SDCC: Marvel: Spider-Man and His Amazing Friends Panel
An uncomfortable familiarity hangs over much of The Dark Knight Rises, the final film in the Christopher Nolan-directed Batman trilogy. Some of it comes from the disquiet of watching familiar characters and settings suffer. However, some of it comes from the use of overly familiar movie tropes. For example, one of the early “Batman must come back” scenes feels lifted from a style guide. Another scene, much later, echoes Luke and Han’s join-us-no-join-me exchange just before the Death Star attack. Oh, and William Devane shows up in a very William Devane-esque role.
Accordingly, The Dark Knight Rises is not a perfect movie. It doesn’t have the intricate plotting of its predecessor (2008’s The Dark Knight, like you didn’t know). Any socially conscious message about “the 99% vs. the 1%” is lost in Bane’s repurposed sloganeering and Selina Kyle’s disillusionment. In one spot, the movie seems to skip dusk entirely, going from twilight to pitch-black night in less than eight minutes.* Furthermore, although I hate to disagree with Sean, at times Bane sounds like Darrell Hammond’s Sean Connery (and apparently — beware of spoilers past the link — I am not the only one who thinks so).
Nevertheless, its epic ambitions are mostly realized, and it exists mainly to give its principals (i.e., just about every major character still left from 2005’s Batman Begins) closure. This, I want to emphasize, it does exceptionally well. Four years ago I compared The Dark Knight to David Fincher’s serial-killer meditation Zodiac, but this time I’m going with Doctor Zhivago by way of James Bond. A macro-level exploration of Begins’ “why do we fall?”, it builds to a thrilling, triumphal, bittersweet final shot. I’m looking forward to seeing it again, and eventually to examining the trilogy as a whole.
Despite all of the fallout, and guffaws, from the Great Left-Wing Bane Conspiracy, Conan O’Brien suggests we shouldn’t be so quick to dismiss the theory. “Now before you judge Rush Limbaugh, I’ve seen The Dark Knight Rises,” he teased on last night’s Conan. “I think Rush might have a point.”
To back up his assertion, O’Brien rolled out a trailer for the Christopher Nolan film that features Tom Hardy’s Bane growling never-before-heard dialogue like, “I’m going to torture you like a dog tied to the top of my car” and “The streets will run red with blood before I release my tax returns.”
The Dark Knight Rises, with real dialogue from
Bain Bane, arrives in theaters at midnight.
Legal | In a motion for summary judgment filed Monday in the long-running legal battle for the rights to Superman, attorneys for Warner Bros. are revisiting their 2009 argument that the estate of Joe Shuster has no grounds to reclaim the artist’s share of the copyright to the Man of Steel. They point to a 1992 agreement in which the estate relinquished all claims in exchange for “more than $600,000 and other benefits,” which included DC Comics paying Shuster’s remaining debts follow his death earlier that year, and providing his sister Jean Seavy with a $25,000 annual pension. Daniel Best has the documents, while Jeff Trexler provides context, noting that the new filing “filing wasn’t a Perry Mason-esque unveiling of surprising new facts. Rather, it was a routine motion for summary judgment.” A hearing is scheduled for Aug. 20. [20th Century Danny Boy, The Beat]
When most comics fans see Bane, they think of a quintessential 1990s supervillain, the super-strong “Man Who Broke the Bat.” But when conservative radio commentator Rush Limbaugh sees Bane, he thinks of a left-wing conspiracy.
As Warner Bros. makes its final promotional push for The Dark Knight Rises, which features Tom Hardy as Batman’s hulking nemesis, Limbaugh launched into a screed linking the prominence of Bane in entertainment news with the prominence of Bain — that is, the venture-capital company co-founded by Mitt Romney — in the political debate. Oh, don’t act surprised.
“Do you think it is accidental that the name of the really vicious fire-breathing, four-eyed whatever-it-is villain in this movie is named Bane?” The Hollywood Reporter quotes Limbaugh as saying on today’s show. He apparently acknowledged that the development of the Christopher Nolan film predates the current line of attack by President Obama’s reelection campaign, but even the pesky tendency of time to move in a linear fashion — retroactive retirements aside — can’t get in the way of a good conspiracy theory!
In case we didn’t already miss DC Comics’ Elseworlds imprint enough, at Comic-Con International on Sunday Cartoon Network premiered a fantastic clip from DC Nation’s three-part short series “Batman of Shanghai,” featuring an anime-influenced Catwoman in 1930s China (there’s also a cameo by a floppy hat-wearing Bane). If DC Comics doesn’t do something with Shanghai Catwoman — I love that character design — well, they’re really missing the boat. Maybe they can relaunch the character’s solo title (again) in the next wave of the New 52.
Check a somewhat shaky, but surprisingly decent-quality, fan-captured video of the clip below.
Mimoco has introduced adorable MIMOBOT designer USB flash drives featuring Superman, The Flash, and Batman and Bane from The Dark Knight Rises. They join the previously released Batman and Green Lantern series. However, Bane is a limited-edition Comic-Con exclusive, meaning you’ll have to trek to San Diego, or have a friend pick one up for you (or, y’know, pay a minor fortune on eBay).
Mimico is counting down to Comic-Con by revealing a new exclusive or premiere each Tuesday at midnight until the convention begins. These DC Comics drives are only the first, so there are four more sets to go. Check out the individual drives below, along with a MIMOBOT Dark Knight Rises teaser.
Since the March solicitations kick off the back half of the New 52’s first year, it’s probably worth noting that the whole line remains unchanged: no “midseason replacements” like Justice Society, but no cancellations either. If I hear relieved sighs from OMAC and Men of War, certainly Dan DiDio and Jim Lee have to be pleased generally that they’ve gotten this far with the 52 intact.
Well, pleased or stubborn, I suppose. Sometimes it’s hard to tell the difference.
Ahem. Away we go…!
One of my pet peeves about the New-52 is the sense that it lacks a meaningful “history.” For at least the last few decades, a reader might not have known exactly what had happened or when, but s/he could tell that these characters hadn’t just fallen off the turnip truck. I say this because the solicits for Justice League #7 and Flash #7 both allude to their books’ untold backstories. With Justice League, we’ll learn about membership turnover and other details of the five years between the League’s debut and today. (To be sure, some of that has already been alluded to in the League’s previous present-day appearances, like JL Dark #1.)
I was going to open with some snotty Wow, the holidays went by super-quickly! comment, but then I read the first issue of Justice League in seven weeks. Sometimes DC gets ahead of itself; sometimes it’s a little behind. Happens to the best of us — sometimes you do two solicitation roundups in three weeks….
Anyway, with the January solicitations, the New-52 books each turn five issues old. Series wrapping up their first arcs this month include Blackhawks, Batwoman, Animal Man, and the Deadman feature in DC Universe Presents. (Not to worry about the latter, because there is a lot of Deadman in these solicits.) I’m not sure why five issues is such a wonky number for story arcs — there are five-issue miniseries all the time and they collect just fine. Still, I expected most of the New-52 books to take six issues for their introductory stories, and most of them may yet do that. Only a few books look to finish their first arcs after December’s issue #4s (Hawkman and Frankenstein, probably OMAC, maybe Batgirl), and those plus this month’s are barely an eighth of the relaunched line. It makes next month’s solicits more intriguing, I suppose.
Regardless, we live in the now (as it were…) so — onward to January!
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