To see what Alex and the Robot 6 crew have been reading lately, click below.
As announced last summer at the San Diego Comic Con, Dark Horse has released the schedule for Mike Mignola’s 2012 “Year of Monsters” variant cover program. The variant covers, which feature Mignola drawing classic monsters, will be available to retailers who order five or more copies of the standard cover.
“Mike Mignola got into the comics business with the simple goal of drawing monsters for a living,” said Scott Allie, Dark Horse managing editor, in a press release. “Mike celebrates 2012 by pitting his greatest characters against his favorite monsters on these special covers, unrelated to the stories inside.”
The schedule for the first half of the year can be found below, which shows that at some of the covers will appear on the just-announced B.P.R.D. titles. Lobster Johnson: The Burning Hand #1 arrives in stores on Jan. 11.
January—Lobster Johnson: The Burning Hand #1
February—B.P.R.D Hell on Earth: The Long Death #1
March—B.P.R.D. Hell on Earth: The Pickens County Horror #1
April—Lobster Johnson: The Burning Hand #4
May—B.P.R.D. Hell on Earth: The Transformation of J. H. O’Donnell
June—Baltimore: Dr. Leskovar’s Remedy #1
Hiya kids, it’s time for What Are You Reading?, a weekly look into what the Robot 6 crew has been reading lately. Today’s special guest is Thom Zahler, creator of the delightful superhero/romantic comedy comic Love and Capes.
To find out what Thom and the Robot 6 crew have been reading lately, click below.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.
If I had $15, I’d start with Demon Knights #1 ($2.99) and Frankenstein, Agent of SHADE #1 ($2.99). I’m excited about a lot of the DC Dark corner of the New 52; especially these two. Frankenstein is a continuation of the only Flashpoint series I stuck with and features one of my two favorite characters from Morrison’s Seven Soldiers of Victory. I wasn’t that interested in Demon Knights at first, but I was impressed by Paul Cornell’s chasing down a female fan after a panel at San Diego to pitch the series to her as something that people who are looking for great, female characters will enjoy. And I’ve been wanting to dig deeper into Cornell’s work anyway. On the Marvel side, I’m still thrilled about how well Alpha Flight is doing (creatively, I mean, but I guess it must be doing okay in sales too), so #4 ($2.99) is a must-buy for me. And I can’t wait to see how Mystery Men ends with #5 ($2.99). That’s been one of the high points of my summer, comics-wise. Finally, I’d grab X-Men Legacy #255 ($2.99) to dip my toe a little deeper into the X-Men world after being away from it for a while.
Editor’s Note: With the recent discussions going on around the comics community about creator-owned comics, we’re pleased to welcome one of the voices in those discussions, 30 Days of Night and Mystery Society creator Steve Niles, to Robot 6 for a series of columns on creator-owned comics. A big thanks to Steve for agreeing to do the column, as well as to artist Stephanie Buscema for creating a killer image for it.
by Steve Niles
Welcome to the first installment of my new column, Creator-Owned Spotlight. I tried to think up an amusing title, but then decided to just settle on what it was: a spotlight on creator-owned comics, publishers and retailers who support the need for more creator-owned books.
I guess the first order of business is to define what I mean when I say “creator-owned comics.” I’m talking about ANY book where the creator has ANY ownership in their book. So basically, if you sign a work-for-hire agreement, you don’t generally have ownership. It doesn’t make those books bad, or the enemy, or anything like that. We’re just not talking about them here.
Why am I doing this? I’ve been called insane for wanting to promote my competitors’ work. All I have to say to that is: it isn’t a competition. And yes, I am crazy. I’ve drawn a line in the sand for myself to be positive. I hope you’ll try, too.
First up is such an obvious choice; I really don’t need to write much at all. His name is synonymous with creator-owned books, because he’s one of creator-owned comics’ greatest success stories. He’s also a friend and hero of mine.
Dark Horse has an interesting feature on their website: Every now and then they show all the stages in the making of a comic, from script through thumbnails, pencils, inks, coloring, and lettering, and they do it for five or six pages, so you can really see how the story develops. The latest example is issue 1 of Baltimore – The Plague Ships, written by Mike Mignola and Christopher Golden with art by Ben Stenbeck. It’s a must-see for those who like to watch all the parts come together.
Elsewhere on the site, you can watch Chris Scalf’s cover for Star Wars: Blood Ties unfold in a three-minute video. The cover was done entirely digitally, and the process, from a single rough shape to the complex final product, is fascinating to watch.