Rob Liefeld Looks Back on Deadpool's Real Secret Origin
Comic Books, Film
New comics come out every week, by the dozens. Add that up by the month or the year, and it’s virtually impossible to keep track. Certain runs on some titles rise to the top by a mixture of critical acclaim, proper marketing and the right timing, but if all of those factors aren’t perfectly aligned, good comics fall by the wayside.
In this edition of ROBOT 6’s “Six by 6,” we look at six noteworthy creative runs on superhero comics worth a second look, even if that means a trip to the back-issue bin.
Comic creators come and go, but it’s the ones who stick around and become veterans who tend to make the biggest mark on the industry. Some work continuously in comics while others take a hiatus from the business and then return later: Jack Kirby did it, as did James Robinson, Alex Toth, Brian K. Vaughn and others.
One of the most recent big splashes by a returning veteran has been Greg Capullo, who took a hiatus from comics in the 2000s after making a name for himself on Spawn, X-Force and Quasar. In 2009, he limbered up working on Image’s Haunt and sealed the deal when he jumped to DC Comics in 2011 to relaunch Batman with Scott Snyder. That got me thinking: Are there other creators floating around on the outskirts of comics, or outside of comics completely, who could pose a formidable force if they returned to comics — and more importantly, if the comics industry knew how to use them? It’s with that in mind that I compiled this list.
It’s time once again for our monthly trip through Previews looking for cool, new comics. Michael, Graeme, and Chris Arrant have each picked the five new comics we’re most anticipating in order to create a Top 15 of the best new comics coming out two months from now.
As usual, please feel free to play along in the comments. Tell us what we missed that you’re looking forward to or – if you’re a comics creator – mention your own stuff.
The Golden Age of DC Comics: 1935-1956 HC (Taschen, $59.95): If you were as jealous of everyone who could afford the mammoth 75 Years of DC Comics: The Art of Modern Myth-Making from a couple of years ago as I was, here’s some great news; Taschen is reissuing the material in a series of different (cheaper) volumes, reworked and expanded with new art and commentary by Paul Levitz. The next in the series, covering the Silver Age, is the one I’ll really covet, but you know that this will be awesome.
Julio’s Day HC (Fantagraphics Books, $19.99): Continuing my education in all things Love and Rockets, this never-collected Gilbert Hernandez strip from the second series of L&R is one of those things that goes on my “Want” list almost as soon as I discovered it existed.
Multiple Warheads: Alphabet to Infinity #1 (of 4) (Image Comics, $3.99): I’ve been waiting for more Multiple Warheads since Oni Press put out the first issue a few years back. Now that I know it’s 48 pages for just $3.99 and in color, it seems worth the wait. Brandon Graham is an amazing talent.
Sailor Twain HC (First Second, $24.99): I dropped off Mark Siegel’s amazing webcomic online fairly early, promising myself that I’d get the inevitable collected edition when it was all done and read it in one sitting. I’m glad it’s finally here.
The Zaucer of Zilk #1 (of 2) (IDW Publishing, $3.99): Without doubt, my favorite superhero comic in years – I read it in its 2000AD incarnation – I am overjoyed to see this get a US release like this. Hopefully, everyone will read it and realize just how great Brendan McCarthy and Al Ewing are, leading to all manner of zequels (sorry, I couldn’t resist).
If you’ve been a comic fan for any length of time, you’ve come to appreciate the talent and skills of certain creators. Whether they be mainstream heavyweights to cult-favorite indie cartoonists, they’re a big draw for you as a reader — and someone whose work you’d buy, sight unseen, based on their previous work you’ve loved. But just like childhood friends and lovers, sometimes they disappear, and a small piece of you longs to see them again.
Without getting too sentimental, here’s a list of some comic creators I’ve grown to love over the years that have (unfortunately) dropped off the American comics scene by-and-large. If you know them, tell them I’d raid my bank account for new work by them!
Brian K. Vaughan: Arguably one of the 21st century’s most successful creator-owned comic creators outside of Robert Kirkman, Brian K. Vaughan worked through the ranks at Marvel and DC to do both great company-owned superheroes like Runaways and The Hood, and his own inventions. After signing on to the TV series Lost, Vaughan has slowly drifted away from comics with his last series Ex Machina ending last year. DC just put out a collection of his Batman work, but no new work has been formally announced. In Vaughan’s last major recent interview, the writer states that while he’s become embroiled in movies and television, he “craves comics.” Among several television and movie projects in the works, Vaughan says that he has new comics stuff “percolating in the background.”