himself as a go-to writer for superhero titles and also a strong voice in independent comics.
Fast forward to today, and he’s riding high on the success of his longest running series ever, DC’s Jonah Hex, is doing some editing for publishing newcomer Kickstart, and has a bevy of projects on both sides of the Big Two on the verge of announcement. But despite his success as writer, or perhaps because of it, his name is often bandied about as a viable candidate for top jobs at both Marvel and DC — but as of yet, Palmiotti continues to freelance. Why? That’s because he likes it.