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It’s been nearly two years since the release of The Dark Knight Rises, and we’re no closer to figuring out the reason for Tom Hardy’s bizarre and grating Bane voice (the actor has said it was based on bare-knuckle boxing champ Bartley Gorman, but that doesn’t explain why). Still, it gave Bane the most recognizable voice of any Batman villain since Burgess Meredith’s Penguin, and paved the way for … BaneCat.
Somehow, that voice is less annoying when it comes from a plump, plotting feline wearing a respirator mask and fleece-trimmed coat — one who’s apparently getting his own series.
When the Crime Syndicate of Earth-3 invaded and seemingly conquered Earth-New 52 in Forever Evil #1, claiming to have killed the members of the Justice Leagues, the home-Earth villains took over DC comics, scrawling their names over the logos of their foes and initiating other evil acts like using decimal points in their issue numbers and putting the wrong stories in the wrong titles. (A Dial H epilogue and a Lobo one-shot in Justice League comics? A Batgirl story in a Batman comic?). But, most nefariously of all, the villains of DC Comics raised the price of each issue by a dollar and launched one of the biggest gimmick covers schemes in the modern history of direct market super-comics: heavy, plastic, 3D lenticular covers primed to be collected more so than read, and sparking insidious speculation, goosed my unpredictable shortages to many retailers. The monsters.
But while most attention has been focused on the covers, there are, in fact, stories beneath them, and so for the past three weeks we’ve been not judging the books by their covers, but by their contents. (Here’s Week One, Week Two and Week Three, if you missed ‘em.) As in the previous months, I’ve been ranking the books on their overall quality, on a scale of one to 10: Not Very Good, Somewhat Disobedient, Naughty, Morally Deficient, Without Scruples, Iniquitous, Wicked, Maleficent, Evil and Absolute Evil (although, as none received a perfect 10, you might want to adjust your reception of my ratings up by one).
Also, and perhaps more importantly, I’ve been noting how connected each is to the Forever Evil event that ostensibly led to this state of affairs at DC, so, if you’re only interested in these things for their narrative import rather than their creators or characters, you’ll know which are worth your attention. So let’s take one last wallow in the evil of (almost) every issue of this week’s Villains Month, and hope for the swift and triumphant return of our heroes starting next month.
Comic books have long cast a spotlight on the school lives, and all the associated trials and tribulations, of superheroes, from Spider-Man and the X-Men to Blue Beetle and Amethyst. But what about the supervillains? Judging from the series of yearbook portraits by
Francesca J. Hause, they haven’t had it any easier than the heroes.
It turns out Green Gobin was a stoner (no surprise there), Bane was no stranger to wedgies, and Loki was an orthodontic headgear-wearing D&D player. Venom seemed to do OK, though. Check out those, plus a fashion-victim Two-Face, below.
Bane may be gone from Gotham, but he’s alive in Mexico. A luchador named Mephisto has recently taken to wearing a rendition of Bane’s popular mask from The Dark Knight Rises in his matches for the Mexican wrestling promotion CMLL. And that’s not all — his finishing move is the backbreaker. There’s no word on what DC Comics has to say about this development, but Mexico’s intellectual property situation is famously murky.
This isn’t the first time a wrestler has borrowed something from comics. In the 1970s, a young wrestler named Terry Bollea was a guest on a Memphis-area talk show beside bodybuilder Lou Ferrigno, who was there promoting the television series The Incredible Hulk. The host noted how the wrestler was even bigger than the guy who played the Hulk, and the wrestler took up the “Hulk” moniker as a nickname … first as Terry “The Hulk” Boulder, and later morphing into Hulk Hogan. Hogan has been able to use the name through a decades-old agreement with Marvel.
[Bane co-creator] Graham [Nolan] and I both signed participation agreements, which are good in perpetuity. So it’s not up to them whether they take care of us. We’re taken care of. We’ve seen money from Bane all along – the Lego games and the little Bane-shaped piece in the Spaghettios. We always get a piece of what Bane makes. We’ll see money from this movie. They have graphs and charts to figure out how much based on how many lines of dialogue he has and how much he’s in the movie and how much impact he has on the story. We were part of it the last time when Bane was in the last [Joel] Schumacher film really briefly. We participated in that.
– Chuck Dixon, on the benefits of creating Bane for DC Comics
Last month we posted shaky footage from a short from Cartoon Network’s DC Nation programming block called “Bat Man of Shanghai.” Featuring an anime-influenced Catwoman in 1930s China, it made me long for the return of DC’s Elseworlds imprint, in which creators reimagined familiar characters in different time periods and settings.
Now, just as the Elseworlds nostalgia had subsided, Cartoon Network has released a three parts of the series online — each spotlights a different character — showing us Bane’s ode to King Kong, Bruce Wayne’s transformation into Bat Man and a high-speed three-way fight.
Organizations | Jillian Kirby, the 16-year-old granddaughter of Jack Kirby, makes a pitch for Kirby4Heroes, a campaign to encourage donations to The Hero Initiative on Aug. 28, which would have been the legendary creator’s 95th birthday. [Los Angeles Times]
Comics | Roger Rautio, who’s spearheading an effort to establish a physical Comic Book Hall of Fame, said he’s received responses from officials in four cities — Chicago, Cleveland, New York City and San Jose — and he may meet with a Chicago city council member as early as next month. [North Country Now]
Creators | Cartoonist Reinhard Kleist discusses his graphic novel The Boxer, the true story of Polish Jew Harry Haft, who had to fight other prisoners at Auschwitz for the entertainment of the Nazi soldiers. [Deutsche Welle]
An uncomfortable familiarity hangs over much of The Dark Knight Rises, the final film in the Christopher Nolan-directed Batman trilogy. Some of it comes from the disquiet of watching familiar characters and settings suffer. However, some of it comes from the use of overly familiar movie tropes. For example, one of the early “Batman must come back” scenes feels lifted from a style guide. Another scene, much later, echoes Luke and Han’s join-us-no-join-me exchange just before the Death Star attack. Oh, and William Devane shows up in a very William Devane-esque role.
Accordingly, The Dark Knight Rises is not a perfect movie. It doesn’t have the intricate plotting of its predecessor (2008′s The Dark Knight, like you didn’t know). Any socially conscious message about “the 99% vs. the 1%” is lost in Bane’s repurposed sloganeering and Selina Kyle’s disillusionment. In one spot, the movie seems to skip dusk entirely, going from twilight to pitch-black night in less than eight minutes.* Furthermore, although I hate to disagree with Sean, at times Bane sounds like Darrell Hammond’s Sean Connery (and apparently — beware of spoilers past the link — I am not the only one who thinks so).
Nevertheless, its epic ambitions are mostly realized, and it exists mainly to give its principals (i.e., just about every major character still left from 2005′s Batman Begins) closure. This, I want to emphasize, it does exceptionally well. Four years ago I compared The Dark Knight to David Fincher’s serial-killer meditation Zodiac, but this time I’m going with Doctor Zhivago by way of James Bond. A macro-level exploration of Begins’ “why do we fall?”, it builds to a thrilling, triumphal, bittersweet final shot. I’m looking forward to seeing it again, and eventually to examining the trilogy as a whole.
Despite all of the fallout, and guffaws, from the Great Left-Wing Bane Conspiracy, Conan O’Brien suggests we shouldn’t be so quick to dismiss the theory. “Now before you judge Rush Limbaugh, I’ve seen The Dark Knight Rises,” he teased on last night’s Conan. “I think Rush might have a point.”
To back up his assertion, O’Brien rolled out a trailer for the Christopher Nolan film that features Tom Hardy’s Bane growling never-before-heard dialogue like, “I’m going to torture you like a dog tied to the top of my car” and “The streets will run red with blood before I release my tax returns.”
The Dark Knight Rises, with real dialogue from
Bain Bane, arrives in theaters at midnight.
Legal | In a motion for summary judgment filed Monday in the long-running legal battle for the rights to Superman, attorneys for Warner Bros. are revisiting their 2009 argument that the estate of Joe Shuster has no grounds to reclaim the artist’s share of the copyright to the Man of Steel. They point to a 1992 agreement in which the estate relinquished all claims in exchange for “more than $600,000 and other benefits,” which included DC Comics paying Shuster’s remaining debts follow his death earlier that year, and providing his sister Jean Seavy with a $25,000 annual pension. Daniel Best has the documents, while Jeff Trexler provides context, noting that the new filing “filing wasn’t a Perry Mason-esque unveiling of surprising new facts. Rather, it was a routine motion for summary judgment.” A hearing is scheduled for Aug. 20. [20th Century Danny Boy, The Beat]
When most comics fans see Bane, they think of a quintessential 1990s supervillain, the super-strong “Man Who Broke the Bat.” But when conservative radio commentator Rush Limbaugh sees Bane, he thinks of a left-wing conspiracy.
As Warner Bros. makes its final promotional push for The Dark Knight Rises, which features Tom Hardy as Batman’s hulking nemesis, Limbaugh launched into a screed linking the prominence of Bane in entertainment news with the prominence of Bain — that is, the venture-capital company co-founded by Mitt Romney — in the political debate. Oh, don’t act surprised.
“Do you think it is accidental that the name of the really vicious fire-breathing, four-eyed whatever-it-is villain in this movie is named Bane?” The Hollywood Reporter quotes Limbaugh as saying on today’s show. He apparently acknowledged that the development of the Christopher Nolan film predates the current line of attack by President Obama’s reelection campaign, but even the pesky tendency of time to move in a linear fashion — retroactive retirements aside — can’t get in the way of a good conspiracy theory!
In case we didn’t already miss DC Comics’ Elseworlds imprint enough, at Comic-Con International on Sunday Cartoon Network premiered a fantastic clip from DC Nation’s three-part short series “Batman of Shanghai,” featuring an anime-influenced Catwoman in 1930s China (there’s also a cameo by a floppy hat-wearing Bane). If DC Comics doesn’t do something with Shanghai Catwoman — I love that character design — well, they’re really missing the boat. Maybe they can relaunch the character’s solo title (again) in the next wave of the New 52.
Check a somewhat shaky, but surprisingly decent-quality, fan-captured video of the clip below.
Mimoco has introduced adorable MIMOBOT designer USB flash drives featuring Superman, The Flash, and Batman and Bane from The Dark Knight Rises. They join the previously released Batman and Green Lantern series. However, Bane is a limited-edition Comic-Con exclusive, meaning you’ll have to trek to San Diego, or have a friend pick one up for you (or, y’know, pay a minor fortune on eBay).
Mimico is counting down to Comic-Con by revealing a new exclusive or premiere each Tuesday at midnight until the convention begins. These DC Comics drives are only the first, so there are four more sets to go. Check out the individual drives below, along with a MIMOBOT Dark Knight Rises teaser.
Since the March solicitations kick off the back half of the New 52′s first year, it’s probably worth noting that the whole line remains unchanged: no “midseason replacements” like Justice Society, but no cancellations either. If I hear relieved sighs from OMAC and Men of War, certainly Dan DiDio and Jim Lee have to be pleased generally that they’ve gotten this far with the 52 intact.
Well, pleased or stubborn, I suppose. Sometimes it’s hard to tell the difference.
Ahem. Away we go…!
One of my pet peeves about the New-52 is the sense that it lacks a meaningful “history.” For at least the last few decades, a reader might not have known exactly what had happened or when, but s/he could tell that these characters hadn’t just fallen off the turnip truck. I say this because the solicits for Justice League #7 and Flash #7 both allude to their books’ untold backstories. With Justice League, we’ll learn about membership turnover and other details of the five years between the League’s debut and today. (To be sure, some of that has already been alluded to in the League’s previous present-day appearances, like JL Dark #1.)
I was going to open with some snotty Wow, the holidays went by super-quickly! comment, but then I read the first issue of Justice League in seven weeks. Sometimes DC gets ahead of itself; sometimes it’s a little behind. Happens to the best of us — sometimes you do two solicitation roundups in three weeks….
Anyway, with the January solicitations, the New-52 books each turn five issues old. Series wrapping up their first arcs this month include Blackhawks, Batwoman, Animal Man, and the Deadman feature in DC Universe Presents. (Not to worry about the latter, because there is a lot of Deadman in these solicits.) I’m not sure why five issues is such a wonky number for story arcs — there are five-issue miniseries all the time and they collect just fine. Still, I expected most of the New-52 books to take six issues for their introductory stories, and most of them may yet do that. Only a few books look to finish their first arcs after December’s issue #4s (Hawkman and Frankenstein, probably OMAC, maybe Batgirl), and those plus this month’s are barely an eighth of the relaunched line. It makes next month’s solicits more intriguing, I suppose.
Regardless, we live in the now (as it were…) so — onward to January!
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