Bart Sears
Industry vet Bart Sears releases first sketchbook
An interesting thing popped up in my morning stroll through RSS feeds of interesting sites: artist Bart Sears is doing his first sketchbook. Titled Odds-n-Ends, the book promises 52 pages “crammed with sketches, drawings, designs” including many unpublished works. It’s an interesting piece from an interesting, and largely overlooked, comic artist.
Sears is a unique figure in comics. He’s worked in most every corner of the comics industry, from Justice League Europe to Todd McFarlane’s Violator, and was even the art director at CrossGen for a time. Many fans probably remember him for his instructive art column “Brutes & Babes,” in Wizard magazine. In the past few years, Sears has worked largely outside of comics, as an in-house concept artist for video game developer Heatwave Interactive. The few comics he has done recently were published by Dark Horse: a miniseries titled The Helm and a two-issue Conan series with fellow CrossGen alum Ron Marz.
Sears’s art style is like a dynamic mind-meld of the sinewy style of Barry Windsor-Smith crossed with the muscled men and women of Boris Vallejo. His work goes to the root of power-fantasy, making him hyper-specialized so that only certain kinds of books would fit his work. I wouldn’t be surprised if Marvel, DC or another publisher someday finds that right book that shows off Sears’ work to its fullest. This sketchbook offers a unique glimpse at what the artist himself might want to draw, and might give some ideas for readers and comics staffers as to where Sears could fit.
Food or Comics? | D is for Daredevil, DeConnick, Deadlands and ducks
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.
Check out Diamond’s release list or ComicList, and tell us what you’re getting in our comments field.
Graeme McMillan
As we’re heading towards the middle of August, it’s no surprise that curiosity is getting me to pick up more than a few DC books just see how particular series “end;” I’d be getting Justice League of America #60 and Legion of Super-Heroes #16 (both DC, $2.99) anyway, because I’ve been following those series for awhile, but I’m likely to add Batman #713 (DC, $2.99) to the pile as well, if only to see the explanation as to why Dick quits being Batman before the big relaunch. But it’s not all endings for me with my $15 this week; I’d also make a point of grabbing Daredevil #2 (Marvel, $2.99), because the first issue was just breathtakingly good, and the series became a must-read before I’d even reached the last page.
If I had $30 this week, I’d add to my list of DC final issues with Supergirl #67 (DC, $2.99), which Kelly Sue DeConnick has talked up in interviews as being the highpoint of her short run to date and a great capper to the series as a whole. I’d also check in with the third issue of David Hahn’s All Nighter (Image, $2.99), as well as see if Nick Spencer’s Iron Man 2.0 is worth a look with the mini-collection of the first three issues, Iron Man 2.0: Modern Warfare (Marvel, $4.99).
First look: Conan: Island of No Return, Solomon Kane: Red Shadows covers
Courtesy of our friends at Dark Horse, we’re pleased to bring you a couple of cover reveals for their June-shipping books. First up is Conan: Island of No Return #1, above, which is by Michael Kutsche. The book itself is by the team of Ron Marz, Bart Sears and Randy Elliott, features Conan teaming up with a pair of sister thieves for a heist.
And after the jump you’ll find the two covers for the third issue of Solomon Kane: Red Shadows, by Guy Davis and Gregory Manchess. In that issue, Bruce Jones and Rahsan Ekedal take Kane to Africa. You’ll also find complete solicitation information for both books.
Click below for high adventure …

